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Posts Tagged ‘cinema

“The cinema is an invention without any future”*…

Some lost films are more lost than others. There are very early works that no one now alive has seen, and we have little hope of recovering. While later silent feature films were duplicated and distributed widely, there are hundreds of short experiments by the first film-makers, movies no more than a few seconds long, that no longer exist even as a memory.

It seemed too good to be true, then, that lost films by Georges Méliès could really have been found by chance in a German bookshop in 2013. Yet a dogged research project by an independent scholar from France, Thierry Lecointe, has helped uncover miraculous images from lost films, not just by Méliès, but also by Alice Guy-Blaché.

The frames were preserved as images printed on to the card pages of tiny flipbooks. With digital technology, the flipbooks, known as folioscopes, have now become something like film fragments again. The photographer Onno Petersen shot each page in high-resolution and the motion-picture restoration expert Robert Byrne, from the San Francisco Silent Film festival, produced animations revealing such treats as a long-lost magic trick, dance, comic sketch or a train caught on camera more than a century ago

Some of the earliest experiments in film 120 years ago were reproduced as flipbooks for wider audiences. Now a painstaking restoration project has brought long-lost gems back to life: “What the flip! The chance discovery that’s uncovered treasures of the very earliest cinema.”

See also Variety‘s account of a similar reclamation project: “George Melies Flip Book Sets off Crowdsourcing.”

* Cinema pioneer Louis Lumière… who was, happily, wrong

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As we enjoy our popcorn, we might recall that it was on this date in 1942 that “Tweety,” the star of 46 Looney Tunes and Merrie Melodies cartoons, made his official debut in “A Tale of Two Kitties.”

Originally created by Bob Clampett (who also created the first version of Bugs Bunny and went to to such marvels as Beany and Cecil), Tweety was redesigned by Fritz Freleng– who took over when Clampett left Warner Bros, reimagined Tweety, and crucially, added Sylvester the Cat. The first short to team Tweety and and his hapless nemesis, 1947’s Tweetie Pie, won Warner Bros its first Academy Award for Best Short Subject (Cartoons). Both Tweety and Sylvester were, of course, voiced by the great Mel Blanc.

In related news, there is a live action reboot of Tom and Jerry on the way…

“It’s the end of the world as we know it and I feel fine”*…

Recently, the serious press has been abuzz with articles exploring the prospect of civilizational decline– or collapse. (C.f., “How Do You Know When a Society Is About to Fall Apart?” and “The Next Decade Could Be Even Worse.”) But perhaps, The Centre for Applied Echatology suggests, that focus is a bit too narrow…

The twenty-first century is unique in human history. At no other time has our species possessed more numerous and powerful means to end the world as we know it. The previous century gave us nuclear weapons; our own era adds new innovations — breakthroughs in artificial intelligence, nanotech, bioengineering, and other technologies — to the growing number of paths to anthropogenic apocalypse.

At present, it is difficult to estimate the likelihood of a global catastrophe. Researchers who study such scenarios vary in their conclusions. The best estimates place the chances of humanity surviving the present century somewhere between 9% and 50%. 

This is an unacceptable level of uncertainty. We can do better…

The Centre for Applied Eschatology is a transdisciplinary research center dedicated to ending the world. We connect professionals from the public sector, private industry, and academia to develop new knowledge and apply existing research to curtail the world’s long-term future. 

We’re working for no tomorrow, today…

Big changes start with small acts of individuals. Like you.

You may not know it, but you’re already helping. Every day... 

Housed at the arts non-profit Fractured Atlas, The Centre for Applied Eschatology makes its point in a powerfully– and painfully- ironic way: “Bringing an end – to everyone, everywhere!

[TotH to friend MS]

{image above: source]

* REM

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As we contemplate conclusion, we might note that it will be on this date in 2115 that the film 100 Years will be released. Written by (and starring) John Malkovich and directed by Robert Rodriguez, its advertising tagline is “The File You Will Never See.”

Malkovich and Rodriguez announced in November 2015 that they had teamed with Louis XIII Cognac, owned by Rémy Martin, to create a film inspired by the hundred years it takes to make a bottle of Louis XIII. Pending release, the film is being kept in a high-tech safe behind bulletproof glass that will open automatically on this date in 2115, the day of the film’s premiere. One thousand guests from around the world, including Malkovich and Rodriguez, have received a pair of invitation tickets (made of metal) for the premiere, which they can hand down to their descendants. The safe in which 100 Years is kept was showcased at the 2016 Cannes Film Festival (and a few other cities) before being returned to Cognac, France and the Louis XIII cellars.

See a teaser trailer here.

source

“Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other.”*…

“Corporate personhood” is– justifiably– a hot topic in the U.S. By dint of a questionable precedent and the legal superstructure that’s grown atop it, corporations here now have have the rights enjoyed by individuals (including the “free speech” right to make unlimited political contributions to PACs) even as they are free of many of a “real” person’s responsibilities.

But there corporations in other countries that are, in a very meaningful way, actually a person. The ever-illuminating McKinley Valentine points us to the intrigue surrounding one of South Korea’s leading chaebols (enormous conglomerates controlled by a single owner/family):

… if, like me, you enjoy mystery and conspiracy and watching too many political thrillers until they permanently damage your brain you will find this story fascinating.

A thread by John Yoo. He’s far from the only person talking about it, but he sums it up really well.

Chairman of Samsung is probably dead but we are all pretending he is alive because if he dies, the country will probably go into an economic death-spiral.

Samsung usually accounts for 20% of the exports of the entire country of South Korea. As a single group, it’s a conglomerate with either large or controlling market share in tech, construction, finance & insurance, hospitality, security, travel, food, retail producing 12% of GDP.

Almost $1 in every $5 in the country brought in from abroad is by Samsung.

[McK paraphrase: a whole ecosystem of suppliers and purchases has built up around Samsung, and is completely reliant on it. These would fail within months if Samsung collapsed] [not a whalefall situation, apparently]

Enter Korean tax code. Korea has 50% inheritance tax on assets above $2.5m. When Lee Gunhee dies, his family will owe the government $7b.

It is a fact that Chairman Lee Gunhee suffered a heart attack in 2014 and was hospitalized. Nobody but close family members have reported seeing him. People who claimed he was dead have either disappeared or been arrested.

When his death was reported in 2014, the entire country flipped and the story was deleted because the news site said that the whistleblower disappeared.

It’s been five years and nobody can tell us his condition with certainty. Nobody has seem him…

“The chairman of Samsung is almost certainly dead.” Do read the entire thread. And do consider following McKinley’s newsletter, The Whippet.

For more on the Samsung saga, see here (the source of the photo above); and for an explainer on chaebols, here.

* Yuval Noah Harari, Sapiens: A Brief History of Humankind

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As we stew over Succession, we might wish a stony-faced Happy Birthday to “the greatest actor-director in the history of the movies” (quoth Roger Ebert); Joseph Frank “Buster” Keaton was born on this date in 1895.

As a young vaudevillian, Keaton met silent star Fatty Arbuckle.  Keaton borrowed Arbuckle’s crew’s camera, took it back to his boarding house, disassembled and reassembled it, then returned to ask for a job.  He was hired as co-star and gag man on “The Butcher Boy”– and soon became Arbuckle’s “second director” and his entire gag department.  Keaton soon earned his own unit, and began churning out two-reelers.  Leo McCarthy (director of Charlie Chase, Laurel and Hardy, the Marx Brothers, Mae West, and others) recalled, “All of us tried to steal each other’s gagmen. But we had no luck with Keaton, because he thought up his best gags himself and we couldn’t steal him!”

From 1920 through 1929, Keaton made Our Hospitality, The Navigator, Sherlock Jr., Seven Chances, Steamboat Bill Jr., The Cameraman, and The General— gems all.  Indeed, Henson collaborator Orson Welles considered The General to be, “the greatest comedy ever made, the greatest Civil War film ever made, and perhaps the greatest film ever made.”

With the advent of sound, Keaton’s career took a sideways turn.  While he appeared in a number of feature films, guested on many television series, and even served as an advisor to Lucille Ball on I Love Lucy, he was never again the monster star that he had been on the silent screen… which adds to the power– and the poignancy– of his penultimate role: the lead in the only movie written by Samuel Beckett, the (nearly) silent Film.

source

Written by LW

October 4, 2020 at 1:01 am

“What’s a bigger mystery box than a movie theater?”*…

Arman Cinema / Viktor Konstaninov, architect. Almaty, Kazakhstan 1967

“Eastern Bloc Architecture: 50 Buildings that Defined an Era” is a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Each publication has released a round-up of five– so ten in total– Eastern Bloc projects of different sorts. The above, from: “Eastern Bloc Architecture: Sci-fi Cinemas.”

More where that came from at “Eastern Bloc Architecture: 50 Buildings that Defined an Era.”

* J.J. Abrams

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As we take our seats, we might send brief birthday greetings to Valentin Sergeyevich Pavlov; he was born on thus date in 1937. A Russian economist and politician, he served as Prime Minister of the Soviet union for 9 month in 1991. During his tenure he oversaw a major currency reform and (concerned to prevent the break-up of the USSR) he attempted to shift the locus of power from the President– Gorbachev at the time– to the Prime Minister and the Cabinet of Deputies. When that move failed, he joined a coup attempt… which, when it too failed, cost him his post and landed him in prison.

source

Written by LW

September 26, 2020 at 1:01 am

“Gentlemen, you can’t fight in here! This is the War Room!”*

 

Dr S 1

 

In “Dr. Strangelove Dr. Strangelove,” Kristan Horton imitates the glorious satirical film Dr. Strangelove, using common household objects to re-create the world created by Kubrick—silverware become an airplane, plastic and coffee grounds become the sky…

sky

Dr S 3

radar

The sublime, recreated with the mundane: “Dr. Strangelove Dr. Strangelove,” via the ever-illuminating The Morning News.

See also the “3-D Rooms Project.”

* Peter Sellers as President Merkin Muffley, one of three roles he played in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, produced, directed, and co-written (with Terry Southern, very loosely based on a novel by Peter George) by Stanley Kubrick

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As we ride it down, we might recall that it was on this date in 1883 that the volcano at Krakatoa (Krakatau) erupted with full force.  The sound was heard over 2,000 miles away (that’s over 7.5% of the earth’s surface– the equivalent of an explosion in New York City being heard in San Francisco); tsunamis caused by the great blast killed 36,000 people in Java and Sumatra.

But there was another sense in which Krakatoa was importantly “the sound heard ’round the world”:  While news of Lincoln’s assassination (only 18 years earlier) had taken almost two weeks to reach London,  Europe and the U.S. knew of Krakatoa in about four hours.  In the years between 1865 and 1883, there had been three interrelated developments: the global spread of the telegraph, the invention of Morse Code, and the establishment of Reuter’s news agency… and the world had become much smaller.  (C.F., Tom Standage’s marvelous The Victorian Internet for the details– both remarkable and altogether resonant with today.)

As big as the explosion was, it was not the biggest in history: experts suggest that Santorini’s eruption in 1628 BCE was three times as powerful.

300px-Krakatoa_eruption_lithograph source

 

Written by LW

August 26, 2020 at 1:01 am

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