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Posts Tagged ‘fear

“It turns out that we’re actually capable of something other than neoliberalism and actually we’re really capable of enjoying ourselves more than we do under neoliberalism”*…

… but the path from here to there, the estimable Brad DeLong warns, could be overcast. In notes for his lectures to his Econ 135 class at Berkeley (“The History of Economic Growth,” shared in his terrific newsletter, Grasping Reality) he begins with an explanation of neoliberalism [also explained here– source of the image above], then considers what might be next…

So what is coming after neoliberalism?

First, one thing that is coming, at least here in America, is renewed or perhaps novel attention to places. Places have never been important in American identity. American identity has, instead, long been defined by a focus on mobility and opportunity. Americans are people who have moved to new places—undertaken errands unto the Wilderness—precisely because of the mistakes being made in and the limitations circumscribing their choices where they were. Americans are people who have abandoned some Old World because of its mistakes, and have moved to a New World to remake themselves and make a new society that will at least make different mistakes. The promise of more abundant resources and the chance to build a better life has driven this pattern of migration and reinvention. Thus the advice given to those who find their birth-region constraining or insufficiently prosperous has always been “go west!”: move to opportunity.

My Richardson ancestors were farmers in the hilly, rocky terrain of New England in the 1840s. Farming the land was difficult. To say that New England soil is “stony” is to greatly understate the case, as you can see even today from the ubiquitous stone walls found throughout New England all built from rocks that had to be removed from the fields before farming could even begin.

The Richardson family decided to leave New Hampshire and traveled down the Ohio River to St. Louis, where they established a pharmaceutical company: the Richardson Drug Company. The family story is that they specialized in cocaine—legal at the time, and their cocaine products were very low concentration, nothing like lines or crack. But, still, my ancestors became the very first cocaine pushers west of the Mississippi in St. Louis. The company was quite successful for two generations. Then, one New Year’s Day, a catastrophic fire destroyed their chemical plant. The fire department was, the story goes, slow to respond, as they were recovering from New Year’s Eve. And how does a catastrophic fire start when the plant is entirely shut down for the holiday. I am suspicious of my ancestors.

Rather than rebuild the plant, the Richardsons opted to take the large insurance settlement and shift their focus to banking. The course of the Richardsons is thus a very American story: change who you are and what you are doing and where you are doing several times over the course of even a few generations.

The Neoliberal Order was about capitalism but it was also about freedom. And one aspect of this freedom was freedom to successfully organize to resist being dominated by the behemoths of the New Deal Order: Big Government, Big Business, Big Labor, and also Big Cultural Expectations. The assumption that your husband should get a job with a large corporation and commute by car as you moved to suburbia and that you alone should raise the children was an essential part of the New Deal Order. And it called forth a middle-class feminist rebellion. The assumption that Blacks should largely stay in their place and be happy with slow advances toward equal rights and a small share of the benefits from social-insurance programs was an essential part of the bargains in the 1930s that formed the New Deal Order. The Black Civil Rights movement was not in itself neoliberal, but was an expression of the underlying anti-system anti-bureaucracy current. And with respect to land-use planning—Big Government bureaucrats should not be able to assist Big Finance money and Big Business bulldozers to order you around and bulldoze and “renew” your community. It was individual unbureaucratic enterpreneurship that was supposed to be beautiful. Hence NIMBYism (Not In My Backyard-ism) as we know it today is an important piece of the Neoliberal Order, as it actually was on the ground.

Consider San Francisco’s Embarcadero Freeway, an 8-story, 90-foot high structure that blocked views of the ocean and bay. Residents preferred to maintain the open views rather than prioritize faster commutes for drivers from Marin County. This was seen as a victory for rational, people-centered development at the time. And the post-1989 earthquake removal of the initial parts of the Embarcadero Freeway was a huge win—it resulted in a much more pleasant and open waterfront area for residents and visitors to enjoy.

But in the long run NIMBYism has been a disaster. Berkeley houses no more people now than it did fifty years ago. So housing prices have skyrocketed, and the guy who runs the Little Farm Children’s Center in Tilden Park has to commute from beyond the Altamont Pass.

NIMBYism killed America’s tradition of moving to opportunity stone dead. This has been a very powerful if indirect cause of rage against The Neoliberal Order Machine. Thus the growing call for place-based policies to make opportunity move to where people are, instead of assuming people will move to opportunity. The Polanyian right to the land—to keep Schumpeterian creative-destruction from destroying your community as a side-effect of its pursuit of profit—is and will take a more prominent role in whatever comes after the Neoliberal Order.

Second, the “after” will include explicit industrial policies. The Neoliberal Order was about hyperglobalization. Under the Neoliberal Order it was assumed that free trade and laissez-faire policies were beneficial for all. They were beneficial for the Global North as they heightened the concentration of high-value and high-externality activities like science, engineering, and worthwhile manufacturing within itself. And they were beneficial for the Global South because only the threat that economic activity and talented people would leave could curb the predatory instincts of Global South governments. The concerns of economists like W. Arthur Lewis that trade in a globalized market on terms increasingly tilted against primary products actually developed the fact of underdevelopment were pushed to one side.

But now the assumption that free trade works to concentrate high-value and high-externality activities like science, engineering, and worthwhile manufacturing in the United States is very much in doubt. The CHIPS Act of the Biden administration signals the end of the belief that the global market was working in America’s favor. The CHIPS Act represents a shift away from the implicit acceptance of the global market’s inequities now that they no longer seem to be working so strongly in America’s favor. Instead, there is now a demand for more explicit industrial policies as an alternative..

Third, the “after” will include a strong demand for champions of the people. There is growing recognition that neoliberalism has led to an unfair domestic plutocracy. The 2008 Republican presidential and vice-presidential ticket was almost composed of individuals who collectively owned 20 houses—John McCain owned 12 houses, and Mitt Romney owned 8. Political advisors felt that that foreclosed choosing Romney as likely to make the ticket look ridiculous, and so they prevailed on McCain to choose the very odd Alaska Governor Sarah Palin insted.

What to do about plutocracy, where there is a growing belief that the system is working not for the people but for the super-rich and for their rootless cosmopolite allies and clients? Power requires countervailing power. Hence what is needed is someone powerful to vindicate the interests of the common people, rather than of some privileged élite: a strongman to disrupt the status quo and the inertia of “business as usual”.

It has never been the case that the “strongman” has to come from the people. Indeed, often in history a plutocrat, oligarch, or aristocrat has been preferred—a “class traitor” as other members of Harvard’s Porcellian Society whispered about their fellow member, New Deal President Franklin Delano Roosevelt. The idea is that only someone who has thoroughly benefitted from being in the system and knows it inside and out will know enough about its vulnerability to be able to disrupt it.

Analogously, consider Andrew Jackson. He positioned himself as a defender of the common people against the system—land speculators, Philadelphia financiers, and corrupt politicians who together made sure that the people could not prosper as America grew.vJackson presented himself as an outsider who would protect the interests of the “Kentucky frontiersmen” against the domestic élite, even though he himself was no true frontiersman.

Indeed, the earliest examples of strongman politicians overthrowing existing oligarchic systems to vindicate at least the short-run interests of a broader “people” come from the early days of Classical Hellenic civilization. Peisistratos, Tyrant of Athens in the -500s, is the prime historical example. The Tyrants abolished debt slavery, canceled the debts of the overindebted, and redistributed land more equitably—paving the way for the establishment of Hellenic democracy, which was a very attractive civilization as far as the societies of domination of those days went.

Unfortunately for us, the champions of the people being chosen today appear more fascist than populist—more interested in telling people what to do to make them followers to burnish the glory of the leader than in lifting the burdens from the people by cancelling the debts and redistributing the land—and more kleptocrat than plutocrat, with the leader’s skills more in running a con game than in understanding the workings of the system.

Fourth, what is coming after the Neoliberal Order appears to be a politics of fear: fear of the diverse, fear of the woke, fear of the other—whatever the other is, people who seem strange and weird—and fear of the rootless cosmopolite.

In the last analysis, the Neoliberal Order fell because it did not deliver the goods. Free markets and largely ineffectual gestures at freeing-up individual autonomy from bureaucracy were not enough to create a society where people felt at home, even if there was a great expansion of individual freedom to choose elsewise than commanded by formerly-dominant social norms. But the failure of the past Order did not in itself bring a new one into existence. In this sense we are in a similar period of uncertainty to that of the late 1920s and early 1930s. Back then, before he died in Mussolini’s jail, the Marxist thinker Antonio Gramsci observed: “The Old Order is dying, and the New Order appears perhaps to be stillborn: now is a time of monsters”…

Oh, to be able to go back to school… Eminently worth reading in full: “Neoliberalism & After,” from @delong.bsky.social. See also the notes from a proximate lecture: “Post-2010 “Polycrisis”: Culture, Communications, Politics, & War.”

* “It turns out that we’re actually capable of something other than neoliberalism and actually we’re really capable of enjoying ourselves more than we do under neoliberalism. It feels that if neoliberalism is first about privatizing desire and imagination before the economy, then we’re in this process of publicizing it again.” – Rebecca Solnit

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As we fumble with the future, we might recall that it was on this date in 1968 that 60 Minutes, which had premiered two months earlier, introduced its trademark “ticking stopwatch” opening logo/transition. 60 Minutes is, of course, the most-watched television news show in history.

Since near the show’s inception in 1968, the opening of 60 Minutes features a stopwatch. The Aristo (Heuer) design first appeared in 1978. On October 29, 2006, the background changed to red, the title text color changed to white, and the stopwatch was shifted to the upright position. This version was used from 1992 to 2006 (the Square 721 type was changed in 1998). Source

“Horror is a universal language; we’re all afraid”*…

The Exorcist

It’s that time of year again…

Why do so many people voluntarily seek out entertainment that is designed to shock and scare them? What do they get out of it? A thrill, a jolt to the nervous system – or is there something deeper going on?

Horror movies come in various forms, which can be divided into two main subgenres: supernatural ones (think of wailing ghosts, rotting zombies or mind-shattering abominations from forbidden dimensions), and the more psychological (your masked-serial-killers and giant-reptiles varieties). Common to them all is that they aim to evoke negative emotions, such as fear, anxiety, disgust and dread. They also tend to be enormously popular. According to a survey my colleagues and I conducted a few years ago, more than half of US respondents – about 55 per cent – say they enjoy ‘scary media’, including movies such as The Exorcist (1973), books such as King’s Salem’s Lot (1975) and video games such as Amnesia: The Dark Descent (2010).

What’s more, people who say they enjoy scary media really mean it. We also asked our respondents how frightening they wanted their horror to be. It might sound like a weird thing to ask – like asking how funny they want their comedies to be – but we wanted to test an old Freudian idea that the negative emotions elicited by the genre are unfortunate byproducts; a price that audiences are willing to pay in order to watch movies that allow them to confront their own repressed desires in monstrous disguise. But that’s not what we found. About 80 per cent of our respondents said they wanted their horror entertainment to be in the moderate-to-highly frightening range. By contrast, a measly 3.9 per cent said that they prefer horror that’s not scary at all.

So, fear and the other negative emotions are central to the appeal of horror, a fact not lost on the creators of horror entertainment. Surely you’ve seen movie trailers claiming to be ‘The scariest movie of all time!’ or promising to make you sleep with the lights on for weeks afterwards. More inventively, the US filmmaker William Castle once took out life insurance on his audience. If any audience member died from fear as they watched his movie Macabre (1958), their bereaved ones would receive $1,000 from Lloyd’s of London. (Nobody did die. But the gimmick surely drew more horror hounds to the picture.)

Unsurprisingly, given their appeal, horror movies are big business. In 2019, 40 new horror movies were released in North America, grossing more than $800 million in the domestic theatrical market alone. Likewise, the US haunted attractions industry is growing steadily, in 2019 generating up to $500 million in ticket sales. The following year, 2020, naturally saw lower numbers, but even in that year of COVID-19 lockdowns and empty movie theatres, horror movies broke all previous records in terms of market share. That development continued into 2021, with the horror genre now accounting for almost 20 per cent of the market share at the US box office. Evidently, people want scary entertainment, even when you’d think the real world was scary enough.

Despite the broad appeal of the horror genre, it is haunted by bias and prejudice. Many people, apparently, think that horror movies are dumb, dangerous or both – artistically unsophisticated, morally corrosive, and psychologically harmful, with a dubious appeal primarily for maladjusted teenage boys. But what does the science say?

Firstly, horror is not a particularly male genre. While boys and men are slightly more likely than girls and women to say that they enjoy horror, the difference is much smaller than many people seem to think. In our aforementioned survey, when we asked to what extent respondents agree with the statement ‘I tend to enjoy horror media’, on a scale from 1 to 5, men averaged at 3.50, whereas women averaged at 3.29.

Secondly, horror movies are not only watched by teenagers. Yes, the movies are often marketed to that audience, and the appetite for horror does seem to peak in late adolescence, but it doesn’t emerge out of the blue the day that kids turn 13, and it doesn’t disappear in older people either. An ongoing research project of ours is finding that the desire to derive pleasure from fear is evident even in toddlers, who universally enjoy mildly scary activities, such as chase play and hide-and-seek. Even old folks seem to enjoy the occasional thrill provided by mildly frightening media such as crime shows. The British crime drama Midsomer Murders (1997-) always seemed to me like light horror for seniors, with its eerie theremin theme tune and the inexplicably abundant, often startlingly grisly murders in the otherwise peaceful fictional Midsomer County.

Thirdly, there is no evidence that horror fans are particularly maladjusted, depraved or unempathetic. When my colleagues and I looked into the personality profile of horror fans, we found that they are about as conscientious, agreeable and emotionally stable as the average person, while also scoring higher than average on openness to experience (meaning that they enjoy intellectual stimulation and adventure). It’s true they do tend to score fairly highly on sensation seeking, which suggests that they tend to be easily bored and on the lookout for excitement. Maladjusted or depraved, though? Nope, no evidence.

If horror movies do not attract the maladjusted and the depraved, do they then create psychotic monsters? One might think so, judging from the moral panics that have surrounded the horror genre throughout its recent history, from Victorian-era concern over ‘penny dreadfuls’ – sensationalist, often spooky or grisly stories sold in cheap (one-penny) instalments – to modern-day media meltdowns over slasher movies…

There is no substantial evidence to support that concern – audiences know that what they are watching is fiction. The psychological effects of violent media are still discussed by scholars and scientists, but the ‘monkey see, monkey do’ model of media psychology has been severely criticised on methodological and empirical grounds, and now seems to have been abandoned by most experts. In fact, one recent study covering the period 1960-2012 in the US found that, as movie violence went up, real-world violence actually went down.

A taste for horror is natural and should not be seen as pathological. Kids who are attracted to monster comics such as Tales from the Crypt (1950-55) and The Walking Dead (2003-19) are perfectly normal, as are teenagers who love slasher movies or adults who enjoy haunted attractions. That taste makes good sense from an evolutionary perspective. People evolved to be curious about danger, and they use stories to learn about the world and themselves. Horror stories specifically allow them to imaginatively simulate worst-case scenarios and teach them about the dark sides of the world, and about the dark spectrum of their own emotional lives…

Horror movies… can function as inoculation against the stresses and terrors of the world. They help us improve our coping skills, and they might function as a kind of enjoyable exposure therapy. There is also some preliminary evidence to suggest that people who suffer from anxiety disorders can find comfort in horror movies, presumably because these movies allow them to experience negative emotions in controlled and controllable doses, practise regulation strategies, and ultimately build resilience.

In addition to those psychological benefits, there might be social benefits of watching horror movies. Consider how scientists of religion have puzzled over the prevalence of painful religious rituals. Why do people fire-walk and pierce themselves with sharp objects in religious contexts? Apparently, one major function is that such psychologically and/or physically painful behaviours strengthen group identity and make group members more altruistic toward each other. You go through a painful experience together, which reinforces group bonds. It’s a similar story for horror entertainment…

Horror movies have gotten a bad rap, but watching them has surprisingly wholesome effects: “Fear not,” from Mathias Clasen (@MathiasClasen), director of the Recreational Fear Lab (@RecFearLab) at Aarhus University in Denmark.

* “Horror is a universal language; we’re all afraid. We’re born afraid, we’re all afraid of things: death, disfigurement, loss of a loved one. Everything that I’m afraid of, you’re afraid of and vice versa. So everybody feels fear and suspense. We were little kids once and so it’s taking that basic human condition and emotion and just f*cking with it and playing with it. You can invent new horrors.” – John Carpenter (in a 2015 interview with Interview Magazine)

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As we shiver, we might send bracing birthday greetings to Robert Alphonse Picardo; he was born on this date in 1953. An actor probably most widely known known for his roles as Dr. Dick Richards on ABC’s China Beach; the Emergency Medical Hologram (EMH), also known as The Doctor, on Star Trek: Voyager; the Cowboy in Innerspace, Coach Cutlip on The Wonder Years (for which he received an Emmy nomination); and as Richard Woolsey in the Stargate television franchise.

But Picardo also has a distinguished resume in horror, having starred in The Howling (1981), Legend (1985), Munchies (1987), Bate’s Motel (1987), 976-EVIL (1988), Gremlins 2: The New Batch (1990), Matinee (1993), Tales from the Crypt (episode: “Till Death Do We Part”), Masters of Horror (episode: “Homecoming”), Sensored (2009), Monsterwolf (2010), Supernatural (episode: “Clap Your Hands If You Believe”), Trail of Blood (2011), Don’t Blink (2014), and Mansion of Blood (2015).

Picardo serves as a Planetary Society Board Member and host of The Planetary Post.

source

“The world is full of obvious things which nobody by any chance ever observes”*…

 

crime-perceptions

 

There’s a persistent belief across America that crime is on the rise.

Since the late 1980s, Gallup has been polling people on their perception of crime in the United States, and consistently, the majority of respondents indicate that they see crime as becoming more prevalent. As well, a recent poll showed that more than two-thirds of Americans feel that today’s youth are less safe from crime and harm than the previous generation.

Even the highest ranking members of the government have been suggesting that the country is in the throes of a crime wave:

We have a crime problem. […] this is a dangerous permanent trend that places the health and safety of the American people at risk. (then-Attorney General Jeff Sessions)

Is crime actually more prevalent in society?… crime rate data from the FBI shows a very different reality…

More on a phenomenon that would simply be bemusing if it weren’t driving both personal and governmental action: “The Crime Rate Perception Gap.”

* Sherlock Holmes, in Arthur Conan Doyle’s The Hound of the Baskervilles

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As we triple-lock our doors, we might recall that it was on this date in 1976 that Sesame Street aired episode #847, featuring Margaret Hamilton reprising her role as the Wicked Witch of the West from the 1939 film The Wizard of Oz.  It scared children so badly that the episode has never been re-aired. (This, after she had appeared as herself in three episodes of Mister Rogers’ Neighborhood, between 1975 and 1976– because Fred Rogers wanted his young viewers to recognize the Wicked Witch was just a character and not something to fear.)

220px-Sesame_Street_Margaret_Hamilton_Oscar_The_Grouch_1976 source

 

Written by (Roughly) Daily

February 10, 2019 at 1:01 am

“We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.”*…

 

The Chapman University Survey of American Fears Wave 3 (2016) offers a look into the fears of average Americans.  In April of 2016, a random sample of 1,511 adults from across the United States were asked their level of fear about 79 different potential sources across a huge variety of topics– crime, the government, disasters, personal anxieties, technology, and others.

As readers can see in the highlights chart above, the top anxiety suffered by Americans is “corrupt government officials”; fully 63% of respondents ranked it “Afraid” or “Very Afraid.”  That said, as readers will also see when they click through the link that follows, 10.2% percent of Americans are “Afraid” or “Very Afraid” of “zombies.”

Peruse the results at “America’s Top Fears 2016.”

* Plato

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As we overcome our wistfulness on remembering that this is Oscar Wilde’s birthday, we might recall that it was on this date in 1793, nine months after her husband, the former King Louis XVI of France, was beheaded, that Marie Antoinette followed him to the guillotine. (Readers who are parents– or collectors– can find commemorative dolls here.)

source

Written by (Roughly) Daily

October 16, 2016 at 1:01 am