(Roughly) Daily

“The most beautiful sight in a movie theater is to walk down to the front, turn around, and look at the light from the screen reflected on the upturned faces of the members of the audience”*…

Back in the early 1990s, movie theaters weren’t that great. The auditoriums were cramped and narrow, and the screen was dim. But in 1995, the AMC Grand 24 in Dallas changed everything. It was the very first movie megaplex in the United States. This is the gigantic, neon, big-box store of moviegoing that we’re all used to  today, and it’s easy to dismiss as a tacky ‘90s invention. But the megaplex—specifically this first megaplex in Dallas—upended the entire theater business and changed the kinds of movies that got made in ways you might not imagine…

A plethora of choice, stadium seating, a surge of independent films, the move to 3-D and IMAX– how the rise of the multi-cinema shaped movie-going and movies: “The Megaplex!” from the ever-fascinating 99% Invisible.

* François Truffaut, as quoted by Gene Siskel

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As we salt our popcorn, we might recall that it was on this date in 1921 that The Cabinet of Dr. Caligari was released in the U.S., roughly a year after it’s release (as Das Kabinett des Doktor Calagari in its native Germany. Directed by Robert Wiene and written by Hans Janowitz and Carl Mayer, it is considered the quintessential work of German Expressionist cinema… and was hailed by Roger Ebert as arguably “the first true horror film” and by Danny Peary as cinema’s first cult film and a precursor for arthouse films.

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Written by (Roughly) Daily

March 19, 2021 at 1:01 am

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