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Posts Tagged ‘movie theater

“I want people to walk into a movie theater and be transported to a different world”*…

In the fall of 1997, a blurb appeared in the Atlanta Business Chronicle. AMC Theaters was launching a “brand new concept… a fancy interior that transforms the otherwise plain theater into a science-fiction, high-tech experience,” replete with decorative planets, the colors teal, purple, and yellow, and a “generally upbeat design.” Its name: the Odyssey…

If you went to the movies around this time anywhere in the United States, you might’ve registered a similar aesthetic. Like cartoon corporatism and hypermodernism getting smashed through a cultural particle collider. It was ambient and nearly universal, and yet absolutely the opposite of timeless. One year into life without movie theaters and you might begin to wonder: What was that?

You might start thinking first about the carpets. Those frenzied, high-octane, blacklight carpets that took over movie theaters for a small, fixed period of time and then mostly just… went away. Like an obscure one-hit-wonder earworm, the carpets might keep bugging you, prompting you to wonder: How is it that we, as a society, spent that much free time in these bizarre wall-to-wall settings without ever wondering what acid-doused party monster’s fever dreamt them up? Who decided this is what movie theaters should look like? What was this “style” even called?

Do you think what you’re about to read is simply, like, an etymology of carpet? If only. If those carpets could talk, they’d tell you a story about late-90s economics, showbiz, multiplexes, and an era of world-building that changed moviegoing as we know it—maybe more than any other… 

If Y2K-Era Movie Theater Carpets Could Talk“: behind the ecstatic aesthetic of squiggles, stars, and confetti.

Genndy Tartakovsky

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As we settle on the extra-large tub of popcorn, we might might recall that it was on this date in 1941 that Orson Welles’ first feature film, Citizen Kane, premiered at the Palace Theater in New York. A quasi-biography (based on the life of William Randolph Hearst, with elements of those of Joseph Pulitzer and Chicago tycoons Samuel Insull and Harold McCormick), it was nominated for Academy Awards in nine categories, winning Best Writing (Original Screenplay) for Herman Mankiewicz and Welles.

Considered by many critics and filmmakers to be the greatest film ever made, Citizen Kane was voted number 1 in five consecutive British Film Institute Sight & Sound polls of critics, and it topped the American Film Institute’s 100 Years … 100 Movies list in 1998, as well as its 2007 update.

Citizen Kane is particularly praised for Gregg Toland‘s cinematography, Robert Wise‘s editing, Bernard Herrmann‘s music, and its narrative structure, all of which were innovative and have been precedent-setting.

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Oh the shark has pretty teeth, dear / And he shows them pearly white…

George Burgess and a momento mori

Bank robberies, for sale signs, and store closings are up, even as the household wealth of the average America family is down by 40%– the economic crisis has, as one knows, had wide and deep effects.  But lest we think think that the downturn has had no positive impact, this, from the University of Florida and the Florida Museum of Natural History’s International Shark Attack File:

The recession may be responsible for a slump of a different sort: an unexpected dive in shark attacks, says a University of Florida researcher.

Shark attacks worldwide in 2008 dipped to their lowest level in five years, a sign that Americans may be forgoing vacation trips to the beach, said George Burgess, ichthyologist and director of the International Shark Attack File, which is housed at UF.

According to the latest statistics released today, the total number of shark attacks declined from 71 in 2007 to 59 in 2008, the fewest since 2003, when there were 57, said Burgess, who works at the Florida Museum of Natural History on the UF campus.

“I can’t help but think that contributing to that reduction may have been the reticence of some people to take holidays and go to the beach for economic reasons,” Burgess said.

Read the entire story here.

As we scan the surface for fins, we might recall that this is the anniversary of another traditional beneficiary of downturns: it was on this date in 1902 that “Talley’s Electric Theater,” the first American venue devoted exclusively to movies, opened in (of course) Los Angeles. The theater charged 10 cents for a one-reel show.

Thomas Talley’s Phonograph Parlor was opened in 1896 (this photo was taken in 1898); patrons could could see “moving pictures” through a device which flipped through a series of still photographs on cards.  Then, in 1902, he opened “The Electric Theater” in the back of the building.

Written by LW

April 5, 2009 at 1:01 am

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