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Posts Tagged ‘Walt Disney

“The magician and the politician have much in common: they both have to draw our attention away from what they are really doing”*…

magic

Across his work as a designer and the publisher of CentreCentre books, London-based Patrick Fry is always looking for a stone unturned. This fascination with niche nuggets of cultural history has led to a unique selection of books, from a deep dive into Great British Rubbish, or forgotten postcards from South Yorkshire. His most recent venture, however, is into a subject a little more familiar – magic!

A long-time fan of traditional magic posters for their “lavish illustrations with magicians performing the impossible and their outrageous names written in fancy lettering,” surprisingly publishing a book on magic ephemera was something Patrick had never considered. This was largely due to it being “a world that has been recorded plenty” and against the criteria he would usually look for in a book, until he came across the vast magic collection of Philip David Treece.

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Found during a scroll through Twitter, Patrick came across Philip’s magic history blog, Collecting Magic, where he writes about his collection of ephemera and apparatus spanning the past 25 years. Thankfully for Patrick too, “Philip isn’t primarily concerned with the monetary value of the pieces, and as such has amassed a fascinating array that speaks more of the social history surrounding everyday working magicians.” Presented with a huge collection of gems “away from the large-scale stage magicians… it quickly became clear that the less famous and smaller-run design pieces would create a brilliant book.”…

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For fans of conjuring or design or (like your correspondent) both: “Magic Papers dives deep into the flamboyant design of magic ephemera.”

* Ben Okri

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As we say “abracadabra,” we might recall that it was on this date that Universal released “Trolley Trouble” from Walt Disney Studios.  The first Disney cartoon to spawn a series, it featured Oswald the Lucky Rabbit (the creation of Walt’s long-time collaborator Ub Iwerks).  Oswald featured in 27 successful animated shorts– but Disney lost the rights to Universal.  So, he and Iwerks created a new featured character, Mickey Mouse.

On this date three years later, Pluto made his debut (with Mickey) in the short, “The Chain Gang.”

“There’s no business like show business”*…

 

entertainers

I’m on my first-ever cruise because I wanted to see how the entertainment world’s 99 percent, as Bernie Sanders might say, work for a living. The comedians who don’t film HBO specials; the magicians who aren’t David Blaine; the variety acts who don’t just disappear after their fifteen seconds on America’s Got Talent. These entertainers are struggling to compete with everything from YouTube phenoms to Netflix and Spotify. In Vegas and Times Square, small clubs and homegrown acts are getting squeezed out by arenas, superstars, and global brands, like mom-and-pop shops bulldozed by Walmarts.

But maybe smaller acts aren’t dying. Maybe they’ve just gone on vacation, since cruises need entertainers now more than ever. The $38 billion cruise industry has boomed with Boomers, growing from 17.8 million passengers in 2010 to 25.8 million passengers in 2017. The Regal Princess is one of more than four hundred fifty active cruise ships, and each is a floating entertainment district. It typically employs a six-piece party band; a seven-piece house band; a jazz quintet; a DJ; a piano-bar lounge singer; and seventeen singer-dancers who rotate through stage shows, including two created exclusively for Princess by Wicked’s Stephen Schwartz. (Other lines feature partnerships with outfits like Cirque du Soleil, Second City, and Blue Note Records.) Last year, Kaler and his team booked four hundred sixty-eight different headliners, from “a cappella” to “xylophonist.”…

Welcome to the new vaudeville circuit, where live entertainment hasn’t died—it’s just gone to sea: “Inside the delightfully quirky, absolutely fabulous, and utterly exhausting world of cruise performers.”

* Irving Berlin

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As we enjoy the show, we might recall that it was on this date that Universal released “Trolley Trouble” from Walt Disney Studios.  The first Disney cartoon to spawn a series, it featured Oswald the Lucky Rabbit (the creation of Walt’s long-time collaborator Ub Iwerks).  Oswald featured in 27 successful animated shorts– but Disney lost the rights to Universal.  So, he and Iwerks created a new featured character, Mickey Mouse.

 

 

Written by LW

September 5, 2018 at 1:01 am

“What exactly is postmodernism, except modernism without the anxiety?”*…

 

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Wonderful “vintage” covers of MIA, Radiohead, Coolio, Lady Gaga, Elvis, and more at Scott Bradlee‘s Postmodern Jukebox.

* Jonathan Lethem

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As we shed pump up the PoMo, we might recall that it was on this date in 1928 that Mickey Mouse made his debut.  Walt Disney and Ub Iwerks tested their new character in a silent black-and-white animated short called “Plane Crazy,” loosely based on Lindbergh’s trans-Atlantic flight and the furor it occasioned.  On that day, the cartoon was screened for distributors…  all of whom passed.  Later that year, Disney released Mickey’s first sound cartoon, Steamboat Willie– which was, of course, an enormous success.  Following two more Mickey vehicles (The Gallopin’ Gaucho, and The Barn Dance), Plane Crazy was tracked and released as a sound cartoon on March 17, 1929.

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Written by LW

May 15, 2015 at 1:01 am

“I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true”*…

 

In 1995, as part of the Walt Disney Company Presents series (that was hosted by Michael Eisner, doing his not-very-successful best to channel Walt), Disney aired “Alien Encounters.”  A documentary that opens with footage of “an actual spacecraft from another world, piloted by alien intelligence,” and the pronouncement that “intelligent life from distant galaxies is now attempting to make open contact with the human race,” it only aired once.

* Frank Black (AKA Black Francis, of the Pixies)

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As we look to the skies, we might spare a thought for Gertrude Stein; she died on this date in 1946.  An American ex-pat, Stein was an author, poet, and memoirist (The Autobiography of Alice B. Toklas).  But she was probably most impactful and is best remembered as a hostess and mentor to a generation of writers (e.g., Hemingway,described her salon in A Moveable Feast) and artists (e.g., Picasso) in Paris, where– “the mother of us all”**– she held court for forty years.

Carl Van Vechten’s 1935 portrait of Stein

source

** The Mother of Us All was the title of a Virgil Thomson opera for which Stein wrote the libretto.  And while the subject of the opera, Susan B. Anthony, certainly deserves the epithet, so, many have observed, did its author.

 

Written by LW

July 27, 2014 at 1:01 am

By the numbers…

The 2010 Census results are in.  The headlines:  men are living longer; marriage isn’t.

Some highlights…

Since the 2000 census, the number of men in the U.S. increased by 9.9 percent. Woman grew 9.5 percent.  There are more men than women under the age of 34, because “more boys than girls tend to be born.”
But above age 85, the number of women is double that of men. Female life expectancy is 80.8 years; male, 75.6 years.

Baby boomers are aging: The 45-plus group grew 25.6 percent since 2000, while the under-45 group only increased 1.4 percent.  The median national age was 37.2 years, from 35.3 in 2000.  Seven states now have a median age of over 40.  Maine is oldest, at 42.7; Utah is youngest, at 29.2.

The share of U.S. households with married couples fell to 48.4 percent, down from 51.7 percent in 2000– the first time the number dropped below 50 percent. In 1950, married couples made up 77 percent of households.

More descriptive demographics in this AP report and at the Census Bureau’s site.

As we do our best to age gracefully, we might recall that it was on this date in 1933 that Walt Disney’s edifying fable “Three Little Pigs” was released.  Winner of the 1934 Academy Award for Best Animated Short, “Three Little Pigs” was ranked #11 on the list of 50 Greatest Cartoons, and was selected for preservation in the United States National Film Registry by the Library of Congress.

Practical Pig, Fiddler Pig and Fifer Pig sing “Who’s Afraid of the Big Bad Wolf?” (source)

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