Posts Tagged ‘Linnaeus’
“Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth.”*…
Sumana Roy, with an arboreal meditation on time and rebellion against the straight line…
Have you seen the shape of a solitary tree on a mountaintop? There is no arrogance—it is not the monarch of all it surveys; its shape is that of survival, of fighting annihilation. If a morning hints at the DNA of the approaching day, might the shapes of young plants give us an intimation of what they will look like in advanced age? It must be this sense of amorphousness in the tree branches, going and growing, that makes me think of the shape of smoke, rising dark from the mouths of moving machines, marking the air as they travel, annotating their journey. . . . Are there knowledge systems in these shapes that might inform our understanding of art, creativity, knowledge systems, of time and history, of life and the living?
From the foothills I stare at the mountains and watch the evening grow; daylight suddenly ages, then dies. In the moment’s susurration, one could forget that the sun will return in the morning. Lights wink in the houses on the hills, spare sets of eyes for the dark—or like flowers budding, then blossoming. But that analogy doesn’t quite hold, because for those lights to be flowers, the houses need to be treelike. And our houses are not shaped like trees.
It is difficult to compare the shapes of trees with almost anything else. A flag flutters in the wind, and I can sense the longing of my mind to compare the character of that movement with those of leaves annotating the wind. But the flag mast is not a tree branch and no leaf moves like a flag, not even the banana leaf, whose behavior I’ve often mistaken for a Buddhist prayer flag. Sometimes when I watch leaves being tickled by the wind, I look at the tree nervously. It reminds me of a parent throwing their child up to the sky and catching her again, carrying her in so many ways, with risk as much as assurance. In this is a knowledge system of trust, how the branches hold the leaves and allow them to move without fear.
And what can a leaf’s shape tell us about its home? A palm’s leaf is like paper torn into strips that still manages to hold itself up. Where does such a shape come from? Does it offer protection from the wind, preempting what a strong sea breeze will eventually do? I have seen what such wind can do to billboards—puncturing them, tearing the faces of models and actors with unrelenting force, with a kind of strength that one can imagine only of bombs. There’s also the opposite: the shining solidity of a glossy jackfruit leaf confident even against the bullets of tropical rain. And their branches—hardy, patriarchal and solid, fortresslike, for they must hold the many fruits that cling like baby monkeys to their mothers. When I see the branches of different species, it is as if I can see their birth certificates. It is as if the shapes of the branches are a consequence of a negotiation, not only between the tree and the wind, but also between the tree second-guessing the behavior of the wind generally as well as the particularity of the wind in its home. What I see before me, then, is the shape of the creative process—the arrival of an idea in a leaf’s unfurling, followed by the acknowledgement of life’s exigencies and pauses in the influences of wind, water, and light. When it comes to branches, then, nothing beyond the search for sunlight is modular—everything is ad hoc, growth is provisional, spontaneity is not a choice but a compulsion. A tree’s diet is simple—water and light, but often inconsistent, and in its branches we see the shape of improvisation, of how artists and scientists adapt as circumstances change.
I am aware that I am seeking something beyond the botanical when I graze upon these branches. Is there a hidden history about form, about genre or about genealogy that I crave? In trees, I find a unit of time that is different from other kinds of living time—time is visible in the girth and growth of their branches, a history of ingestion manifest in the visual biography of its form. The difference in the ideas of time perhaps comes from our conditioning in stillness and mobility and, of course, from the directions of movement. Trees move, but usually—by which I mean visibly—northward; humans, mammals, and animals in our vicinity travel east or westward. In this, too, is the variety of our experiences of time.
I think of tree branches that, in search of light, have moved in the same direction. I will never know whether they wanted to meet—their crowns are, of course, shy, as the name of the phenomenon reminds us. The arrangement of branches might, for a moment, remind us of railway tracks, but there is no intimation in the latter of the death, the knowledge system we are all moving toward. Adulthood is the realization that time does not die with our death, and though one might be penniless and without possessions, one will always leave behind something: time, memories, an inheritance, for strangers to use. The absence of humans to the eye when looking out at the landscape from a train also does something—when humans do appear, they feel like numerals on a large clock, something upon which the eye may rest upon, but only for a moment, no longer. I don’t know of any tree whose branches are arranged around the trunk like the numbers on a dial. Sometimes I see a flight of stairs. They seem to disrupt the flow of time. I gradually begin to see that the uneven branches of trees, of varying lengths and thickness, do the same. Sometimes black smoke billows out of chimneys of brick kilns. In its sturdy curving, it has the arrogance of a statue—it stays in that position, as if it were holding its breath underwater, refusing to move. It looks ominous at first and comical in the end, like ambition does. How is its waywardness different from those of tree branches? Does it move like the branches of a tree, seeking something that it needs, or is it without hunger? The smoke will dissipate, of course, but the branches remain. But do they behave similarly in occupying the sky? The heads of the tea shrubs in the tea estates, growing beside the railway track—the youngest leaves picked by human hands keep the bushes flat as does the annual trimming in winter. In the difference of height and growth between the well-endowed shade trees and the tea plants is a quantifiable measure of a history of oppression.
Think of how branches get thinner as they move away from the earth. In this, they are not unlike air itself, in that the form of the trees becomes mirror images of roots. What does that do to our consciousness, for there is no resemblance between our feet and our head? Thin trees—young, planted recently—are straighter than older trees, in that they are like humans themselves, erect when younger, then slouching with age. Is Time erect like that? When does Time grow like grass? See how the branches touch the sky—poking, punctuating, even puncturing it. In these shapes also is some kind of constant self-revision, like a river that is constantly changing its course. Or at least that is what it seems like to an outsider species such as myself. In every knot, in every hole, in every bend, in every stop, in every pause, in every crest, in every depression, in every curl is a history of resistance offered by its surroundings. Form, then, is the result of a negotiation with the world, both of affiliation and disaffiliation, of support as much of antagonism. A history is revealed to us without any middleman or interpretation—a history that is so direct it surprises us, for we are not used to it. The shape of these branches—of history itself—is a rebellion against the straight line, against its autocracy. It reminds me that nothing can be reversed, that “undo” is a capitalist scam, that W. S. Merwin could not “unchop” a tree by assembling its branches together again…
“Ways of Treeing,” from @orionmagazine.bsky.social.
As Gary Snyder reminds us, “Nature is not a place to visit, it is home.”
* Herman Hesse
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As we learn from our elders, we might send fruitful birthday greetings to Nehemiah Grew; he was born on this date in 1641. A plant anatomist and physiologist, he is known as the “Father of Plant Anatomy.” Grew trained, then practiced, as a physician; but his passion was plants. In 1665, he was elected a Fellow of the Royal Society on the strength of his paper The Anatomy of Vegetables begun. In 1682, he published what is considered his most important work, Anatomy of Plants…
It was divided into four books, Anatomy of Vegetables begun, Anatomy of Roots, Anatomy of Trunks, and Anatomy of Leaves, Flowers, Fruits and Seeds, and was illustrated with eighty-two plates, while appended to it were seven papers mostly of a chemical character.The Anatomy is especially notable for its descriptions of plant structure. He described nearly all the key differences of morphology of stem [or trunk] and root, showed that the flowers of the Asteraceae are built of multiple units, and correctly hypothesized that stamens are male organs. Anatomy of Plants also contains the first known microscopic description of pollen. – source
“An understanding of the natural world, and what’s in it is a source of not only great curiosity but great fulfillment”*…
Ah yes, but in what does that understanding consist? John Long considers the competing frameworks of Linnaeus and Buffon…
The modern science biography must hold back no punches in its mission to represent the subject’s life, equally celebrating their great works while including their personal shortcomings.
Jürgen Neffe’s Einstein: A Biography (2005) and Dava Sobel’s The Elements of Marie Curie (2024) are wonderful examples of this style. Such books succeed in clearly explaining the complex science of their subject’s work for non-scientific readers, enabling a deep appreciation of their achievements and bringing them to life as rounded, flawed humans.
The modern science biography must hold back no punches in its mission to represent the subject’s life, equally celebrating their great works while including their personal shortcomings.
Jürgen Neffe’s Einstein: A Biography (2005) and Dava Sobel’s The Elements of Marie Curie (2024) are wonderful examples of this style. Such books succeed in clearly explaining the complex science of their subject’s work for non-scientific readers, enabling a deep appreciation of their achievements and bringing them to life as rounded, flawed humans.
Jason Roberts’ Every Living Thing – The Great and Deadly Race to Know all Life is another of these rare works. This engrossing, precisely researched book focuses on two central characters born in the same year: Carl Linnaeus (1707-1778), a Swede, and Frenchman Georges-Louis LeClerc, the Compte de Buffon (1707-1788), better known as just Buffon.
Roberts’ book won the 2025 Pulitzer Prize for biography. His writing pulls the reader effortlessly through the story, revealing delightful, unexpected twists and turns in the two men’s complex and disparate lives. Each worked diligently to reach a level of global notoriety for their many published books. Both are revered in the natural history world today.
Linnaeus, a biologist and physician, is known for his system of hierarchical classification: how all living things comprise a genus and species, (we humans are Homo sapiens), which fit into families, orders, classes and so on. (A good many intermediate ranks were added later). While his work has been hugely influential, Linnaeus is portrayed by Roberts at times as being lazy, vain and unethical.
Linnaeus was primarily driven to be the first to name new species. Buffon was working on a grand thesis of how all life’s organisms function and are related to one another. A wealthy count who inherited a vast fortune at the age of ten, Buffon trained as a lawyer but became fascinated by the trees that grew in his large garden.
Buffon is best known today for his extensive books on natural history and works on mathematics and cosmology. He calculated the Earth was much older than the Bible predicted and that life sprung from unorganised matter. He explored the relationships between organisms rather than how they were classified. His core work formed the basis for modern evolutionary theory.
Why was all this important? At the time, the task of classifying plants was vital to the growing economies of nations. Travellers to the far reaches of the globe brought back examples of economically valuable new species, like plant foods, medicinal plants or beautiful ornamental specimens.
The author’s central thesis is Linnaeus was not as brilliant as history paints him and Buffon was a far greater genius for his day.
Where does genius come from, Roberts asks? Is it inherent by birth, grown from an inspiring education, or is it something within that is nurtured by passion?
Both these brilliant men who made a lasting mark on science came from not very inspiring families. Nor did they excel at school or university. This story shows success in academic work is not just about intellect, but intimately tied to the ethics and morality of doing research…
Eminently worth reading in full: “How do we understand life on Earth? A prize-winning biography charts the tension between two types of science ‘genius’” from @theconversation.com.
* David Attenborough, who also observed, “We moved from being a part of nature to being apart from nature.”
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As we noodle on knowing, we might send birthday greetings to Gregor Mendel; he was born on this date in 1822 (though some sources give the date as July 20). A botanist, geneticist, and monk, he pioneered in the study of heredity.
Mendel spent his adult life with the Augustinian monastery in Brunn, where as a plant experimenter, he was the first to lay the mathematical foundation of the science of genetics, in what came to be called Mendelism. Over the period 1856-63, Mendel grew and analyzed over 28,000 pea plants. He carefully studied for each their plant height, pod shape, pod color, flower position, seed color, seed shape and flower color. He made two very important generalizations from his pea experiments, known today as the Laws of Heredity, and coined the genetic terms recessiveness and dominance. He read a paper on his studies in 1865 to the Brünn Society for Natural Sciences in Moravia– but it lay unappreciated until 1900.
“The greatest obstacle to discovery is not ignorance – it is the illusion of knowledge”*…
Learning from the past: as John Thornhill explains in his consideration of Jason Roberts‘ Every Living Thing, the rivalry between Buffon and Linnaeus has lessons about disrupters and exploitation…
The aristocratic French polymath Georges-Louis Leclerc, Comte de Buffon chose a good year to die: 1788. Reflecting his status as a star of the Enlightenment and author of 35 popular volumes on natural history, Buffon’s funeral carriage drawn by 14 horses was watched by an estimated 20,000 mourners as it processed through Paris. A grateful Louis XVI had earlier erected a statue of a heroic Buffon in the Jardin du Roi, over which the naturalist had masterfully presided. “All nature bows to his genius,” the inscription read.
The next year the French Revolution erupted. As a symbol of the ancien regime, Buffon was denounced as an enemy of progress, his estates in Burgundy seized, and his son, known as the Buffonet, guillotined. In further insult to his memory, zealous revolutionaries marched through the king’s gardens (nowadays known as the Jardin des Plantes) with a bust of Buffon’s great rival, Carl Linnaeus. They hailed the Swedish scientific revolutionary as a true man of the people.
The intense intellectual rivalry between Buffon and Linnaeus, which still resonates today, is fascinatingly told by the author Jason Roberts in his book Every Living Thing, my holiday reading while staying near Buffon’s birthplace in Burgundy. Natural history, like all history, might be written by the victors, as Roberts argues. And for a long time, Linnaeus’s highly influential, but flawed, views held sway. But the book makes a sympathetic case for the further rehabilitation of the much-maligned Buffon.
The two men were, as Roberts writes, exact contemporaries and polar opposites. While Linnaeus obsessed about classifying all biological species into neat categories with fixed attributes and Latin names (Homo sapiens, for example), Buffon emphasised the vast diversity and constantly changing nature of every living thing.
In Roberts’s telling, Linnaeus emerges as a brilliant but ruthless dogmatist, who ignored inconvenient facts that did not fit his theories and gave birth to racial pseudoscience. But it was Buffon’s painstaking investigations and acceptance of complexity that helped inspire the evolutionary theories of Charles Darwin, who later acknowledged that the Frenchman’s ideas were “laughably like mine”.
In two aspects, at least, this 18th-century scientific clash rhymes with our times. The first is to show how intellectual knowledge can often be a source of financial gain. The discovery of crops and commodities in other parts of the world and the development of new methods of cultivation had a huge impact on the economy in that era. “All that is useful to man originates from these natural objects,” Linnaeus wrote. “In one word, it is the foundation of every industry.”
Great wealth was generated from trade in sugar, potatoes, coffee, tea and cochineal while Linnaeus himself explored ways of cultivating pineapples, strawberries and freshwater pearls.
“In many ways, the discipline of natural history in the 18th century was roughly analogous to technology today: a means of disrupting old markets, creating new ones, and generating fortunes in the process,” Roberts writes. As a former software engineer at Apple and a West Coast resident, Roberts knows the tech industry.
Then as now, the addition of fresh inputs into the economy — whether natural commodities back then or digital data today — can lead to astonishing progress, benefiting millions. But it can also lead to exploitation. As Roberts tells me in a telephone interview, it was the scaling up of the sugar industry in the West Indies that led to the slave trade. “Sometimes we think we are inventing the future when we are retrofitting the past,” he says.
The second resonance with today is the danger of believing we know more than we do. Roberts compares Buffon’s state of “curious unknowing” to the concept of “negative capability” described by the English poet John Keats. In a letter written in 1817, Keats argued that we should resist the temptation to explain away things we do not properly understand and accept “uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.”
Armed today with instant access to information and smart machines, the temptation is to ascribe a rational order to everything, as Linnaeus did. But scientific progress depends on a humble acceptance of relative ignorance and a relentless study of the fabric of reality. The spooky nature of quantum mechanics would have blown Linnaeus’s mind. If Buffon still teaches us anything, it is to study the peculiarity of things as they are, not as we might wish them to be…
“What an epic 18th-century scientific row teaches us today,” @johnthornhillft on @itsJason in @FT (gift link)
Pair with “Frameworks” from Céline Henne (@celinehenne) “Knowledge is often a matter of discovery. But when the nature of an enquiry itself is at question, it is an act of creation.”
* Daniel J. Boorstin
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As we embrace the exceptions, we might send carefully-coded birthday greetings to John McCarthy; he was born on this date in 1927. An eminent computer and cognitive scientist– he was awarded both the Turning Prize and the National Medal of Science– McCarthy coined the phrase “artificial Intelligence” to describe the field of which he was a founder.
It was McCarthy’s 1979 article, “Ascribing Mental Qualities to Machines” (in which he wrote, “Machines as simple as thermostats can be said to have beliefs, and having beliefs seems to be a characteristic of most machines capable of problem solving performance”) that provoked John Searle‘s 1980 disagreement in the form of his famous Chinese Room Argument… provoking a broad debate that continues to this day.

“Am I as admirable as that ant?”*…
There are lots of ants on earth. And, as Anna Turns explains, they play a big role as ecosystem engineers– as well as providing insights on everything from the climate to aging…
To most of us, they are small, uninteresting and sometimes annoying, but 2022 revealed just how ubiquitous ants are and how indispensable they are to the planet. Scientists revealed in September that there are an estimated 20 quadrillion (or 20 million billion) ants globally – that’s 2.5 million for every person on the planet.
More than 12,000 known species of ant live in all sorts of habitats, from the Arctic to the tropics and they represent one of the most diverse, abundant and specialist groups of animals on the planet. Leafcutter ants are fungus farmers, slave-making ants capture broods to increase their work force, while wood ants herd aphids to the juiciest parts of a plant to harvest their honeydew sap…
Experts agree that ants are ecosystem engineers because they play a crucial role in decomposing organic matter, recycling nutrients, improving soil health, removing pests and dispersing seeds. But, historically, ants haven’t attracted as much attention as crop pollinators, such as bees, which perhaps have more of an obvious economic value. That bias could soon change. Ants have been used as a biological pest control on citrus crops in China for centuries, and research published in August indicates that the pest control potential of some predatory ants could work better than some agricultural chemicals.
The wonders of ant biology throw up plenty of other possibilities for real-world applications. Queen ants that live more than 30 years – yet have the same genetic material as a short-lived worker ant – could teach us something about senescence. Nobody understands how queens store sperm for decades inside their bodies without any degradation, despite colonies living in different climates. Meanwhile, Schultheiss’ [Dr Patrick Schultheiss, of the University of Würzburg] research into ant navigation – how they find food and how they behave when they get lost – could help build mathematical models that instruct a robot searching for missing people.
Looking back at how ants evolved can shed light on a huge array of other plants and animals, too. Butterflies that rely on ants to tend to their caterpillars could disappear if those ants are wiped out, says Corrie Moreau, a professor at Cornell University: “Nature is this intricate woven tapestry and if you pull one thread, you’ll never know which is the critical thread that makes the whole thing fall apart.”…
“Insects and us: a mind-blowing 20 quadrillion ants and what they mean for the planet,” from @AnnaTurns in @guardian.
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As we get antsy, we might spare a thought for Swedish botanist Carl Linné, better known as Carolus Linnaeus, “the Father of Taxonomy,” died on this date in 1778. Historians suggest that the academically-challenged among us can take heart from his story: at the University of Lund, where he studied medicine, he was “less known for his knowledge of natural history than for his ignorance of everything else.” Still, he made is way from Lund to Uppsala, where he began his famous system of plant and animal classification– still in use today.









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