Posts Tagged ‘Visualization’
“Facts are stubborn things, but statistics are pliable”*…

Data visualizations that make no sense...




More at “WTF Visualizations.”
* Mark Twain
###
As we celebrate clarity, we might spare a thought for the mathematician, biologist, historian of science, literary critic, poet, and inventor Jacob Bronowski; he died on this date in 1974. Bronowski is probably best remembered as the writer (and host) of the epochal 1973 BBC television documentary series (and accompanying book), The Ascent of Man (the title of which was a play on the title of Darwin’s second book on evolution, The Descent of Man)… the thirteen-part series, a survey of the history of science– from rock tools to relativity– and its place in civilizations, is still an extraordinary treat. It’s available at libraries, on DVD, or (occasionally) on streaming services.
“To be wealthy and honored in an unjust society is a disgrace”*…

Scroll a bit, and you come to…

Then scroll… and scroll… and scroll… and scroll… and scroll… and scroll… for a visualization of relative levels of wealth in the U.S., with provocative facts and comparisons along the way: “Wealth shown to scale.”
[TotH to EWW]
* The Analects
###
As we wonder if enough is ever enough, we might spare a thought for one of the architects of the economic reality in which we live, Gary Becker; he died on this date in 2014. A Nobel laureate economist with an interest in the social sciences, Becker updated the concept of “human capital” (which dated, of course, back to the days of Adam Smith and slavery), arguing that labor economics is part of capital theory. He mused that “economists and plan-makers have fully agreed with the concept of investing on human beings.” In this and other assertions, he was a defining proponent of the Chicago school of economics.
“Enumeration shall be made within three Years after the first Meeting of the Congress of the United States, and within every subsequent Term of ten Years, in such Manner as they shall by Law direct.”*…

The census is an essential part of American democracy. The United States counts its population every ten years to determine how many seats each state should have in Congress. Census data have also been used to levy taxes and distribute funds, estimate the country’s military strength, assess needs for social programs, measure population density, conduct statistical analysis of longitudinal trends, and make business planning decisions.
We looked at every question on every census from 1790 to 2020. The questions—over 600 in total—tell us a lot about the country’s priorities, norms, and biases in each decade. They depict an evolving country: a modernizing economy, a diversifying population, an imperfect but expanding set of civil and human rights, and a growing list of armed conflicts in its memory…
From our friends at The Pudding (@puddingviz), a graphic history of the questions asked in the U.S. Census. What changes each decade, what stays the same, and what do the questions say about American culture and society? “The Evolution of the American Census.”
For a look at how the pandemic is impacting this year’s census, see “It’s the Official Start to the 2020 Census. But No One Counted On a Pandemic.” and “Coronavirus could exacerbate the US census’ undercount of people of color.”
* Article 1, Section 2, of the the Constitution of the United States of America, directing the creation and conducting of a regular census; Congress first met in 1789, and the first national census was held in 1790.
###
As we answer faithfully, we might send illustratively enumerating birthday greetings to John James Audubon; he was born on this date in 1785. An ornithologist, naturalist, and artist, Audubon documented all types of American birds with detailed illustrations depicting the birds in their natural habitats. His The Birds of America (1827–1839), in which he identified 25 new species, is considered one of the most important– and finest– ornithological works ever completed.

Book plate featuring Audubon’s print of the Greater Prairie Chicken
“I’ll let you be in my dreams if I can be in yours”*…

From Glenn Macdonald (in his capacity as Spotify’s genre taxonomist– or as he put’s it “mechanic of the spiritual compases of erratic discovery robots that run on love”)
This is a mapping of genres to words, and words to genres, using words that are used distinctively in the titles of songs. A genre’s words are ranked by how disproportionately they appear in that genre’s songs’ titles compared to all songs. A word’s genres are ranked by the position of that word in each genre’s word list. 1525 genres and 4712 words qualify.
Visit “Genres in Their Own Words” And while you’re there, explore the genre map and the other nifty resources at Glenn’s site, Every Noise At Once.
* Bob Dylan
###
As we slip on the headphones, we might spare a thought for Sir George Henry Martin; he died on this date in 2016. A record producer, arranger, composer, conductor, audio engineer, and musician, Martin began his career as a producer of comedy and novelty records in the early 1950s, working with Peter Sellers, Spike Milligan, and Bernard Cribbins, among others. In 1962, while working at EMI/Parlophone, Martin was so impressed by Brian Epstein’s enthusiasm, that he agreed to record the Beatles before seeing or hearing them (and despite the fact that they’d been turned down by Decca).
Martin went on to produce 23 number ones on the Billboard Hot 100 chart, 19 of which were by The Beatles. Indeed, Paul McCartney referred to Martin as “the fifth Beatle.” He also produced chart topping hits for McCartney (“Say Say Say” with Michael Jackson and “Ebony and Ivory” with Stevie Wonder), Elton John (“Candle in the Wind”) and America (“Sister Golden Hair”).

George Harrison, Paul McCartney, George Martin, and John Lennon in the studio in 1966


You must be logged in to post a comment.