Posts Tagged ‘lyrics’
“I know that there are people who do not love their fellow man, and I hate people like that!”*…
After this post, your correspondent begins his annual Holiday Hiatus, so let me pass along a gift. Regular service will resume on January 2; meantime, thanks to you all for reading– and Happy Holidays!
Ladies and Gentlemen, the remarkable Tom Lehrer…
Between the… Weird Al biopic and and Kelly Bachman and Dylan Adler’s new comedy album, Rape Victims Are Horny Too, parody songsters have rarely been such a central part of the cultural zeitgeist. Yet comedy musicians have been trailblazing for much longer than we may realize, and before the popularity of Weird Al, or even Bo Burnham, Adam Sandler, and Steve Martin, there was Tom Lehrer.
Lehrer is perhaps best known for “The Elements,” an impossibly fast and impossibly tongue-twisty song that consists of all the periodic elements put to the tune of a “Major-General’s Song” from Pirates of Penzance. This is a classic Tom Lehrer song, so classic in fact that Daniel Radcliffe’s rendition of it on The Graham Norton Show helped score him the role of Weird Al, who has noted Lehrer as a major comedic influence. This full circle loop only emphasizes how important Lehrer was and continues to be in the musical comedy scene, and diving into his diverse oeuvre solidifies just how innovative he was…
“Tom Lehrer Deserves Your Attention” (source of the photo above)
And it’s now easier than ever for you to pay him that attention: the remarkable Mr. Lehrer is also remarkably generous. Last month, a new web site appeared, the home page of which explains…
I, Tom Lehrer, and the Tom Lehrer Trust 2007, hereby grant the following permissions:
All copyrights to lyrics or music written or composed by me have been relinquished, and therefore such songs are now in the public domain. All of my songs that have never been copyrighted, having been available for free for so long, are now also in the public domain.
The latter includes all lyrics which I have written to music by others, although the music to such parodies, if copyrighted by their composers, are of course not included without permission of their copyright owners. The translated songs on this website may be found on YouTube in their original languages.
Performing and recording rights to all of my songs are included in this permission. Translation rights are also included….
The site contains all of his lyrics, and free streaming and downloadable versions of all of his albums– a satirical gold mine: “Songs and Lyrics by Tom Lehrer.”
* Tom Lehrer
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As we soak ourselves in satire, we might recall that it was on this date in 1986 that Fran Oz’s film Little Shop of Horrors premiered. Based on the Off-Broadway musical adaptation of the 1960 original Roger Corman movie, it was a huge success with critics and a modest success with audiences on release, but has since become cult film.
As Oz’s friend and Muppet colleague Jim Henson said, “the lip sync on the plant in that film is just absolutely amazing.”
“I’ll let you be in my dreams if I can be in yours”*…
From Glenn Macdonald (in his capacity as Spotify’s genre taxonomist– or as he put’s it “mechanic of the spiritual compases of erratic discovery robots that run on love”)
This is a mapping of genres to words, and words to genres, using words that are used distinctively in the titles of songs. A genre’s words are ranked by how disproportionately they appear in that genre’s songs’ titles compared to all songs. A word’s genres are ranked by the position of that word in each genre’s word list. 1525 genres and 4712 words qualify.
Visit “Genres in Their Own Words” And while you’re there, explore the genre map and the other nifty resources at Glenn’s site, Every Noise At Once.
* Bob Dylan
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As we slip on the headphones, we might spare a thought for Sir George Henry Martin; he died on this date in 2016. A record producer, arranger, composer, conductor, audio engineer, and musician, Martin began his career as a producer of comedy and novelty records in the early 1950s, working with Peter Sellers, Spike Milligan, and Bernard Cribbins, among others. In 1962, while working at EMI/Parlophone, Martin was so impressed by Brian Epstein’s enthusiasm, that he agreed to record the Beatles before seeing or hearing them (and despite the fact that they’d been turned down by Decca).
Martin went on to produce 23 number ones on the Billboard Hot 100 chart, 19 of which were by The Beatles. Indeed, Paul McCartney referred to Martin as “the fifth Beatle.” He also produced chart topping hits for McCartney (“Say Say Say” with Michael Jackson and “Ebony and Ivory” with Stevie Wonder), Elton John (“Candle in the Wind”) and America (“Sister Golden Hair”).
George Harrison, Paul McCartney, George Martin, and John Lennon in the studio in 1966
“Three chords and the truth – that’s what a country song is”*…
I’ve started working on a textual analysis of popular country music.
More specifically, I scraped Ranker.com for a list of the top female and male country artists of the last 100 years and used my python wrapper for the Genius API to download the lyrics to each song by every artist on the list. After my script ran for about six hours I was left with the lyrics to 12,446 songs by 83 artists stored in a 105 MB JSON file. As a bit of an outsider to the world of country music, I was curious whether some of the preconceived notions I had about the genre were true.
Some pertinent questions:
Which artist mentions trucks in their songs most often?
Does an artist’s affinity for trucks predict any other features? Their gender for example? Or their favorite drink?
How has the genre’s vocabulary changed over time?
Of all the artists, whose language is most diverse? Whose is most repetitive?…
John W. Miller dives deeply into Country lyrics: “Trucks and Beer.”
* Willie Nelson
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As we parse the pain, we might recall that it was on this date in 1970 that Loretta Lynn’s epic “Coal Miner’s Daughter” hit #1 on the Billboard Country chart. It mentions neither truck nor beer.
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