Posts Tagged ‘publishing’
“Man is the only animal whose desires increase as they are fed; the only animal that is never satisfied.”*…
(Roughly) Daily readers have encountered Henry George here before. An economist who wrote late in the 19th century, he was hugely influential in his time and into the early 20th century. Indeed, his philosophy was the inspiration for (original) version of the game Monopoly. Michael Kinsley argues that we should take another look…
So, you’re a Silicon Valley billionaire and you’ve already got the private plane. What you need next is a philosophy, something to live by, and to help finance, and—most important—to use to explain or justify yourself. Don’t just grab the next philosophy to come along. Chances are that will be Ayn Rand and her extreme form of capitalism, which she called objectivism.
Rand has a lot going for her, to be sure. First, you may have actually read her in high school and may have been genuinely influenced. Second, in a nutshell, she rationalizes greed, which you have nothing against. Third, she was into mildly kinky sex—something else you may have in common. Fourth, she was associated in some way you don’t quite follow with Alan Greenspan, who is respectability itself, whatever other Rand enthusiasts may have been up to.
But you’re too late. Ayn Rand, who never was really undiscovered (The Fountainhead became a movie, starring Gary Cooper as a heroic architect, a few years after it was published), has by now been thoroughly re-discovered. According to James Stewart (the prominent business journalist, not the even more prominent actor), writing in The New York Times, President Trump says Ayn Rand is his favorite writer and that The Fountainhead, her pulmonary embolism of a book, is his favorite novel. Travis Kalanick, the onetime Übermensch of Uber, is on board, as is (liberal foodies, please note) John Mackey, co-founder and C.E.O. of Whole Foods.
My dear billionaire, you need an economist almost no one has heard of. One who addressed the most pressing problems of today, which do not include the insufficient greed of rich people. But one who was not completely out of sympathy with rich people, either.
May I nominate Henry George (1839–97)—economist, pamphleteer, journalist? Once famous, he is now widely forgotten. He described himself as a man who came out of the great American West, which he did—but only after he got there via Philadelphia, where he was born. He later moved to New York City, ran for mayor, and attracted 10,000 people to a political rally (but lost nonetheless). He made the best-ever short defense of free trade: You wouldn’t fill your harbor with rocks to keep out goods your citizens want to buy, would you? Well, that’s what you’re doing when you slap tariffs on imports.
George’s masterwork, published in 1879, was Progress and Poverty, which set forth to explain how “increase of want” could go hand in hand with “increase of wealth.” Thus George took on precisely the question we face today: not the general question of poverty or inequity, but why specifically are middle-class incomes stagnating, and incomes of people at the bottom falling, while those at the top continue to rise?
George was no vulgar Marxist. You might call him a “supply-side socialist.” All products of the economy, he reasoned, are ultimately derived from three sources: labor, capital, and land. What else is there? Labor and capital are both productive. Put them to work and you end up with more. But land is different. As the man said, “They aren’t making any more of it.” When you work for an hour, you increase society’s wealth (and your own) by an hour’s worth of wages. When you save a dollar rather than spending it, you increase society’s (and your own) wealth by a dollar. But when you buy a piece of land for $10,000 and sell it for $20,000, you haven’t increased the total wealth of society by a nickel. Yet the price of land keeps going up, up, up, as the population increases and society grows richer. Where does that money come from? It comes from the pockets of the other two factors of production, labor and capital.
George distinguished, in other words, between the capitalist who is truly productive and the capitalist who is simply a “landlord.”… You’ve got to think of “land” as a metaphor for all unproductive forms of capitalism. Much of the financial industry, for example: hedge funds, private equity, I.P.O.’s and I.R.A.’s. Some might defend finance as an industry that makes the making of what other industries make more efficient. But when you read that Goldman Sachs is getting some enormous fee for fuck-all or that two companies are merging that unmerged a few years ago and will unmerge again in a few years, you gotta wonder…
Henry George’s theories might have something to offer people who want to put their money to good use today: “The Obscure Economist Silicon Valley Billionaires Should Dump Ayn Rand For,” from @michaelkinsley in @VanityFair. Eminently worth reading in full and pondering.
* Henry George (who, to Kinsley’s observation that he might be considered a “supply-side socialist,” also said: “Laissez faire (in its full true meaning) opens the way to the realization of the noble dreams of socialism.”
###
As we return to first principles, we might recall that it was on this date in 1996 that Oprah Winfrey launched Oprah’s Book Club (with he then recently published novel The Deep End of the Ocean by Jacquelyn Mitchard). In total the club recommended 70 books during its 15 years in its original (Oprah Winfrey Show form), and has subsequently been revived via OWN: The Oprah Winfrey Network, O, The Oprah Magazine, and Apple TV.
While the selections have occasionally generated some controversy (e.g., Michale Franzen, James Frey), they have for the most part been warmly– and enthusiastically– received, adding massive sales to the chosen titles. Indeed (per Business Week), publishers estimate that her power to sell a book is anywhere from 20 to 100 times that of any other media personality.
This year, Oprah was awarded the PEN/Faulkner Literary Champion award, which “recognizes a lifetime of devoted literary advocacy and a commitment to inspiring new generations of readers and writers.”

“A man of genius makes no mistakes. His errors are volitional and are the portals to discovery.”*…
Ed Simon on errata (and other errors) in literature…
… The King James Version of the Bible has exactly 783,137 words, but unfortunately for the London print shop of Robert Barker and Martin Lucas, official purveyors to King Charles I, their 1631 edition left out three crucial letters, one crucial word—”not.” As such, their version of Exodus 20:14 read, “Thou shalt commit adultery.” Their royal patron was not amused. This edition was later deemed the “Wicked Bible.”
Literature’s history is a history of mistakes, errors, misapprehensions, simple typos. It’s the shadow narrative of expression—how we fail because of sloppiness, or ignorance, or simple tiredness. Blessed are the copyeditors, for theirs is a war of eternal attrition. Nothing done by humans is untouched by such fallenness, for to err is the universal lot of all of us. Authors make mistakes, as do editors, publishers, printers (and readers).
If error were simply an issue of a wrong comma here or an incorrect word there it wouldn’t be nearly as interesting, but mistakes undergird our lives, even our universe. They can be detrimental, beneficial, neutral. When Lockheed Martin designed the Mars Climate Orbiter using American units and NASA assumed that they’d used the metric system instead, a discrepancy that resulted in that satellite crashing into the red dust of the fourth planet from the sun—that was a mistake. And when the physician Alexander Fleming left out a culture plate which got contaminated, and he noticed the flourishing of a blue mold that turned out to be penicillin—that was a mistake. Errors in how people hear phonemes are what lead to the development of new languages; mistakes in an animal’s DNA propel evolution; getting lost can render new discoveries. Sometimes the flaw is that which is most beautiful.
Certainly, there are no shortage of them…
A wonderfully amusing history, and richly illuminating consideration of literary mistakes through the ages: “How Many Errorrs Are in This Essay?,” from @WithEdSimon in @The_Millions.
Vaguely apposite (and also really fascinating): “Panic at the Library.”
* James Joyce, Ulysses
###
As we muse on misprints, we might recall that it was on this date in 1968 that The Beatles’ record label, Apple Records, released its first single, “Hey Jude.”
The label was founded… as a creative outlet for the band and as a way to reduce their tax burden. They choose the name and image of a Granny Smith apple because in Paul McCartney’s mind, a green apple signified creative freedom and independence from commercial interests. The record was unique because it featured the image of a Granny Smith apple on side-A and the same apple sliced in half on side-B. But according to The Independent, the song was almost never released because some record executives thought that the image looked pornagraphic. In a letter sent to Apple boss Ron Kass, it said, “Here’s a wild and unanticipated problem to brighten up your day. I just received a call from a very large and influential jack jobber in the western United States. He opened the conversation by saying, ‘Are you guys serious? Do you know what you’re doing? Do you really intend to sell products bearing the new Apple label?’” He said that the Apple label was completely pornographic and the graphic nature of the art was noticed by all of his employees. He doubted that record store chains would want to stock such a record. Not only was he wrong [the single sold 8 million copies], but there is no evidence that the band had intended using a controversial image.
source
Your correspondent leaves it to the reader to deduce the supposed pornographic image. If, like him, you are stumped, see The Independent article linked in the quote above.
“Do I rue a life wasted doing crosswords? Yes, but I do know the three-letter word for ‘regret'”*…
Efforts to diversify the crossword puzzle industry might be having the opposite effect. As Matt Hartmann explains, although puzzles are an increasingly important part of The New York Times’ and others’ business strategies, only a handful of people actually make a living from crosswords…
The conspiracy theory writes itself. Start looking, and you’ll notice how many New York Times crossword puzzles are co-constructed (the preferred term for what most people would refer to as co-written) by a professional crossword constructor and someone with a day job—it’s hard not to see all the artists, web developers, professors, and other titles that imply a degree of wealth and elite connections. As the pandemic handed the work-from-home class extra time for their hobbies, the number of first-timers published in the Times has skyrocketed. Obviously, rich people are paying others to get the glory of their name in ink.
But the theory is almost diametrically wrong. It turns out the crossword industry really does consist of earnest wordplay lovers donating their time to unpaid mentorships, generally as part of an industry-wide effort to bring new and underrepresented people into crosswords.
Unfortunately, the end result might be even more exclusive than a pay-to-play scheme. And a game that brings the Times at least one million monthly subscribers—at $1.25 a week or $40 for a year—provides a sustainable living wage for shockingly few people…
Learn why at “Inside the Elite, Underpaid, and Weird World of Crossword Writers,” from @themhartman in @newrepublic.
###
As we fill in the blanks, we might recall that it was on this date in 1977 that South Park premiered on Comedy Central– where it runs to this day. The animated saga of Stan, Kyle, Eric, and Kenny and their exploits in their (titular) Colorado hometown has won five Emmys and a Peabody Award. A theatrical film, South Park: Bigger, Longer & Uncut, was released in June, 1999 to commercial and critical success, and scored an Academy Award nomination.
“A children’s story that can only be enjoyed by children is not a good children’s story in the slightest”*…
The “children’s book” effectively dates from the mid-18th century (before which children’s reading was generally confined to literature intended for their education and moral edification rather than for their amusement). Since then, there’s been an extraordinary– and illuminating– flowering…
We can learn much about how a historical period viewed the abilities of its children by studying its children’s literature. Occupying a space somewhere between the purely didactic and the nonsensical, most children’s books published in the past few hundred years have attempted to find a line between the two poles, seeking a balance between entertainment and instruction. However, that line seems to move closer to one pole or another depending on the prevailing cultural sentiments of the time. And the very fact that children’s books were hardly published at all before the early 18th century tells us a lot about when and how modern ideas of childhood as a separate category of existence began.
“By the end of the 18th century,” writes Newcastle University professor M.O. Grenby, “children’s literature was a flourishing, separate and secure part of the publishing industry in Britain.” The trend accelerated rapidly and has never ceased—children’s and young adult books now drive sales in publishing (with 80% of YA books bought by grown-ups for themselves)…
More– and a chance to do your own exploration– at “Enter an Archive of 6,000 Historical Children’s Books, All Digitized and Free to Read Online,” from @openculture. Go directly to the 6,000+ titles in the Baldwin Library of Historical Children’s Literature here.
And as a bonus, visit the 1,800+ titles in UCLA Children’s Book Collection at the Internet Archive.
* C. S. Lewis
###
As we turn the page, we might turn back to “adult” literature and recall that today– and every June 16– is Bloomsday, a commemoration and celebration of the life of Irish writer James Joyce, during which the events of his novel Ulysses (a modern classic set on this date in 1904) are relived: Leopold Bloom goes about Dublin, James Joyce’s immortalization of his first outing with Nora Barnacle, the woman who would eventually become his wife.
The first Bloomsday was observed on the 50th anniversary of the events in the novel, in 1954, when John Ryan (artist, critic, publican and founder of Envoy magazine) and the novelist Brian O’Nolan organized what was to be a daylong pilgrimage along the Ulysses route. They were joined by Patrick Kavanagh, Anthony Cronin, Tom Joyce (a dentist who, as Joyce’s cousin, represented the family interest), and AJ Leventhal (a lecturer in French at Trinity College, Dublin).









You must be logged in to post a comment.