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Posts Tagged ‘neon

“Progress is the attraction that moves humanity”*…

 

Steam Engine Crushing A Wall, 1770.

A 1770 engraving of a steam engine crushing a wall

 

How and why did the modern world and its unprecedented prosperity begin? Many bookshelves are full of learned tomes by historians, economists, political philosophers and other erudite scholars with endless explanations. One way of looking at the question is by examining something basic, and arguably essential: the emergence of a belief in the usefulness of progress.

Such a belief may seem self-evident today, but most people in the more-remote past believed that history moved in some kind of cycle or followed a path that was determined by higher powers. The idea that humans should and could work consciously to make the world a better place for themselves and for generations to come is by and large one that emerged in the two centuries between Christopher Columbus and Isaac Newton. Of course, just believing that progress could be brought about is not enough—one must bring it about. The modern world began when people resolved to do so…

Progress: humans invented it—and not that long ago.  Joel Mokyr unpacks its cultural history, and explains why “Progress Isn’t Natural.”

See also J.B. Bury’s The Idea of Progress- an Inquiry into its Origins and Growth and Robert Nisbet’s History of the Idea of Progress.

* Marcus Garvey

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As we deliberate on direction, we might recall that it was on this date in 1910 that French chemist, engineer, and inventor Georges Claude switched on the first public display of neon lights– two large (39 foot long), bright red neon tubes– at the Paris Motor Show.  Over the next decade, Claude lit much of Paris.  Neon came to America in 1923 when Earl Anthony purchased signage from Claude, then transported it to Los Angeles, where Anthony installed it at his Packard dealership… and (literally) stopped traffic.

Claude in his lab, 1913

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Written by LW

December 3, 2019 at 1:01 am

“Food is culture, habit, craving, and identity”*…

 

Brian Fagan is an archaeologist, a profession that we associate with dust and soil and stone, but here he attempts to capture the history of fishing in ancient civilization. It is not just fish that elude the historian: fisherfolk have always lived on the margins — of land and in recorded history (and still do). ‘To a scholar,’ writes Fagan, ‘the illiterate fishing people of the past are elusive, and their trade is a challenging puzzle of clues.’ So assembling a history of fishing means, well, fishing among archaeology, anthropology, history, marine biology and oceanography and paleoclimatology — ‘to mention only a few’.

Fagan has to fish deeply sometimes and into unexpected places. He investigates the ears of several-thousand-year-old men buried in what is now Israel, which show damage consistent with diving in cold, deep water. He uncovers the giant middens of mollusc shells that appear all over the planet, because though molluscs yield a tiny amount of protein — they are ‘small meat packages sealed in heavy inedible shells’ — they are easy to catch. ‘To knock a limpet from a rock,’ wrote Darwin, ‘does not require even cunning, that lowest power of the mind.’ Darwin was wrong: the ability to subsist on shellfish allowed humans to live through the lean seasons. It enabled survival.

Fishing, writes Fagan, “has created the modern world”…

The ways in which fishing– more than agriculture and husbandry– were central to the rise of civilization, from social organization to technology: “Holy mackerel! Civilization begins with fishing.”

* Jonathan Safran Foer

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As we spread our nets, we might recall that it was on this date in 1910 that French chemist, engineer, and inventor Georges Claude switched on the first public display of neon lights– two large (39 foot long), bright red neon tubes– at the Paris Motor Show.  Over the next decade, Claude lit much of Paris.  Neon came to America in 1923 when Earl Anthony purchased signage from Claude, then transported it to Los Angeles, where Anthony installed it at his Packard dealership… and (literally) stopped traffic.

Claude in his lab, 1913

 source

 

 

Written by LW

December 3, 2017 at 1:01 am

“To face the sunlight again, that’s clearly trouble. I like the city better when the neon lights are going”*…

 

Like scenes from a modern noir film, Frank Bohbot’s images of New York City conjure up allure and heartbreak. The Paris-born photographer spent 18 months capturing nighttime scenes across Manhattan and Brooklyn, and has compiled them into a project dubbed Light On.

Bohbot’s work is first and foremost a study in signage, and features many instantly-recognizable storefronts including Katz’s Deli and the Sunshine Cinema, but pay attention to each frame’s shadows and open space. Light On isn’t just focused with dazzling neon—it’s also a study of snowstorms, puddles, fire escapes, and, occasionally, people. It’s as if you gave William Eggleston an unlimited Metrocard and forced him to stay up all night.

There are jazz clubs, delis, porn shops, theaters, and a wide variety of bars featured in his photographs, each captured after the sun has gone down and only moody, unnatural light remains…

More at “Photos Bring NYC’s Neon Nights To Life,” and at Bohbot’s website.

* Charles Bukowski, Burning in Water, Drowning in Flame

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As we refuse to go gentle into that good night, we might recall that it was on this date in 1891 that Carnegie Hall was officially opened.  First know simply as “Music Hall,” it was formally named for it’s funder, Andrew Carnegie, in 1893.

Q: How do you get to Carnegie Hall?

A: Practice, practice practice…

Carnegie Hall in 1895

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Carnegie Hall today

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Written by LW

May 5, 2016 at 1:01 am

“A city that was to forge out of steel and blood-red neon its own peculiar wilderness”*…

 

A woman and her work

 

Las Vegas– and the world– lost two icons of neon sign design on April 19th: Betty Willis, seen above with the iconic “Welcome” sign that she designed, and Brian “Buzz” Leming, creator of many of the Strip’s most memorable marquees, passed away within hours of each other.

Leming’s “Hacienda Horse and Rider”

 

Willis and Leming both worked at the Western Sign Company, where they struck up a friendship.  Many of their creations are preserved in the Neon Museum’s outdoor “Boneyard,” where it stores its relics.

The Neon Museum’s Boneyard

 

More at “Two Designers of Las Vegas’s Iconic Neon Signs Died on the Same Day.”

* Nelson Algren (writing about Chicago, though it’s surely apropos of Las Vegas as well)

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As we switch on the lights, we might send forbearing birthday wishes to Marcus Aurelius Antoninus Augustus; he was born on this date in 121.  The last of the Five Good Emperors, Marcus Aurelius is also considered one of the most important Stoic philosophers; his Meditations, written on campaign before he became emperor, is still a central text on the philosophy of service and duty.

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Written by LW

April 26, 2015 at 1:01 am

“Her hat is a creation that will never go out of style; it will just look ridiculous year after year”*…

 

An opportunity to get in at the very beginning of a fashion trend…

“Le Grand” is a new hat concept: a hybrid between the baseball cap and the top hat! Help us bring a new fashion icon into reality!

Le Grand

* Fred Allen

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As we cover our crowns, we might recall that it was on this date in 1910 that French chemist, engineer, and inventor Georges Claude switched on the first public display of neon lights– two large (39 foot long), bright red neon tubes– at the Paris Motor Show.  Over the next decade, Claude lit much of Paris.  Neon came to America in 1923 when Earl Anthony purchased signage from Claude, then transported it to Los Angeles, where Anthony installed it at his Packard dealership…  and (literally) stopped traffic.

Claude in his lab, 1913

 source

 

 

Written by LW

December 3, 2014 at 1:01 am

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