Posts Tagged ‘knowledge’
“The recognition of oneself as a part of nature, and reliance on natural things, are disappearing for hundreds of millions of people who do not know that anything is being lost.”*…
The estimable Alan Jacobs on the (glorious) novels of Robertson Davies, and (what Jacobs suggests is) a central question running throughout them: What ways of Wisdom have been discarded by modern Knowledge?…
Long ago every village in England had a cunning man, or woman—an untrained but intuitive healer, a person with a good nose for other people’s troubles and a tactical shrewdness about how to handle them. If your problems were simple and obvious, if you needed a broken bone set or a bad tooth pulled, you’d go to the surgeon. Everyone knew that. But what if you weren’t quite sure what was wrong with you? What if your spirit was troubled but also your digestion, and you didn’t know which was causing which, or if they were separate miseries? Then you needed to consult the cunning ones.
The Cunning Man is the last novel by the great Canadian writer Robertson Davies, and its titular figure is a man of the late twentieth century named Jonathan Hullah, who grew up in a remote outpost in northern Ontario and got his first ideas about healing by hanging around with Elsie Smoke, an Ojibwa herbalist and healer, a “wise woman”—a cunning woman. Hullah ultimately becomes a doctor and a practitioner of what some now call “holistic medicine,” though that term is not used in the book by Hullah or anyone else. Hullah thinks of himself as a disciple of the great Renaissance physician Paracelsus— the first person to theorize that physical disease can be the product of what we now would call psychological distress. As Hullah comments, “The problem for a Paracelsian physician like me is that I see diseases as disguises in which people present me with their wretchedness.” It is a problem because people are happy to speak of their diseases but reluctant to acknowledge their wretchedness.
Hullah’s creator almost certainly learned about Paracelsus through reading Carl Jung, who was perhaps the most important guiding figure of Davies’s intellectual and religious life. From my point of view, which is that of a generally orthodox Christian, Davies’s embrace of Jungian ideas is a convenient way to get all the benefits of belief in transcendent order with none of the obligations of obedience to a personal God. Nevertheless, there is much in Davies’s picture of the cunning man—and in closely related ideas that he developed in the latter part of his career as a novelist—from which thinking Christians can and should learn. Above all, I think, we should adopt a kind of historically aware intellectual pluralism, a willingness to learn from and make use of the past, and especially those elements of the past that have been discarded by modernity as refuse and waste. The thoughtful Christian should be a cunning practitioner of filth therapy.
In Davies’s wicked and wonderful novel The Rebel Angels, a scholar named Clement Hollier—whom Davies refers to as a “paleo-psychologist,” a student of ancient and discarded ways of thinking—grows fascinated by what he calls “Filth Therapy.” He suspects that a scientific colleague is pursuing a similar path: “He works with human excrement—what is rejected, what is accounted of no worth to mankind—and in it I suppose he hopes to discover something that is of worth.”…
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… In his many novels Davies returns over and over again to this theme. He portrays modernity as a world in which we love our crowns even as we despise and try to rip up our roots. The Rebel Angels is the first novel in what has come to be known as the Cornish Trilogy because it deals with the Cornish family, and in the novel that follows it, What’s Bred in the Bone, a young painter named Francis Cornish struggles with his love of Renaissance painting— struggles because he doesn’t just admire the Old Masters but wants to paint as they painted. And yet, he thinks, “surely one must paint in the manner of one’s day?” Anything else is “a kind of fakery, or a deliberate throw-back, like those PreRaphaelites.” And he has a very specific reason for believing that one must choose between “the manner of one’s own day” and a historically informed “fakery”: “Even if you are a believer, you cannot believe as the great men of the past believed.”
Cornish’s mentor, a brilliant restorer of art named Saraceni, disputes this, and constantly holds out to young Cornish the challenge of acquiring “the ability to work truly in the technique and also in the spirit of the past.” And Cornish achieves this ability, at least to Saraceni’s satisfaction; but when his masterful painting is discovered to be new rather than old, it is immediately and universally decried as a fake— even though Cornish never pretended that the painting was by anyone else. For artists and connoisseurs of our age, only the crown—the thought-world of the moment—can provide an authentic and valid mode of artistic (or religious) experience. To work from the root is necessarily to be inauthentic…
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In a city in Paraguay you may find a curious assembly of musicians called La Orquesta de Instrumentos Reciclados de Cateura—the Recycled Instruments Orchestra of Cateura. But these instrumentos are not professionally designed and built objects that have been discovered and repaired: they have been made out of recycled materials. Violins are constructed from cans and bent forks, a discarded oil drum forms the body of a cello, a saxophone somehow emerges from a drainpipe and a few bent spoons. Most of the musicians are teenagers from Cateura, which is a slum, and a slum built on and around a landfill. They too are among the world’s discards, thought to be without value, people in whom society invests no hope. But Fabio Chavez, the creator and director of the orchestra, has invested in them. He has said, “People realize that we shouldn’t throw away trash carelessly. Well, we shouldn’t throw away people either.”
In The Rebel Angels Maria’s mother healed the souls of great instruments that had been damaged by time and use. This is a wondrous art and worthy of great praise.
But then what praise is appropriate for those who have taken the filth of the world and given it souls, souls capable of the loveliest utterance? And what wonder is adequate to the imaginative dedication of Fabio Chavez, whose name should be known throughout the world? “The world sends us garbage,” he says. “We send back music.”…
Eminently worth reading in full: “Filth Therapy: A Cunning Word.” Also eminently worth reading: every one of Robertson Davies’ novels.
This essay dates from 2017. Jacobs brought it back up in response to his reading of a fascinating new book: Cunning Folk: Life in the Era of Practical Magic, by Tabitha Stanmore. It’s on Google Books, here.
* Robertson Davies, The Rebel Angels
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As we find treasure in trash, we might recall that it was in this date in 1953 that John Kraft (the younger brother of James Kraft, the founder of Kraft Cheese [later Kraft Foods]) received U.S. patent No. 2,641,545 for the manufacture of soft surface cured cheese. Just one year earlier, the company had introduced Cheez Whiz.
“Man’s first expression, like his first dream, was an aesthetic one”*…
From the new series, “Conjectures,” in the invaluable Public Domain Review, a piece by Octavian Esanu…
What do we want from “school”? Knowledge, surely. But other things too. Experience, perhaps? — the vibrating sense of having been present as new thinking happened, of having been affected by an encounter with ideas? Certain kinds of teaching and learning, anyway, privilege that vaunted nexus of knowing and being. Early in the first session of his seminar on Theodor Adorno’s Aesthetic Theory, the American Marxist literary scholar Fredric Jameson asserts, here below, that “aesthetics” can be thought of as precisely a project that lies “halfway between the cognitive and the artistic” — which is to say, it is the enterprise of trying to understand (conceptually) that which seems to elude reduction to concepts (because we are, somehow, there in aesthetic experiences; and we are not conceptual!). By meticulously translating his recordings of Jameson’s seminars into the theatrical idiom of the stage script, the artist and scholar (and former Jameson student) Octavian Esanu doubles down, playfully and tenderly, on this deep problem. Pedagogy as performance? Teaching and learning, about art — as a work of art?
Series editor D. Graham Burnett‘s introduction
An experiment with historical form and method: “[Door creaks open. Footsteps]: Fredric Jameson’s Seminar on Aesthetic Theory,” from @PublicDomainRev.
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As we investigate the ineffable, we might send absolutist birthday greetings to Thomas Hobbes of Malmesbury; he was born on this date in 1588. A father of political philosophy and political science, Hobbes developed some of the fundamentals of European liberal thought: the right of the individual; the natural equality of all men; the artificial character of the political order (which led to the later distinction between civil society and the state); the view that all legitimate political power must be “representative” and based on the consent of the people; and a liberal interpretation of law which leaves people free to do whatever the law does not explicitly forbid– all this, though Hobbes was, on rational grounds, a champion of absolutism for the sovereign. It was that, Hobbes reasoned, or the bloody chaos of a “war of all against all.” His 1651 book Leviathan established social contract theory, the foundation of most later Western political philosophy.
Indeed, it was in some large measure Hobbes (and his legacy) that Adorno’s Frankfurt School colleagues Max Horkheimer, Erich Fromm, Herbert Marcuse (et al.) were working to revise.
“When languages are lost most of the knowledge that went with them gets lost”*…
We’re all aware that many of the world’s plants and animals are in danger of extinction, but not so mindful that many human languages are in danger of becoming extinct too. Globalization has helped to make the world a smaller place. But, as Stephen Jones illustrates, it has also contributed to the loss of many languages around the world…
Across the 7,168 living languages today, 43% are at risk of being endangered.
In fact, a language dies off every 40 days. The vast majority of endangered languages are found in Indigenous communities, which risk the loss of culture and knowledge that they contain. At current rates, 90% of the world’s languages could disappear over the next 100 years…
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For instance, during the 1970s, the Māori language was spoken by just 5% of Māori schoolchildren. Fast forward to today, and 25% speak the language, driven by efforts from the Māori, leading the government to protect it by law.
In Hawaii, just 2,000 people spoke the native language in the 1970s. After the government ensured it was taught in schools, the number of speakers jumped to 18,700 in 2023…
“The State of the World’s 7,168 Living Languages,” from @derivationllc @VisualCap.
AI is being used to preserve endangered languages (e.g., by Google, Microsoft, and Jones’s own organization, Derivation). But in the end, what keeps a language and its cultural impact alive is human use. Check out Wikitongues for an organization that’s devoted to preserving collective wisdom the old-fashioned way.
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As we deepen linguistic diversity, we might recall that it was on this date in 1928 that a milestone in the development of a technology that has contributed to the globalization of culture (and the threat to languages) was achieved: John Logie Baird transmitted a TV image across the Atlantic ocean (using short wave radio) from station 2 KZ at Purley, England to Hartsdale, NY.
Baird’s system was electromechanical: a light sensitive camera behind a rotating disc. The picture was crudely formed from a scan of thirty lines at twelve frames per second. The television receiver in Hartsdale displayed a tiny, uneven– but “readable”– image. Still, this caused a sensation: The New York Times (accurately) compared the event to Marconi’s sending of the letter “S” by radio across the Atlantic, 27 years earlier.
“The spirit of inquiry and the courage to challenge the status quo are at the heart of scientific progress”*…
Adam Mastroianni on the challenges– and opportunities– facing science…
Randomized-controlled trials only caught on about 80 years ago, and whenever I think about that, I have to sit down and catch my breath for a while. The thing everybody agrees is the “gold standard” of evidence, the thing the FDA requires before it will legally allow you to sell a drug—that thing is younger than my grandparents.
There are a few records of things that kind of look like randomized-controlled trials throughout history, but people didn’t really appreciate the importance of RCTs until 1948, when the British Medical Research Council published a trial on streptomycin for tuberculosis. Humans have possessed the methods of randomization for thousands of years—dice, coins, the casting of lots—and we’ve been trying to cure diseases for as long as we’ve been human. Why did it take us so long to put them together?
I think the answer is: first, we had to stop trusting Zeus.
To us, coin flips are random (“Heads: I go first. Tails: you go first.”). But to an ancient human, coin flips aren’t random at all—they reveal the will of the gods (“Heads: Zeus wants me to go first. Tails: Zeus wants you to go first”). In the Bible, for instance, people are always casting lots to figure out what God wants them to do: which goat to kill, who should get each tract of land, when to start a genocide, etc.
This is, of course, a big problem for running RCTs. If you think that the outcome of a coin flip is meaningful rather than meaningless, you can’t use it to produce two equivalent groups, and you can’t study the impact of doing something to one group and not the other. You can only run a ZCT—a Zeus controlled trial.
It’s easy to see how technology can lead to scientific discoveries. Make microscope -> discover mitochondria.
Clearly, though, sometimes those technologies get invented entirely inside our heads. Stop trusting Zeus -> develop RCTs.
Which raises the question: what mental technologies haven’t we invented yet? What brain switches are just waiting to be flipped?…
On reinvigorating science: “Declining trust in Zeus is a technology,” from @a_m_mastroianni.
Apposite to an issue he raises: “Citation cartels help some mathematicians—and their universities—climb the rankings,” from @ScienceMagazine.
[Image above: source]
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As we deliberate on discovery, we might send micro-biological birthday greetings to a woman who modeled the attitude and behavior that Mastroianni suggests: Ruth Sager; she was born on this date in 1918. A pioneering geneticist, she had, in effect, two careers.
In the 1950s and 1960s, she pioneered the field of cytoplasmic genetics by discovering transmission of genetic traits through chloroplast DNA, the first known example of genetics not involving the cell nucleus. She identified a second set of genes were found outside of the cell’s nucleus, which, even though they were nonchrosomomal, also influenced inherited characteristics. The academic community did not acknowledge the significance of her contribution until after the second wave of feminism in the 1970s.
Then, in the early 1970s, she moved into cancer genetics (with a specific focus on breast cancer); she proposed and investigated the roles of tumor suppressor genes. She identified over 100 potential tumor suppressor genes, developed cell culture methods to study normal and cancerous human and other mammalian cells in the laboratory, and pioneered the research into “expression genetics,” the study of altered gene expression.
“Foul cankering rust the hidden treasure frets, but gold that’s put to use more gold begets.”*…
The scientific literature is vast. No individual human can fully know all the published research findings, even within a single field of science. As Ulkar Aghayeva explains, regardless of how much time a scientist spends reading the literature, there’ll always be what the information scientist Don Swanson called ‘undiscovered public knowledge’: knowledge that exists and is published somewhere, but still remains largely unknown.
Some scientific papers receive very little attention after their publication – some, indeed, receive no attention whatsoever. Others, though, can languish with few citations for years or decades, but are eventually rediscovered and become highly cited. These are the so-called ‘sleeping beauties’ of science.
The reasons for their hibernation vary. Sometimes it is because contemporaneous scientists lack the tools or practical technology to test the idea. Other times, the scientific community does not understand or appreciate what has been discovered, perhaps because of a lack of theory. Yet other times it’s a more sublunary reason: the paper is simply published somewhere obscure and it never makes its way to the right readers.
What can sleeping beauties tell us about how science works? How do we rediscover information the scientific body of knowledge already contains but that is not widely known? Is it possible that, if we could understand sleeping beauties in a more systematic way, we might be able to accelerate scientific progress?
Sleeping beauties are more common than you might expect.
The term sleeping beauties was coined by Anthony van Raan, a researcher in quantitative studies of science, in 2004. In his study, he identified sleeping beauties between 1980 and 2000 based on three criteria: first, the length of their ‘sleep’ during which they received few if any citations. Second, the depth of that sleep – the average number of citations during the sleeping period. And third, the intensity of their awakening – the number of citations that came in the four years after the sleeping period ended. Equipped with (somewhat arbitrarily chosen) thresholds for these criteria, van Raan identified sleeping beauties at a rate of about 0.01 percent of all published papers in a given year.
Later studies hinted that sleeping beauties are even more common than that. A systematic study in 2015, using data from 384,649 papers published in American Physical Society journals, along with 22,379,244 papers from the search engine Web of Science, found a wide, continuous range of delayed recognition of papers in all scientific fields. This increases the estimate of the percentage of sleeping beauties at least 100-fold compared to van Raan’s.
Many of those papers became highly influential many decades after their publication – far longer than the typical time windows for measuring citation impact. For example, Herbert Freundlich’s paper ‘Concerning Adsorption in Solutions’ (though its original title is in German) was published in 1907, but began being regularly cited in the early 2000s due to its relevance to new water purification technologies. William Hummers and Richard Offeman’s ‘Preparation of Graphitic Oxide’, published in 1958, also didn’t ‘awaken’ until the 2000s: in this case because it was very relevant to the creation of the soon-to-be Nobel Prize–winning material graphene…
Indeed, one of the most famous physics papers, Albert Einstein, Boris Podolsky, and Nathan Rosen (EPR)’s ‘Can Quantum-Mechanical Description of Physical Reality Be Considered Complete?’ (1935) is a classic example of a sleeping beauty…
More examples, and explanation of why they slumber, and thoughts on how to awaken them sooner: “Waking up science’s sleeping beauties,” from @ulkar_aghayeva in @WorksInProgMag.
[Image above: source]
* Shakespeare, “Venus and Adonis”
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As we dwell on discovery, we might send healing birthday greetings to a woman whose scientific work thankfully rarely napped, Gertrude Elion; she was born on this date in 1918. A pharmacologist, she shared the 1988 Nobel Prize in Physiology or Medicine with George H. Hitchings and Sir James Black for their use of innovative methods of rational drug design (focused on understanding the target of the drug rather than simply using trial-and-error) in the development of new drugs. Her work led to the creation of the anti-retroviral drug AZT, which was the first drug widely used against AIDS. Her well-known and widely deployed creations also include the first immunosuppressive drug, azathioprine, used to fight rejection in organ transplants, the first successful antiviral drug, acyclovir (ACV), used in the treatment of herpes infection, and a number of drugs used in cancer treatment.
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