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Posts Tagged ‘Internet Archive

“Doing research on the Web is like using a library assembled piecemeal by pack rats and vandalized nightly”*…

But surely, argues Jonathan Zittrain, it shouldn’t be that way…

Sixty years ago the futurist Arthur C. Clarke observed that any sufficiently advanced technology is indistinguishable from magic. The internet—how we both communicate with one another and together preserve the intellectual products of human civilization—fits Clarke’s observation well. In Steve Jobs’s words, “it just works,” as readily as clicking, tapping, or speaking. And every bit as much aligned with the vicissitudes of magic, when the internet doesn’t work, the reasons are typically so arcane that explanations for it are about as useful as trying to pick apart a failed spell.

Underpinning our vast and simple-seeming digital networks are technologies that, if they hadn’t already been invented, probably wouldn’t unfold the same way again. They are artifacts of a very particular circumstance, and it’s unlikely that in an alternate timeline they would have been designed the same way.

The internet’s distinct architecture arose from a distinct constraint and a distinct freedom: First, its academically minded designers didn’t have or expect to raise massive amounts of capital to build the network; and second, they didn’t want or expect to make money from their invention.

The internet’s framers thus had no money to simply roll out a uniform centralized network the way that, for example, FedEx metabolized a capital outlay of tens of millions of dollars to deploy liveried planes, trucks, people, and drop-off boxes, creating a single point-to-point delivery system. Instead, they settled on the equivalent of rules for how to bolt existing networks together.

Rather than a single centralized network modeled after the legacy telephone system, operated by a government or a few massive utilities, the internet was designed to allow any device anywhere to interoperate with any other device, allowing any provider able to bring whatever networking capacity it had to the growing party. And because the network’s creators did not mean to monetize, much less monopolize, any of it, the key was for desirable content to be provided naturally by the network’s users, some of whom would act as content producers or hosts, setting up watering holes for others to frequent.

Unlike the briefly ascendant proprietary networks such as CompuServe, AOL, and Prodigy, content and network would be separated. Indeed, the internet had and has no main menu, no CEO, no public stock offering, no formal organization at all. There are only engineers who meet every so often to refine its suggested communications protocols that hardware and software makers, and network builders, are then free to take up as they please.

So the internet was a recipe for mortar, with an invitation for anyone, and everyone, to bring their own bricks. Tim Berners-Lee took up the invite and invented the protocols for the World Wide Web, an application to run on the internet. If your computer spoke “web” by running a browser, then it could speak with servers that also spoke web, naturally enough known as websites. Pages on sites could contain links to all sorts of things that would, by definition, be but a click away, and might in practice be found at servers anywhere else in the world, hosted by people or organizations not only not affiliated with the linking webpage, but entirely unaware of its existence. And webpages themselves might be assembled from multiple sources before they displayed as a single unit, facilitating the rise of ad networks that could be called on by websites to insert surveillance beacons and ads on the fly, as pages were pulled together at the moment someone sought to view them.

And like the internet’s own designers, Berners-Lee gave away his protocols to the world for free—enabling a design that omitted any form of centralized management or control, since there was no usage to track by a World Wide Web, Inc., for the purposes of billing. The web, like the internet, is a collective hallucination, a set of independent efforts united by common technological protocols to appear as a seamless, magical whole.

This absence of central control, or even easy central monitoring, has long been celebrated as an instrument of grassroots democracy and freedom. It’s not trivial to censor a network as organic and decentralized as the internet. But more recently, these features have been understood to facilitate vectors for individual harassment and societal destabilization, with no easy gating points through which to remove or label malicious work not under the umbrellas of the major social-media platforms, or to quickly identify their sources. While both assessments have power to them, they each gloss over a key feature of the distributed web and internet: Their designs naturally create gaps of responsibility for maintaining valuable content that others rely on. Links work seamlessly until they don’t. And as tangible counterparts to online work fade, these gaps represent actual holes in humanity’s knowledge…

The glue that holds humanity’s knowledge together is coming undone: “The Internet Is Rotting.” @zittrain explains what we can do to heal it.

(Your correspondent seconds his call to support the critically-important work of The Internet Archive and the Harvard Library Innovation Lab, along with the other initiatives he outlines.)

* Roger Ebert

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As we protect our past for the future, we might recall that it was on this date in 1937 that Hormel introduced Spam. It was the company’s attempt to increase sales of pork shoulder, not at the time a very popular cut. While there are numerous speculations as to the “meaning of the name” (from a contraction of “spiced ham” to “Scientifically Processed Animal Matter”), its true genesis is known to only a small circle of former Hormel Foods executives.

As a result of the difficulty of delivering fresh meat to the front during World War II, Spam became a ubiquitous part of the U.S. soldier’s diet. It became variously referred to as “ham that didn’t pass its physical,” “meatloaf without basic training,” and “Special Army Meat.” Over 150 million pounds of Spam were purchased by the military before the war’s end. During the war and the occupations that followed, Spam was introduced into Guam, Hawaii, Okinawa, the Philippines, and other islands in the Pacific. Immediately absorbed into native diets, it has become a unique part of the history and effects of U.S. influence in the Pacific islands.

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“Maps codify the miracle of existence”*…

… and almost always, something more…

“Now when I was a little chap I had a passion for maps”, says the seafaring raconteur Charles Marlow in Joseph Conrad’s Heart of Darkness (1899). “At that time there were many blank spaces on the earth, and when I saw one that looked particularly inviting on a map (but they all look that) I would put my finger on it and say, ‘When I grow up I will go there.'” Of course, these “blank spaces” were anything but. The no-man’s-lands that colonial explorers like Marlow found most inviting (the Congo River basin, Tasmania, the Andaman Islands) were, in fact, richly populated, and faced devastating consequences in the name of imperial expansion.

In the same troublesome vein as Marlow, Edward Quin’s Historical Atlas painted cartographic knowledge as a candle coruscating against the void of ignorance, represented in his unique vision by a broiling mass of black cloud. Each map represents the bounds of geographical learning at a particular point in history, from a specific civilizational perspective, beginning with Eden, circa “B.C. 2348”. In the next map titled “B.C. 1491. The Exodus of the Israelites”, Armenia, Assyria, Arabia, Aram, and Egypt form an island of light, pushing back the black clouds of unknowing. As history progresses — through various Roman dynasties, the reign of Charlemagne, and the Crusades — the foul weather retreats further. In the map titled “A.D. 1498. The Discovery of America”, the transatlantic exploits of the so-called Age of Discovery force Quin to employ a shift in scale — the luminescence of his globe now extends to include Africa and most of Asia, but North America hides behind cumulus clouds, with its “unnamed” eastern shores peeking out from beneath a storm of oblivion. In the Atlas‘ last map, we find a world without darkness, not a trace of cloud. Instead, unexplored territories stretch out in the pale brown of vellum parchment, demarcating “barbarous and uncivilized countries”, as if the hinterlands of Africa and Canada are awaiting colonial inscription. 

Looking back from a contemporary vantage, the Historical Atlas remains memorable for what is not shown. Quin’s cartography inadvertently visualizes the ideology of empire: a geographic chauvinism that had little respect for the knowledge of those beyond imperial borders. And aside from depicting the reach of Kublai Khan, his focus remains narrowly European and Judeo-Christian. While Quin strives for accuracy, he admits to programmatic omission. “The colours we have used being generally meant to point out and distinguish one state or empire from another. . . were obviously inapplicable to deserts peopled by tribes having no settled form of government, or political existence, or known territorial limits”. Instead of representing these groups, Quin, like his clouds, has erased them from view.

Clouds of Unknowing: Edward Quin’s (1830) Historical Atlas. From the David Rumsey Map Collection (via the Internet Archive), where you can view it all. Via the invaluable Public Domain Review (@PublicDomainRev).

* Nicholas Crane, Mercator: The Man Who Mapped the Planet

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As we find our place, we might recall that it was on this date in 1971 that an epic mapping expedition began: NASA launched the Mariner 9 space probe, the first space craft to orbit Mars (or any other planet). Mariner 9 was designed to continue the atmospheric studies begun by Mariner 6 and 7, and to map over 70% of the Martian surface from the lowest altitude (930 mi) and at the highest resolutions (from 1,100 to 110 yards per pixel) of any Mars mission up to that point. After a spate of dust storms on the planet for several months following its arrival, the orbiter managed to send back clear pictures of the surface. Mariner 9 successfully returned 7,329 images over the course of its mission, which concluded in October 1972.

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“Everything faded into mist. The past was erased, the erasure was forgotten, the lie became truth.”*…

A bonfire burned on Berlin’s most important thoroughfare, Unter den Linden, just opposite the Friedrich Wilhelm University on May 10, 1933. Watched by a cheering crowd of almost 40,000, a group of students marched toward the flames, carrying the bust of the Jewish intellectual Magnus Hirschfeld, and threw it atop thousands of seized books by other “un-German” writers. Rows of young men in Nazi uniforms gave the Heil Hitler salute, while similar scenes took place in 90 other locations across Germany. The bonfires were a warning sign of the attack on knowledge about to be unleashed by the Nazi regime; more than 100 million books may have been destroyed during the Holocaust.

“There is no political power without power over the archive,” the French philosopher Jacques Derrida wrote in his classic work Archive Fever. Authoritarian rulers have long understood the truth of this statement. But what does it mean in the Digital Age?

To many, libraries seem less important than ever—everything’s online, isn’t it? Yet control of knowledge remains a key battleground in the fight for democracy. At the outset of the Trump presidency in January 2017, his adviser Kellyanne Conway was claiming “alternate facts.” By the end of his presidency, after years of dishonesty, Trump sought to reverse his electoral loss with a “firehose of falsehood” strategy, persisting with the obfuscation even after a mob of supporters stormed the Capitol.

Protecting democracies against “alternate facts” means capturing the truth as well as statements that deny it, so that open societies have reference points to trust and rely on. For over three millennia, librarians and archivists have developed systems, methodologies, techniques and an ethos for preservation to ensure that knowledge persists. Their focus on facts underpins integrity in public decision-making; enables a sense of place in our communities; and ensures diversity of ideas, opinions and memory.

By contrast, recent cases of “book-burning” remind us of how ominous the destruction of information is. During the Bosnian War, the mass murder of humans went alongside the destruction of libraries and archives. Serb forces targeted the National Library of Bosnia and Herzegovina with incendiary shells in August 1992, while forces raided provincial archives across the country to destroy records of land ownership as a means of eradicating the official memory of where Muslims had lived. Millions of books and documents in libraries and archives all over Bosnia and Kosovo were destroyed in the ethnic conflicts of the former Yugoslavia—attacks that became part of the charge sheets at the International Criminal Tribunal in the former Yugoslavia.

Officials in South Africa’s apartheid regime destroyed documents on a massive scale too. The South African Truth and Reconciliation Commission was hampered by this; in its final report, it devoted an entire section to the destruction of records. “The story of apartheid is, amongst other things, the story of the systematic elimination of thousands of voices that should have been part of the nation’s memory,” it said. “The tragedy is that the former government deliberately and systematically destroyed a huge body of state records and documentation in an attempt to remove incriminating evidence and thereby sanitize the history of oppressive rule.”

In Iraq, after the American-led coalition invaded in 2003, U.S. forces moved many of the key state records to the United States, where some, such as the archives of the Ba’ath Party, remained until recently. Just as the eradication of records can presage violence, the recent return of these documents can, I hope, form part of a process of national “truth and reconciliation” in Iraq.

Librarians today are not the stereotype of tweed-wearing introverts obsessed with enforcing silence. They are skilled professionals, often with subject-domain specialisms, adept at navigating physical and digital forms of knowledge–trained in project management and budgetary controls, and well-versed in deploying new technologies to support the public in identifying bogus online information, while using digitization to preserve fragile documents.

Digital technology lends itself to extraordinary archival projects, as in the work of the organization Mnemonic, whose Syrian Archive contains millions of online records about the civil war, alongside a Yemeni Archive and a Sudanese Archive, providing historians, journalists and international criminal lawyers the information to understand these conflicts. Other archival projects online include the Xinjiang Victims Database, which aims to document the Chinese campaign against the Uyghurs and other indigenous groups in northwest China.

As for institutional libraries and archives, they are highly trusted by the public—yet are experiencing declining levels of funding. This is happening when knowledge is increasingly held in digital form, controlled not by public institutions but by tech companies. How can we protect society from the “power over the archive” exercised by private corporations? Greater regulation should sit alongside a new role for libraries as citizens’ data sanctuaries, accountable to the public, and funded by a tax on tech-industry profits.

Looking back at the Nazi book-burnings in 1933, this low moment for human truth had lesser-known responses that should not be forgotten. Exactly a year later, on May 10, 1934, the Deutsche Freiheitsbibliothek (German Freedom Library, also known as the German Library of Burnt Books) opened in Paris, founded by German-Jewish writer Alfred Kantorowicz, with support from writers and intellectuals such as André Gide, Bertrand Russell and Heinrich Mann. Rapidly, it collected more than 20,000 volumes—not just the books that had been targeted for burning in Germany but also copies of key Nazi texts, in order to help understand the emerging regime.

The Brooklyn Jewish Center in New York established an American Library of Nazi-Banned Books in December 1934, with noted intellectuals on its advisory board, including Albert Einstein and Upton Sinclair. The library proclaimed itself a means of preserving and promoting Jewish culture at a time of renewed oppression.

If we are to heed George Orwell’s warning in Nineteen Eighty-Four—“The past was erased, the erasure was forgotten, the lie became truth”—then we must ensure that libraries and archives have the resources and public support to serve as our guardians of knowledge.

Bodley’s Librarian Richard Ovenden (@richove), author of the essential (and gripping) Burning the Books- A History of the Deliberate Destruction of Knowledge, explains why rampant dishonesty reminds us that we must preserve documents. Even– indeed, especially– in the Digital Age, archivists are crucial: “Facts in Flames.

Your correspondent supports institutional archives like Richard’s (Oxford’s Bodleian Library), the Harvard Libraries, and The New York Public Library; and the digital archive that’s the mother of them all, the remarkable Internet Archive. You might consider contributing to them or to the archives of your choice.

And, of course, we should all support our public libraries, which democratize access to information and knowledge and build community in ways that are critical to a healthy society and to constructive civil discourse.

* George Orwell, 1984

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As we prioritize preservation, we might recall that it was on this date in 1919 that fiery hot molasses poured into the streets of Boston, killing 21 people and injuring scores of others– the Great Boston Molasses Flood:

The United States Industrial Alcohol building was located on Commercial Street near North End Park in Boston. It was close to lunch time on January 15 and Boston was experiencing some unseasonably warm weather as workers were loading freight-train cars within the large building. Next to the workers was a 58-foot-high tank filled with 2.5 million gallons of crude molasses.

Suddenly, the bolts holding the bottom of the tank exploded, shooting out like bullets, and the hot molasses rushed out. An eight-foot-high wave of molasses swept away the freight cars and caved in the building’s doors and windows. The few workers in the building’s cellar had no chance as the liquid poured down and overwhelmed them.

The huge quantity of molasses then flowed into the street outside. It literally knocked over the local firehouse and then pushed over the support beams for the elevated train line. The hot and sticky substance then drowned and burned five workers at the Public Works Department. In all, 21 people and dozens of horses were killed in the flood. It took weeks to clean the molasses from the streets of Boston.

This disaster also produced an epic court battle, as more than 100 lawsuits were filed against the United States Industrial Alcohol Company. After a six-year-investigation that involved 3,000 witnesses and 45,000 pages of testimony, a special auditor finally determined that the company was at fault because the tank used had not been strong enough to hold the molasses. Nearly $1 million [over $15.5 million in today’s dollars] was paid in settlement of the claims…

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“Sometimes the only way to move forward is to revisit the things in your past that were holding you back”*…

Adobe Flash was the language of choice for a generation of game developers, helping kickstart an indie revolution on the still-young web of the 1990s and 2000s. But it withered on the proprietary and insecure vine, and both web browsers and Adobe have now canned it, threatening countless games and interactive presentations with the memory hole. The Internet Archive comes to the rescue, not only archiving the flash files but emulating the player itself, allowing history to live on.

“The Internet Archive has begun emulating Flash Animations, Games and Toys in a new collection,” wrote archivist Jason Scott on Twitter. “It’s at https://archive.org/details/softwarelibrary_flash and it’s going to be past 1,000 items in 24 hours. You can add your own and get them running, and the animations have never ran smoother or better.”…

From our friends at Boing Boing: “Internet Archive turns on Flash emulation, already has 1000 items to check out.”

* “Barry Allen” (The Flash)

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As we celebrate that what’s old is new again, we might recall that it was on this date in 1915 that Albert Einstein presented the Einstein Field Equation to the Prussian Academy of Sciences.  Einstein soon after elaborated it into the set of 10 equations that account for gravitation in the curved spacetime that he described in his General Theory of Relativity; they are used to determine spacetime geometry.

(German mathematician David Hilbert reached the same conclusion, and actually published the equation before Einstein– though Hilbert, who was a correspondent of Einstein’s, never suggested that Einstein’s credit was inappropriate.)

On the right side of the equal sign, the distribution of matter and energy in space; on the left, the geometry of the space, the so-called metric, a prescription for how to compute the distance between two points.

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Written by (Roughly) Daily

November 25, 2020 at 1:01 am

“Everyone should be able to do one card trick, tell two jokes, and recite three poems, in case they are ever trapped in an elevator”*…

 

cards

 

When watching a magician perform some card tricks, it’s a legitimate question to ask: “Would you be able to cheat at a card game?” Most performers will smirk and wink, implying they could. Truth is: they probably can’t. Sleight-of-hand with cards for conjuring and entertainment purposes is one thing; gambling techniques to cheat at cards is a whole other story. Sometimes these two domains overlap, in that liminal zone of the so called “gambling demonstrations.” However, the gamblers’ “real work” entails a very different skillset from that of a magician—while true gambling techniques are among the most fascinating and difficult to master.

In the realm of gambling techniques with cards, one name immediately commands undivided admiration and respect. That name is Steve Forte. It’s no hyperbole to say that what Forte can do with a pack of cards borders the unbelievable; his skillful handling is the closest thing to perfection in terms of technique. Here is a taste of his smooth and classy dexterity:

Steve Forte’s career spans over 40 years within the gambling industry. After dealing all casino games and serving in all casino executive capacities, he shifted gears to a spectacularly successful career as a professional high-stakes Black Jack and Poker player; shifting gears again, he later became a top consultant in the casino security field. To dig deeper into Forte’s adventurous and shapeshifting life, the go-to place is the enduring profile penned by R. Paul Wilson for the October 2005 issue of Genii Magazine.

Although Forte spent his whole professional career in the gambling world, in the early ’90s he became widely known in the magic community after releasing his famous Gambling Protection Video Series. These tapes turned him into an almost mythical figure, someone with a uniquely vast repertoire of gambling moves, and the remarkable ability to execute these moves—all of them—flawlessly. These tapes still remain the gold standard for any serious gambling enthusiast.

In 2009, the Academy of Magical Arts honored Steve Forte with a Special Fellowship Award, in recognition of his outstanding creative contribution…

Ferdinando Buscema (@ferdinando_MED), himself a master magician and experience designer, with an appreciation in Boing Boing: “What Steve Forte can do with a pack of cards borders on the unbelievable.”

* Daniel Handler

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As we hold ’em close, we might celebrate a magician of another sort, Brewster Kahle; on this date in 1996 he founded the Internet Archive, home of the Wayback Machine, the Open Library (and its coronavirus-catastrophe-response cousin, the National Emergency Library), and so much more

220px-Brewster_Kahle_2009 source

 

Written by (Roughly) Daily

May 12, 2020 at 1:01 am

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