Posts Tagged ‘Cartoon’
“All good things must come to an end”*…
Rusty Foster reports that…
Matt Bors announced that The Nib is shutting down after its retroactively ironically themed final issue, “The Future.” “The Nib has published more than 6,000 comics and paid out more than $2 million to creators.” It will be replaced by: nothing, just another void where independent cultural criticism used to be…
Today in Tabs
The Nib will be online through August; you can still enjoy it’s extraordinary offerings (and buy its issues) until then. Happily Rusty’s Today in Tabs continues– one hopes for a long, long time…
[Image above: from KC Green‘s “This Is Not Fine,” on The Nib]
* Geoffrey Chaucer, Troilus and Criseyde
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As we bid a fond adieu, we might recall that it was on this date in 1844 that inventor (and celebrated painter) Samuel F.B. Morse inaugurated the first technological competitor to the post when he sent the first telegraph message: “What hath God wrought?” Morse sent the famous message from the B&O’s Mount Clare Station in Baltimore to the Capitol Building. (The words were chosen by Annie Ellsworth, the daughter of the U.S. Patent Commissioner, from Numbers 23:23.)
“Man is a part of nature, and his war against nature is inevitably a war against himself”*…
A sobering new study finds that the world’s biggest industries burn through $7.3 trillion worth of free natural capital a year. And it’s the only reason they turn a profit…
The notion of “externalities” has become familiar in environmental circles. It refers to costs imposed by businesses that are not paid for by those businesses. For instance, industrial processes can put pollutants in the air that increase public health costs, but the public, not the polluting businesses, picks up the tab. In this way, businesses privatize profits and publicize costs.
While the notion is incredibly useful, especially in folding ecological concerns into economics, I’ve always had my reservations about it. Environmentalists these days love speaking in the language of economics — it makes them sound Serious — but I worry that wrapping this notion in a bloodless technical term tends to have a narcotizing effect. It brings to mind incrementalism: boost a few taxes here, tighten a regulation there, and the industrial juggernaut can keep right on chugging. However, if we take the idea seriously, not just as an accounting phenomenon but as a deep description of current human practices, its implications are positively revolutionary.
To see what I mean, check out a recent report [PDF] done by environmental consultancy Trucost on behalf of The Economics of Ecosystems and Biodiversity (TEEB) program sponsored by United Nations Environmental Program. TEEB [Editor’s note: TEEB is now known as the Natural Capital Coalition] asked Trucost to tally up the total “unpriced natural capital” consumed by the world’s top industrial sectors. (“Natural capital” refers to ecological materials and services like, say, clean water or a stable atmosphere; “unpriced” means that businesses don’t pay to consume them.)…
The majority of unpriced natural capital costs are from greenhouse gas emissions (38%), followed by water use (25%), land use (24%), air pollution (7%), land and water pollution (5%), and waste (1%).
So how much is that costing us?… the total unpriced natural capital consumed by the more than 1,000 “global primary production and primary processing region-sectors” amounts to $7.3 trillion a year — 13 percent of 2009 global GDP… Of the top 20 region-sectors ranked by environmental impacts, none would be profitable if environmental costs were fully integrated. Ponder that for a moment: None of the world’s top industrial sectors would be profitable if they were paying their full freight. Zero…
The distance between today’s industrial systems and truly sustainable industrial systems — systems that do not spend down stored natural capital but instead integrate into current energy and material flows — is not one of degree, but one of kind. What’s needed is not just better accounting but a new global industrial system, a new way of providing for human wellbeing, and fast…
“None of the world’s top industries would be profitable if they paid for the natural capital they use,” from @grist.
See also: “The Biophilia Paradox,” from Clive Thompson (@pomeranian99).
* Rachel Carson
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As we buy it because we broke it, we might recall that it was on this date in 1980 that Coyote finally caught Road Runner– in Chuck Jones’ “Soup or Sonic,” which aired as part of the television special Bugs Bunny’s Bustin’ Out All Over.
“What, Me Worry?”*…
We lost a giant earlier this week…
Al Jaffee, the celebrated and much-laureled cartoonist known to generations for his clever creations for MAD magazine, died Monday [at age 102] in Manhattan due to multiple organ failure…
Jaffee studied at the High School of Music & Art in New York City in the late 1930s, alongside several future MAD colleagues: Will Elder, Al Feldstein, Harvey Kurtzman and John Severin. He began his career in the early ’40s as an artist working for several comics publications, including Marvel Comics precursors Timely Comics and Atlas Comics. He began creating gag-driven comedy spots for Timely, including Ziggy Pig and Silly Seal at the request of Marvel legend Stan Lee.
He made his MAD magazine debut in 1955, but soon left with outgoing editor and his old school friend Kurtzman to work for his Trump and Humbug publications. When these folded in the late ’50s, Jaffee returned to the MAD fold. A few years later, in 1964, Jaffee approached Feldstein with his idea for the first Fold-In cover, which would riff on the scandal of Elizabeth Taylor leaving her husband Eddie Fisher for her Cleopatra co-star Richard Burton. Feldstein and Bill Gaines were immediately enthusiastic, and Jaffee was soon asked for a new Fold-In, and the intricate and clever gimmick soon appeared in almost every issue…
Jaffee also notably created the Snappy Answers to Stupid Questions as well as humorous articles about concepts for newfangled inventions — many of which turned out to be very accurate predictions…
He continued creating for MAD and other publications into the new millennium. Among his many career accolades, Jaffee was presented with a Sergio Award from the Comic Art Professional Society in 2011, inducted into the Will Eisner Hall of Fame in 2013, elected to the Society of Illustrators’ Hall of Fame in 2014, and was officially declared to have had “the longest career as a comics artist” (73 year, three months) by Guinness World Records in 2016, well before he retired at age 99.
On the March 13, 2006, episode of The Colbert Report aired on Jaffee’s 85th birthday, comedian Stephen Colbert saluted the artist with a Fold-In birthday cake. The cake featured the salutary message “Al, you have repeatedly shown artistry & care of great credit to your field.” When the center section of the cake was removed, the remainder read, “Al, you are old.”
More on the master: “Award-Winning ‘MAD’ Cartoonist and Fold-In Inventor Al Jaffee Dies at 102,” in @animag.
See also: “Al Jaffee, A MAD Magazine Legend, Remembered As ‘Every Cartoonist’s Role Model’,” from @robsalk.
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As we appreciate art, we might send powerfully-drawn and carefully-lettered birthday greetings to Dave Gibbons; he was born on this date in 1949. A comics artist, writer and letterer, he was a creator of 2000 AD, the Martha Washington series, Doctor Who, Green Lantern, World’s Finest, The Secret Service, and others. But he is best known for his work with writer Alan Moore, which includes the seminal Watchmen and the Superman story “For the Man Who Has Everything.”
“If you want to understand today you have to search yesterday”*…
The redoubtable Brewster Kahle on the dangerous ephemerality of civil discourse in our digital times…
Many have now seen how, when someone deletes their Twitter account, their profile, their tweets, even their direct messages, disappear. According to the MIT Technology Review, around a million people have left so far, and all of this information has left the platform along with them. The mass exodus from Twitter and the accompanying loss of information, while concerning in its own right, shows something fundamental about the construction of our digital information ecosystem: Information that was once readily available to you—that even seemed to belong to you—can disappear in a moment.
Losing access to information of private importance is surely concerning, but the situation is more worrying when we consider the role that digital networks play in our world today. Governments make official pronouncements online. Politicians campaign online. Writers and artists find audiences for their work and a place for their voice. Protest movements find traction and fellow travelers. And, of course, Twitter was a primary publishing platform of a certain U.S. president.
If Twitter were to fail entirely, all of this information could disappear from their site in an instant. This is an important part of our history. Shouldn’t we be trying to preserve it?
I’ve been working on these kinds of questions, and building solutions to some of them, for a long time. That’s part of why, over 25 years ago, I founded the Internet Archive. You may have heard of our “Wayback Machine,” a free service anyone can use to view archived web pages from the mid-1990’s to the present. This archive of the web has been built in collaboration with over a thousand libraries around the world, and it holds hundreds of billions of archived webpages today–including those presidential tweets (and many others). In addition, we’ve been preserving all kinds of important cultural artifacts in digital form: books, television news, government records, early sound and film collections, and much more.
The scale and scope of the Internet Archive can give it the appearance of something unique, but we are simply doing the work that libraries and archives have always done: Preserving and providing access to knowledge and cultural heritage…
While we have had many successes, it has not been easy… companies close, and change hands, and their commercial interests can cut against preservation and other important public benefits. Traditionally, libraries and archives filled this gap. But in the digital world, law and technology make their job increasingly difficult. For example, while a library could always simply buy a physical book on the open market in order to preserve it on their shelves, many publishers and platforms try to stop libraries from preserving information digitally. They may even use technical and legal measures to prevent libraries from doing so. While we strongly believe that fair use law enables libraries to perform traditional functions like preservation and lending in the digital environment, many publishers disagree, going so far as to sue libraries to stop them from doing so.
We should not accept this state of affairs. Free societies need access to history, unaltered by changing corporate or political interests. This is the role that libraries have played and need to keep playing…
A important plea, eminently worth reading in full: “Our Digital History Is at Risk,” from @brewster_kahle @internetarchive.
* Pearl S. Buck
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As we prioritize preservation, we might recall that it was on this date in 1940 that MGM released the first in what would be a long series of Tom and Jerry cartoons (though neither character was named in this inaugural outing, and one of the animators referred to them as Jasper and Jinx… Tom and Jerry were their monikers from the second cartoon, on). The basic premise was the one that would become familiar to audiences: “cat stalks and chases mouse in a frenzy of mayhem and slapstick violence.” Though studio executives were unimpressed, audiences loved the film, and it was nominated for an Academy Award.
Find Tom and Jerry at The Internet Archive.
“For last year’s words belong to last year’s language / And next year’s words await another voice”*…
As we pivot into 2023 (Happy New Year!), a retrospective on the way that 2022– Ukraine, the economy, China, climate change, pivots at Facebook and Twitter, the lingering pandemic– changed our language…
The story of a year is sometimes easy to identify: the financial crisis of 2008, the Brexit-Trump populist wave of 2016 or the pandemic of 2020. The most wrenching event of 2022 has been the war in Ukraine, yet those earlier stories have lingered in the headlines. For language-watchers, all that meant much new vocabulary to consider…
[After considering a number of other candidates…]
After the lockdowns of 2020, followed, in 2021, by a slow return to the office, 2022 was the year that hybrid work settled in. Working at home some of the time has advantages (decongesting cities and fewer painful commutes), and disadvantages (fears of lower productivity combined with a sense of never being off duty). In the spring Twitter announced a policy of unlimited working from home for those who wanted it. When Elon Musk bought the company he promptly decreed the opposite. But most firms have not gone to either extreme, instead trying to find the best of both worlds.
As a coinage, hybrid work is no beauty. But it will reshape cities, careers, family life and free time. That is ample qualification for a word of the year…
From @TheEconomist: “And the word of 2022 is…“
Here are some candidates for this year’s “word of the year”: “23 items of vital vocabulary you’ll need to know in 2023.”
And because it’s New Years Day, and it’s appropriate to look forward, not just back, some advice-like thoughts on 2023″: “Blank Page.”
* T. S. Eliot, Four Quartets
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As we name it, we might recall that, on this date in 1995, the last installment of Gary Larsen‘s comic strip The Far Side (which had premiered on New Year’s Eve, 1979) ran. Carried by more than 1,900 daily newspapers, the strip was translated into 17 languages, and collected into calendars, greeting cards, and 23 compilation books; reruns are still carried in many newspapers. Indeed, after a 25 year hiatus, in July 2020 Larson began drawing new Far Side strips offered through the comic’s official website.
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