Posts Tagged ‘MGM’
“If you want to understand today you have to search yesterday”*…
The redoubtable Brewster Kahle on the dangerous ephemerality of civil discourse in our digital times…
Many have now seen how, when someone deletes their Twitter account, their profile, their tweets, even their direct messages, disappear. According to the MIT Technology Review, around a million people have left so far, and all of this information has left the platform along with them. The mass exodus from Twitter and the accompanying loss of information, while concerning in its own right, shows something fundamental about the construction of our digital information ecosystem: Information that was once readily available to you—that even seemed to belong to you—can disappear in a moment.
Losing access to information of private importance is surely concerning, but the situation is more worrying when we consider the role that digital networks play in our world today. Governments make official pronouncements online. Politicians campaign online. Writers and artists find audiences for their work and a place for their voice. Protest movements find traction and fellow travelers. And, of course, Twitter was a primary publishing platform of a certain U.S. president.
If Twitter were to fail entirely, all of this information could disappear from their site in an instant. This is an important part of our history. Shouldn’t we be trying to preserve it?
I’ve been working on these kinds of questions, and building solutions to some of them, for a long time. That’s part of why, over 25 years ago, I founded the Internet Archive. You may have heard of our “Wayback Machine,” a free service anyone can use to view archived web pages from the mid-1990’s to the present. This archive of the web has been built in collaboration with over a thousand libraries around the world, and it holds hundreds of billions of archived webpages today–including those presidential tweets (and many others). In addition, we’ve been preserving all kinds of important cultural artifacts in digital form: books, television news, government records, early sound and film collections, and much more.
The scale and scope of the Internet Archive can give it the appearance of something unique, but we are simply doing the work that libraries and archives have always done: Preserving and providing access to knowledge and cultural heritage…
While we have had many successes, it has not been easy… companies close, and change hands, and their commercial interests can cut against preservation and other important public benefits. Traditionally, libraries and archives filled this gap. But in the digital world, law and technology make their job increasingly difficult. For example, while a library could always simply buy a physical book on the open market in order to preserve it on their shelves, many publishers and platforms try to stop libraries from preserving information digitally. They may even use technical and legal measures to prevent libraries from doing so. While we strongly believe that fair use law enables libraries to perform traditional functions like preservation and lending in the digital environment, many publishers disagree, going so far as to sue libraries to stop them from doing so.
We should not accept this state of affairs. Free societies need access to history, unaltered by changing corporate or political interests. This is the role that libraries have played and need to keep playing…
A important plea, eminently worth reading in full: “Our Digital History Is at Risk,” from @brewster_kahle @internetarchive.
* Pearl S. Buck
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As we prioritize preservation, we might recall that it was on this date in 1940 that MGM released the first in what would be a long series of Tom and Jerry cartoons (though neither character was named in this inaugural outing, and one of the animators referred to them as Jasper and Jinx… Tom and Jerry were their monikers from the second cartoon, on). The basic premise was the one that would become familiar to audiences: “cat stalks and chases mouse in a frenzy of mayhem and slapstick violence.” Though studio executives were unimpressed, audiences loved the film, and it was nominated for an Academy Award.
Find Tom and Jerry at The Internet Archive.
It’s the *pictures* that got small…
Hedy Lamarr, actress and pioneer of spread-spectrum radio transmission
Virginia Postrel reports in Deep Glamour:
A beautiful exhibit of classic Hollywood portraits is currently on display at the National Portrait Gallery in London. (In December, it moves to the Bendigo Art Gallery in Victoria, Australia.) The exhibit, which draws its photos from the John Kobal Collection, originated at the Santa Barbara Museum of Art, which provided the images for this slideshow, which originally ran on DG in 2008.
The photos all present idealized versions of the stars–but what a range of ideals they represent, from the refined elegance of Grace Kelly to the sultry seductiveness of Rita Hayworth’s Gilda, from Vivian Leigh in hyperfeminine white ruffles to Marlene Dietrich tough and dominant in a crisp blouse and slacks. And those are just (a few of) the women…
Like Debbie Reynolds’s late-lamented costume collection, the John Kobal Collection originated with MGM’s mother of all garage sales. In the ’60s and ’70s, when Golden Age glamour was out of fashion and studios were dumping their archives, Kobal bought and preserved prints and negatives, befriended aging stars and photographers, and documented their stories. Most of the classic images you see reproduced today come from his archives…
Marlon Brando, actor and activist
More images at Deep Glamour.
As we strike our poses, we might recall that it was on this date in 1956 that High Society opened in movie theaters across the U.S. It was the last film made by Grace Kelly, who had married Prince Ranier of Monaco months before the premiere. It was a questionable note– a remake (of The Philadelphia Story)– on which to retire… but it did feature music and lyrics by Cole Porter.
Grace Kelly, just before she became Princess Consort of Monaco
I’m so Glad(well)…
Readers can create their own best-sellers at The Malcolm Gladwell Book Generator.
[TotH to the wonderful Pop Loser]
As we decide what to do with our royalties, we might recall that it was on this date in 1940 that MGM’s first Tom and Jerry cartoon, “Puss Gets the Boot,” premiered; the inter-species couple would go on to “star” in over 100 more cartoons. It was the first collaboration between William Hanna and Joseph Barbera (founding a partnership that would last over 50 years and yield such treasures as The Flintstones, Huckleberry Hound, The Jetsons, Scooby-Doo, Top Cat, and Yogi Bear); at over nine minutes in length, it’s the longest T&J ever produced– and the first of three T&J essays (with “Puss n’ Toots” and “Puss ‘n’ Boats”) to pun it’s title on the fairy tale “Puss in Boots.” “Puss Gets the Boot” was nominated for an Academy Award– the first of Hanna and Barbera’s many Oscar nominations.
The cat in “Puss Gets the Boot” was actually named “Jasper”; the mouse, “Jinx.” But when the pilot got the go-ahead to become a series, animator John Carr won a studio-wide naming contest with his suggestion: “Tom and Jerry.” Jasper’s owner, “Mammy Two-Shoes,” was voiced by June Foray— who later earned immortality as the voice of Rocky J. Squirrel.
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