Posts Tagged ‘artificial intelligence’
“Even a fool who keeps silent is considered wise; when he closes his lips, he is deemed intelligent.”*…
A substantial– and important– look at a troubling current aflow in the world of technology today: Emily Gorcenski on the millenarianism and manifest destiny of AI and techno-futurism…
… Early Christian missionaries traveled the pagan lands looking for heathens to convert. Evangelical movements almost definitionally involve spreading the word of Jesus Christ as a core element of their faith. The missionary holds the key that unlocks eternal life and the only cost is conversion: the more souls saved, the holier the work. The idea of going out into the world to spread the good word and convert them to our product/language/platform is a deep tradition in the technology industry. We even hire people specifically to do that. We call them technology evangelists.
Successful evangelism has two key requirements. First, it must offer the promised land, the hope of a better life, of eternal salvation. Second, it must have a willing mark, someone desperate enough (perhaps through coercion) to be included in that vision of eternity, better if they can believe strongly enough to become acolytes themselves. This formed the basis of the crypto community: Ponzi schemes sustain only as long as there are new willing participants and when those participants realize that their own continued success is contingent on still more conversions, the incentive to act in their own best interest is strong. It worked for a while to keep the crypto bubble alive. Where this failed was in every other aspect of web3.
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There’s a joke in the data science world that goes something like this: What’s the difference between statistics, machine learning, and AI? The size of your marketing budget. It’s strange, actually, that we still call it “artificial intelligence” to this day. Artificial intelligence is a dream from the 40s mired in the failures of the ’60s and ’70s. By the late 1980s, despite the previous spectacular failures to materialize any useful artificial intelligence, futurists had moved on to artificial life.
Nobody much is talking about artificial life these days. That idea failed, too, and those failures have likewise failed to deter us. We are now talking about creating “cybernetic superintelligence.” We’re talking about creating an AI that will usher a period of boundless prosperity for humankind. We’re talking about the imminence of our salvation.
The last generation of futurists envisioned themselves as gods working to create life. We’re no longer talking about just life. We’re talking about making artificial gods.
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I’m certainly not the first person to shine a light on the eschatological character of today’s AI conversation. Sigal Samuel did it a few months back in far fewer words than I’ve used here, though perhaps glossing over some of the political aspects I’ve brought in. She cites Noble and Kurzweil in many of the same ways. I’m not even the first person to coin the term “techno-eschatology.” The parallels between the Singularity Hypothesis and the second coming of Christ are plentiful and not hard to see.
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… The issue is not that Altman or Bankman-Fried or Andreesen or Kurzweil or any of the other technophiles discussed so far are “literally Hitler.” The issue is that high technology shares all the hallmarks of a millenarian cult and the breathless evangelism about the power and opportunity of AI is indistinguishable from cult recruitment. And moreover, that its cultism meshes perfectly with the American evangelical far-right. Technologists believe they are creating a revolution when in reality they are playing right into the hands of a manipulative, mainstream political force. We saw it in 2016 and we learned nothing from that lesson.
Doomsday cults can never admit when they are wrong. Instead, they double down. We failed to make artificial intelligence, so we pivoted to artificial life. We failed to make artificial life, so now we’re trying to program the messiah. Two months before the Metaverse went belly-up, McKinsey valued it at up to $5 trillion dollars by 2030. And it was without a hint of irony or self-reflection that they pivoted and valued GenAI at up to $4.4 trillion annually. There’s not even a hint of common sense in this analysis.
This post won’t convince anyone on the inside of the harms they are experiencing nor the harms they are causing. That’s not been my intent. You can’t remove someone from a cult if they’re not ready to leave. And the eye-popping data science salaries don’t really incentivize someone to get out. No. My intent was to give some clarity and explanatory insight to those who haven’t fallen under the Singularity’s spell. It’s a hope that if—when—the GenAI bubble bursts, we can maybe immunize ourselves against whatever follows it. And it’s a plea to get people to understand that America has never stopped believing in its manifest destiny.
David Nye described 19th and 20th century American perception technology using the same concept of the sublime that philosophers used to describe Niagara Falls. Americans once beheld with divine wonder the locomotive and the skyscraper, the atom bomb and the Saturn V rocket. I wonder if we’ll behold AI with that same reverence. I pray that we will not. Our real earthly resources are wearing thin. Computing has surpassed aviation in terms of its carbon threat. The earth contains only so many rare earth elements. We may face Armageddon. There will be no Singularity to save us. We have the power to reject our manifest destinies…
Eminently worth reading in full: “Making God,” from @EmilyGorcenski (a relay to mastodon and BlueSky).
See also: “Effective Obfuscation,” from Molly White (@molly0xFFF) and this thread from Emily Bender (@emilymbender).
* Proverbs 17:28
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As we resist recruitment, we might spare a thought for Ada Lovelace (or, more properly, Augusta Ada King, Countess of Lovelace, née Byron); she died on this date in 1852. A mathematician and writer, she is chiefly remembered for her work on Charles Babbage‘s proposed mechanical general-purpose computer, the Analytical Engine— for which she authored what can reasonably be considered the first “computer program.” She was the first to recognize that the machine had applications beyond pure calculation, and so is one of the “parents” of the modern computer.

“Our poetry is courage, audacity and revolt”*…
One of your correspondent’s daily delights is Rusty Foster‘s Today in Tabs, a newsletter that informs and provokes as it, inevitably, amuses. Take for example this excerpt from Monday’s installment, subtitled “Today in Fascism”…
“Could the end of the AI hype cycle be in sight?” asked TechBrew’s Patrick Kulp and precisely on time today here’s a doorstop of LinkedIn-brained crypto-(but-not-too-crypto)-fascism from Egg Andreessen titled “The Techno-Optimist Manifesto.” It’s very long, and you should absolutely not read it, but it’s useful for finally making explicit the fascist philosophy that people like Brad Johnson have long argued is growing steadily less implicit in Silicon Valley’s techno-triumphalism.
“Techno-Optimists believe that societies, like sharks, grow or die,” writes Egg, and Rose Eveleth was already like 🤔:
But before going fully mask-off, Andreessen has some crazy things to say about AI.
There are scores of common causes of death that can be fixed with AI, from car crashes to pandemics to wartime friendly fire.
But AI can surely help us kill the right people in war much more efficiently, yes? Still, he needs to make a pseudo-moral case to keep pumping cash into the AI bubble, so we get this:
We believe any deceleration of AI will cost lives. Deaths that were preventable by the AI that was prevented from existing is a form of murder.
Got that, Untermenschen? Regulation == murder. [Followed by the photo at the top]
But let’s get to the good stuff, in the section titled “Becoming Technological Supermen” (I swear I’m not making this up).
We believe in the romance of technology, of industry. The eros of the train, the car, the electric light, the skyscraper. And the microchip, the neural network, the rocket, the split atom.
We believe in adventure. Undertaking the Hero’s Journey, rebelling against the status quo, mapping uncharted territory, conquering dragons, and bringing home the spoils for our community.
To paraphrase a manifesto of a different time and place: “Beauty exists only in struggle. There is no masterpiece that has not an aggressive character. Technology must be a violent assault on the forces of the unknown, to force them to bow before man.”
The first two paragraphs here are just bonkers. He’s horny for trains? I guess he saw North By Northwest at an impressionable age. But that last paragraph contains the only quote in the whole piece that isn’t attributed to a specific source, and it turns out it’s not really a paraphrase, it’s a direct quote from Filippo Marinetti’s 1909 “Futurist Manifesto” with “technology” substituted for the original’s “poetry.” I wonder if Marinetti wrote any other famous manifestos?
In case we somehow still don’t get it, Andreessen specifies that “The Enemy” is “the ivory tower, the know-it-all credentialed expert worldview, indulging in abstract theories, luxury beliefs, social engineering, disconnected from the real world, delusional, unelected, and unaccountable…” and then drops an extended Nietzsche excerpt. You know who else hated the ivory tower and loved Nietzsche?…
“Industrial Society and Its Future (Are Gonna Be Great!),” from @rusty.todayintabs.com. Do yourself the favor of subscribing to Today in Tabs— it’s marvelous.
* Filippo Tommaso Marinetti, Manifesti Futuristi
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As we reprioritize prudence, we might recall that it was on this date in 1896 that Richard F. Outcault‘s comic strip Hogan’s Alley— featuring “the Yellow Kid” (Mickey Dugan)– debuted in William Randolph Hearst’s New York Journal as a regular feature. While “the Yellow Kid” had appeared irregularly before, it was the first full-color comic to be printed regularly (many historians suggest), and one of the earliest in the history of the comic; Outcault’s use of word balloons in the Yellow Kid influenced the basic appearance and use of balloons in subsequent newspaper comic strips and comic books. Outcault’s work aimed at humor and social commentary; but (perhaps ironically) the concept of “yellow journalism” referred to stories which were sensationalized for the sake of selling papers (as in the publications of Hearst and Joseph Pulitzer, an earlier home to sporadic appearances of the Yellow Kid) and was so named after the “Yellow Kid” cartoons.
“These are the forgeries of jealousy”*…

Is it authentic? Attorney and AI practitioner Steven J. Frank, working with his wife, art historian and curator Andrea Frank (together, Art Eye-D Associates), brings machine learning to bear…
The sound must have been deafening—all those champagne corks popping at Christie’s, the British auction house, on 15 November 2017. A portrait of Jesus, known as Salvator Mundi (Latin for “savior of the world”), had just sold at Christie’s in New York for US $450.3 million, making it by far the most expensive painting ever to change hands.
But even as the gavel fell, a persistent chorus of doubters voiced skepticism. Was it really painted by Leonardo da Vinci, the towering Renaissance master, as a panel of experts had determined six years earlier? A little over 50 years before that, a Louisiana man had purchased the painting in London for a mere £45. And prior to the rediscovery of Salvator Mundi, no Leonardo painting had been uncovered since 1909.
Some of the doubting experts questioned the work’s provenance—the historical record of sales and transfers—and noted that the heavily damaged painting had undergone extensive restoration. Others saw the hand of one of Leonardo’s many protégés rather than the work of the master himself.
Is it possible to establish the authenticity of a work of art amid conflicting expert opinions and incomplete evidence? Scientific measurements can establish a painting’s age and reveal subsurface detail, but they can’t directly identify its creator. That reLeonardo da quires subtle judgments of style and technique, which, it might seem, only art experts could provide. In fact, this task is well suited to computer analysis, particularly by neural networks—computer algorithms that excel at examining patterns. Convolutional neural networks (CNNs), designed to analyze images, have been used to good advantage in a wide range of applications, including recognizing faces and helping to pilot self-driving cars. Why not also use them to authenticate art?
That’s what I asked my wife, Andrea M. Frank, a professional curator of art images, in 2018. Although I have spent most of my career working as an intellectual-property attorney, my addiction to online education had recently culminated in a graduate certificate in artificial intelligence from Columbia University. Andrea was contemplating retirement. So together we took on this new challenge…
With millions at stake, deep learning enters the art world. The fascinating story: “This AI Can Spot an Art Forgery,” @ArtAEye in @IEEESpectrum.
* Shakespeare (Titania, A Midsummer Night’s Dream, Act II, Scene 1)
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As we honor authenticity, we might spare a thought for a champion of authenticity in a different sense, Joris Hoefnagel; he died on this date in 1601. A Flemish painter, printmaker, miniaturist, draftsman, and merchant, he is noted for his illustrations of natural history subjects, topographical views, illuminations (he was one of the last manuscript illuminators), and mythological works.
Hoefnagel made a major contribution to the development of topographical drawing. But perhaps more impactfully, his manuscript illuminations and ornamental designs played an important role in the emergence of floral still-life painting as an independent genre in northern Europe at the end of the 16th century. The almost scientific naturalism of his botanical and animal drawings served as a model for a later generation of Netherlandish artists. Through these nature studies he also contributed to the development of natural history and he was thus a founder of proto-scientific inquiry.









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