Posts Tagged ‘War of the Worlds’
“A good bookshop is just a genteel Black Hole that knows how to read”*…
FT writers nominate awe-inspiring places to get your literary fix, from Mumbai to Buenos Aires…
And so many more: “The most brilliant bookshops in the world.”
* Terry Pratchett
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As we browse, we might recall that it was on this date in 1938 that the Mercury Theater broadcast the Halloween episode of their weekly series on the WABC Radio Network, Orson Welle’s adaptation of H.G. Wells’ War of the Worlds. The first two-thirds of the show (which was uninterrupted by ads) was composed of simulated news bulletins… which suggested to many listeners that a real Martian invasion was underway. (While headlines like the one below suggest that there was widespread panic, research reveals that the fright was more subdued. Still there was an out-cry against the “phoney-news” format… and Welles was launched into the notoriety that would characterize his career ever after.)

“Total annihilation has a way of sharpening people’s minds”*…
HG Wells was the great modern prophet of apocalypse…
In five fecund years, from 1895 to 1900, he wrote 12 books, including the ‘scientific romances’ that made his name and laid the foundations of modern science fiction — The Time Machine, The War of the Worlds, The Island of Dr Moreau, The Invisible Man. He paved the way for so much of what came after — the sci-fi of Huxley, Orwell, Olaf Stapledon, Arthur C. Clarke, JG Ballard and Michael Crichton, and his books have inspired over 30 films, with The Invisible Man set for another remake this year…
His books — both fiction and non-fiction — are tales of apocalypse, which in the ancient Greek etymology means ‘the unveiling or unfolding of things not previously known and which could not be known apart from the unveiling’.
What you meet in Wells’ books, again and again, is the violent uncovering of the new, the ripping back of the lace curtain of Victorian customs. Like Ballard, Wells had a sense of how suddenly and utterly things can change, how long familiar and ingrained customs can disappear in a moment. Victorian England must have seemed like it would stay the same forever and ever. And then, suddenly, Queen Victoria is removed ‘like a great paperweight’, and everything is in flux.
Australians are learning that today — how everything we take for granted — homes, food supplies, electricity, water, clean air, even law and order — can be taken from one in an instant. Likewise, The War of the Worlds gave complacent imperial Victorians a sudden sense what it’s like to be conquered and humiliated, to be scrabbling for survival. ‘I felt a sense of dethronement, a persuasion that I was no longer a master, but an animal among the animals, under the Martian heel’…
What can he teach us about our present moment? How can we survive and endure the apocalyptic unravelling of hydrocarbon capitalism, which is what (I suggest) we vividly see happening today. The most important lessons he gave us are (1) take the Long View and (2) don’t turn away from technological innovation, however dangerous and unsettling it is…
Jules Evans (on a return visit, having supplied yesterday’s subject) explains: “What HG Wells can teach us about surviving apocalypse.”
* 21 Lessons for the 21st Century
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As we batten down the hatches, we might recall that it was on this date in 749 that a devastating earthquake struck parts of Palestine and the Transjordan, epicentered in Galilee. The cities of Tiberias, Beit She’an, Hippos, and Pella were largely destroyed, while many other cities across the Levant were heavily damaged; the casualties numbered in the tens of thousands.

Scythopolis (Beit She’an) was one of the cities destroyed in the earthquake of 749
“What goes around, comes around”*…
Much as internet surfers — i.e. everyone in 2018 — enjoy sharing silly and picturesque JPEGs with one another that feature clever quips or inspirational sayings, Americans of a century ago passed around similar memes. They were called postcards, or souvenir cards, and mailing them to friends and relatives was immensely popular for sharing a gilded, snowy holiday scene or even a lolcat.
One hundred years before e-mail inboxes crowded with pictures of cats adorned with text like “I CAN HAS CHEEZBURGER?” and “CEILING CAT IS WATCHING YOU,” lolcats (and loldogs and lolrabbits) were already at the height of fancy. The rise of postcards at the turn of the century enabled Pennsylvanian Harry Whittier Frees to build a career out of photographing cute animals donning hats and britches…
More of Frees’ story– and work– and a reminder that there’s very little truly new under the sun: “The Cat Meme Photographer from a Century Ago.”
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As we pass it along, we might spare a thought for Edgar John Berggren– better known by his stage name, Edgar Bergen– he died on this date in 1978. Perhaps best known today as the father of Candice Bergen, he was a huge star in his own time, performing as an actor, comedian, and radio performer, most famously as a ventriloquist working with his side-kicks Charlie McCarthy and Mortimer Snerd.
Indeed, some attribute Bergen’s massive popularity with “saving the world”: on the night of October 30, 1938, when Orson Welles performed his War of the Worlds radio play, panicking many listeners, most of the American public had tuned instead to Bergen and McCarthy on another station. (Dissenters note that Bergen may inadvertently have contributed to the hysteria: when the musical portion of Bergen’s show [The Chase and Sanborn Hour] aired about twelve minutes into the show, many listeners switched stations– to discover War of the Worlds in progress, with an all-too-authentic-sounding reporter detailing a horrific alien invasion.)
“In the property-maker’s room lives the wizard of the studio”*…
Take the test, then enjoy this tribute to the power of props:
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* Designing for Films, Edward Carrick, 1950
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As we wait for the telephone to ring, we might recall that it was on this date in 1938 that Universal Pictures released Mars Attacks the World, a space opera that prominently featured a classic hand prop, the ray gun. Originally produced as a 15-episode serial, Flash Gordon’s Trip to Mars, the studio had it recut as a feature, planning a 1939 release. But on October 30, 1938, Orson Welles and the Mercury Theater broadcast their infamous adaptation of H.G. Wells’ War of the Worlds. Capitalizing on the frenzied attention that Welles created, Universal quickly changed their feature’s title from the originally-intended Rocket Ship, and launched it into theaters.
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