Posts Tagged ‘toys’
“Money laundering is a very sophisticated crime and we must be equally sophisticated”*…
It’s bad form to mention money-laundering. Instead, you talk about asset-management structures and tax beneficial schemes. — John Sweeney
This is the untold history of how prominent civil servants in the UK tailored US-devised anti-money laundering (AML) policies in ways that suited the needs of Britain’s financial services industry. In the aftermath of these initial compromises in 1987, criminal money managers in both the US and the UK were able to continue to operate in an environment that easily allowed them to hide and use dirty money. The researchers analysed six months of previously unseen personal correspondence and documents exchanged between various actors in the UK Government during 1987. From this they conclude that the core of the current, global AML regime, was not the destruction of drug money laundering and banking secrecy, nor the ending of criminal financial enablers and with it hot money; rather it was the protection and leverage of national trading interests on both sides of the Atlantic. And the drive to protect these interests would see crime control laws made, amended and changed to cater for the interests of the US and UK banking and finance industries. The file had been classified as secret and held by the UK Treasury until it was released to the public in 2017 as an archive document transferred to The National Archives in accordance with The Public Records Act and the Freedom of Information Act…
Mary Alice Young and Michael Woodiwiss tell the extraordinary story of governments effectively competing with criminal gangs at “A world fit for money laundering: the Atlantic alliance’s undermining of organized crime control.”
(Image above: source)
* Attorney General (1993 to 2001) Janet Reno… whose words can be understood, per the article cited above, in more than one way…
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As we follow the money, we might recall that it was on this date in 1957 that George B. Hansburg was issued a patent (#2,793,036) for his invention of “an improved pogo stick”– the modern two-handled pogo stick.
While spring stilts had been invented in 1891, the original pogo stick was created in 1920 by Max Pohlig and Ernst Gottschall– the first two letters of whose surnames gave the device its name.
“Amaze your friends!”…
Flatulence humor goes back to the first known joke, recorded by ancient Sumerians. Since then, it’s lingered for thousands of years, wafting from Medieval illuminated devotionals to Shakespeare’s plays. So naturally, employees of JEM Rubber Company in Toronto, known for making tire repair patches, were delighted when they figured out how to turn its scrap rubber into literal windbags around 1930. They approached Soren Sorensen “Sam” Adams—whose S.S. Adams Company was responsible for giving the world Sneezing Powder and the Joy Buzzer—but the cushion that blows a loud raspberry was just a bridge too far.
“They came to Adams because he was a big producer of novelties, hoping to sell it to him as a product to distribute in the U.S.,” says novelties collector Mardi Timm. “But he was so incensed about the indelicacy of the joke that he refused it.”
Undeterred, the representatives of JEM took their fart joke to Alfred Johnson Smith, whose popular Johnson Smith & Co. catalog was a Bible for mischief makers, offering novelties, magic tricks, and popular pranks like trick cigarette cases and squirting flowers. “Mr. Smith looked at it and said, ‘What a great gag!’ and put it in his catalog,” Mardi explains…
This is the world of Stan and Mardi Timm. Perusing their collection of products sold by Johnson Smith and other novelty firms is an experience akin to Pee-Wee Herman’s gleeful romp through Mario’s Magic Shop, trying out squirting mustard bottles and buying trick gum… the Timms’ vast collection of roughly 1,800 artifacts, focused on items from the Johnson Smith catalogs from the early 20th century and beyond, is more than juvenile pranks—it includes cheap toys and quirky but practical inventions like flashlights, twirling spaghetti forks, and electric tie presses, as well as guides promising to teach valuable skills like detective work or jiu-jitsu.
“Novelties are so much more than goofy, silly things,” Mardi says. “Everything that comes on to the marketplace starts out as a novelty. They’re things that are not common, things that make you say, ‘Wow, I’ve never seen one of those before!’ or ‘What is that thing?’”
The collection documents U.S. (and UK) popular culture from the mid-1910s through today…
More– much more– at “Fun Delivered: World’s Foremost Experts on Whoopee Cushions and Silly Putty Tell All.”
* Boy’s Life
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As we ponder pranks, we might recall that it was on this date in 1993 that Doogie Howser, M.D. ended it’s fourth and final season. Created by Stephen Bochco and David E. Kelley (both rather better known for police, legal, and medical procedural dramas like Hill Street Blues, NYPD Blue, Chicago Hope, and Boston Legal), the series featured Neil Patrick Harris as the youngest doctor in America (“can’t buy beer… [but] can prescribe drugs”)… with a best friend– “Vinnie Delpino”– who was pretty surely a customer of Johnson Smith.
Doogie and Vinnie
“By reducing the scale of events it can introduce much larger events”*…
In the Regency era (early 1800s), live theater was so popular that it regularly inspired riots. In 1809, when the Covent Garden Theater tried to raise ticket prices, audiences were so incensed that they revolted. For more than two months straight, they shouted, shook rattles, rung bells, and even brought pigs into the theater to drown out the actors. The protest was successful, and the administration gave up on the price hike.
Meanwhile, crowds packed into the “blood tubs,” unofficial performances held in abandoned warehouses and holes dug into the ground. The typical fare included lewd songs, dramatizations of shocking local crimes, and twenty-minute abridgements of Shakespeare. The shows changed so frequently that the actors tended to make up the stories as they went along. The theaters were unlicensed, meaning that both audiences and actors risked imprisonment for participating. Nonetheless, the blood tubs were so popular that they sometimes gave as many as six performances a day to audiences of hundreds, most of them children.
Clearly, people were hungry for entertainment. And in this time before Netflix and YouTube, enterprising toymakers developed a novel way to bring entertainment into the home: paper theaters. For “one penny plain, two cents colored,” you got a tiny cardboard stage about the size of a paperback book, complete with a proscenium arch, curtains, and sometimes even a paper audience. The characters were laid out on sheets of paper, frozen in dramatic poses: villains brandish revolvers capped with clouds of gunpowder, jolly sailors hook arms and dance, clowns emerge from barrels…
This short-lived children’s toy left… an enduring cultural legacy. Before Robert Louis Stevenson wrote Treasure Island, before Jean Cocteau directed his iconic, dreamlike Beauty and the Beast, before Wagner composed his Ring Cycle, they each acted out their big stories on these tiny stages. As the literary scholar Monica Cohens points out, Stevenson’s Treasure Island reads almost like a paper-theater drama writ large. Pirates were an unshakeable cliché of Victorian melodrama, and the grim tales of cruelty and violence that featured on the Victorian stage were brightened into candy colors in their miniature theater editions. Likewise, Stevenson’s dashing pirates come to us filtered through a sunny lens…
In the nineteenth century, enterprising toymakers developed a novel way to bring theater into the home. An appreciation of the Dungeons and Dragons of its day: “Paper Theaters: The Home Entertainment of Yesteryear.”
* G. K. Chesterton
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As we revel in role-playing, we might recall that it was on this date in 1951 that I Love Lucy premiered on CBS. The chronicle of Lucy Ricardo’s (Lucille Ball’s) efforts to break into show business alongside her bandleader husband Desi (Desi Arnaz) via schemes hatched with her neighbors (William Frawley and Vivian Vance), it ran for six seasons, 180 episodes, it became the most watched show in the United States in four of its six seasons, and it was the first to end its run atop the Nielsen ratings (an accomplishment later matched only by The Andy Griffith Show in 1968 and Seinfeld in 1998).
A pioneer– it was the first scripted show shot in 35mm, the first ensemble cast, the first “three camera” scripted production– it created the template for sit-coms to come. It won five Emmys and is regarded as one of the greatest and most influential sitcoms in history. In 2012, it was voted the ‘Best TV Show of All Time’ in a survey conducted by ABC News and People magazine.
“The mind is not a vessel to be filled but a fire to be kindled”*…
In the late 1700s, a young man named Freidrich Froebel was on track to become an architect when a friend convinced him to pursue a path toward education instead. And in changing course, Froebel arguably ended up having more influence on the world of architecture and design than any single architect — all because Friedrich Froebel created kindergarten. If you’ve ever looked at a piece of abstract art or Modernist architecture and thought “my kindergartener could have made that,” well, that may be more true than you realize…
The word Kindergarten cleverly encompassed two different ideas: kids would play in and learn from nature, but they would also themselves be nurtured and nourished “like plants in a garden.” There were literal gardens and outdoor activities, but the real key to it all was a set of deceptively simple-looking toys that became known as Froebelgaben (in English: Froebel’s Gifts)…
Learn about those educational “toys” and their extraordinary legacy, at “Froebel’s Gifts.”
* Plutarch
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As we appreciate play, we might recall that it was on this date in 1987 that The Simpsons made their debut on television in “Good Night,” the first of 48 shorts that aired on The Tracey Ullman Show, before the characters were given their own eponymously-titled show– now the longest-running scripted series in U.S. television history.
A frame from the final sequence of “Good Night”
“Any workout which does not involve a certain minimum of danger or responsibility does not improve the body – it just wears it out”*…
If you are one of the 51.8 million people in the U.S. who use a treadmill for exercise, you know there’s much pain for your muscle-and-fitness gain. On your next 30-minute jog, as you count down the final seconds, ponder whether the hard work made you a better person. Consider whether the workout would feel different if you had powered something, even a fan to cool yourself off.
Two hundred years ago, the treadmill was invented in England as a prison rehabilitation device. It was meant to cause the incarcerated to suffer and learn from their sweat. It would mill a bit of corn or pump some water as a bonus…
How an early-19th century penal innovation became the top selling piece of exercise equipment in the U.S.: “Treadmills were meant to be atonement machines.”
* (That well-known fitness expert) Norman Mailer
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As we try to find our rhythm, we might send well-constructed birthday greetings to Frank Hornby; he was born on this date in 1863. A visionary toy designer, he created the Meccano construction set (in 1901), a toy that used perforated metal strips, wheels, rods, brackets, clips, and assembly nuts and bolts to allow kids to build unlimited numbers of models. A huge success, it spawned a monthly magazine– and U.S. competition (e.g., the Erector Set). He introduced Hornby model trains in 1920 (originally clockwork and eventually electrically powered with tracks and scale replicas of associated buildings); the “Dinky” range of miniature cars and other motor vehicles was added in 1933 (spawning such competitors as Corgi, Matchbox, and Mattel’s Hot Wheels).
