(Roughly) Daily

Posts Tagged ‘Louie Louie

“We shall require a substantially new manner of thinking if mankind is to survive”*…

A close-up of the sculpture 'The Thinker' by Auguste Rodin, depicting a contemplative male figure seated on a rock, resting his chin on his hand with a thoughtful expression.

The estimable Robin Sloan on the challenge of keeping our language– our words and our use of them– up to the task of wrestling with our present and our future…

The overloading of common words is well underway: new language models have “thinking” modes, “reasoning” capabilities! What this means, in practice, is that they’ve learned to produce a special kind of text, the conversion of the linguistic if-then into a dynamo that spins and spins and, often, magically — yes, it is magical — produces useful results.

Here is one distinction among several: this process can only compound — the models can only “think” by spooling out more text — while human thinking often does the opposite: retreats into silence, because it doesn’t have words yet to say what it wants to say.

Human thinking often washes the dishes, then goes for a walk.

So, if you redefine “thinking” to mean “arriving at a solution through an iterative linguistic loop” … yes, that’s what these models do. That definition is IMHO pretty thin.

We talk about humans thinking harder, which is not the same as thinking longer. I think most people know from experience that thinking longer generally just makes you anxious. But that’s what the models do, and not only longer, but in parallel, all those step-by-step monologues spilling out simultaneously, somewhere in the dark of a data center. “Quantity has a quality all its own,” said Stalin, maybe … 

Well, okay — what does it mean for a human to think harder? Reasonable people will disagree (and in interesting ways) but, for my part, I think it means prospecting new analogies; pitching your inquiry out away from the gravitational attractors of protocol and cliché; turning the workpiece around to inspect it from new angles; and especially bringing more senses into the mix — grounding yourself in reality. You’ll note these moves are challenging or impossible for systems that operate only on/with/inside language.

A couple of years ago, when I wondered if language models are in hell, I expressed some hope about the richness of multimodal training. So far, this hasn’t panned out. Rather than images anchoring text in a richer, more embodied realm, the marriage seems to have gone the opposite direction. The models chop images into sequences of tokens — big bright pictures become spindly threads, a bit sad — and feed them in along with everything else.

We are going to lose this word — we might already have lost it — but/and we can put a marker down; a gravestone, you might call it; for a kind of thinking that used to mean more than “more”.

Other useful words, still with us, include: imagination, ingenuity, insight. Clarity, most of all. Clarity is what Einstein was seeking when he sat and thought hard about the relative motion of magnets and conductors. He wanted to push through language, beyond it, beyond even the formalism of physics — because there wasn’t physics yet for the things he wanted to understand.

I am still waiting for models that aspire to pack complex systems — whole economies — into high-dimensional space, “hold it all in their heads”, then make observations and predictions way out beyond the if-then of “reasoning” language.

Think harder!

Thinking modes,” from Sloan’s wonderful newsletter.

Pair with “Horseless Carriages, Digital Paint, AI,” Quentin Hardy‘s meditation on the ways in which new technologies shape both our language(s) and the ways we think (from Hardy’s also-wonderful newsletter).

[Image above: Rodin, “The Thinker” (source)]

* Albert Einstein

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As we ponder pondering, we might recall that it was on this date in 1963 that “Louie Louie” by the Kingsmen entered the Billboard Hot 100.

For more on how the record came to be (and the ruckus over language that followed), see here (and here and here).

Written by (Roughly) Daily

November 9, 2025 at 1:00 am

“Every history is a map”*…

Antoni Jażwiński’s Tableau Muet, based on the original “Polish System” for charting historical information, later revised in France and the United States, 1834 — Source.

How does one visualize history and chart time? Is it a line, moving forever outward in one direction? A Grecian temple, as Emma Willard envisioned, with Ionic columns representing centuries, receding from view toward a vanishing point at the world’s origin? Or could it be a corkscrew ascending upward, allowing us to look down from our present position into past events similar to our own? 

For the Polish educator Antoni Jażwiński, history was best represented by an abstract grid — or at least it was for the purposes of remembering it. The so-called “Polish System” originated in the 1820s and was later brought to public attention in the 1830s and 1840s by General Józef Bem, a military engineer with a penchant for mnemonics. As Anthony Grafton and Daniel Rosenberg catalogue in their Cartographies of Time, the nineteenth century brimmed with new methods and technologies for committing historical information to memory — and Jażwiński’s contribution (and its later adaptations) proved one of the most popular. 

The Polish System — which almost anticipates Piet Mondrian’s abstract checkerboards and the wider modernist fascination with grid figures — coupled chronology to the map-making traditions of geography. In Jażwiński’s original chart, each main 10×10 box is a century and the rows separate decades. Within a century box, each individual square is a year, each color a nation (with shading for different monarchs or governments), and symbols can stand for marriages, wars, treaties, and other types of events. Should one become proficient with this system, they can peer down on the history of the world, summarized on a surface not much larger than a chessboard… 

More on this proto-modernist memory palace: “Visualizing History: The Polish System.”

* Jacob Bronowski

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As we picture the past, we might recall that it was on this date in 1965 that the FBI Laboratory declared the lyrics of Louie Louie to be officially “unintelligible at any speed.”

In February 1964, an outraged parent wrote to Robert F. Kennedy, then the Attorney General of the U.S., alleging that the lyrics of “Louie Louie” were obscene, suggesting that “The lyrics are so filthy that I can-not [sic] enclose them in this letter.” The Federal Bureau of Investigation investigated the complaint, and looked into the various rumors of “real lyrics” that were circulating among teenagers.  In June 1965, the FBI laboratory obtained a copy of the Kingsmen recording and, after 31 months of investigation, concluded that it could not be interpreted– and therefore that the Bureau could not find that the recording was obscene.

In September 1965, an FBI agent interviewed one member of the Kingsmen, who denied that there was any obscenity in the song. The FBI never interviewed songwriter Richard Berry nor consulted the actual lyrics that were on file with the U.S. Copyright Office.

Snopes suggests that while some teenage mondegreens were indeed pretty filthy, the song itself was clean.

“A very merry Unbirthday to you!”*…

 

Ted bday

 

There’s been a good deal of understandable concern over online platforms and the dangers that they present to our health, both personal and civic.  But occasionally it’s good to remind ourselves that there are services they provide that are genuinely crucial– e.g., Is Today Ted Danson’s Birthday?

* Alice in Wonderland

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As we go to The Good Place, we might recall that it was on this date in 1965 that the FBI exonerated “Louie Louie,” declaring that the lyrics of the 1963 recording by The Kingsmen– widely rumored to be “dirty”– were in fact simply indecipherable.  After analyzing the disc at its intended 45 rpm and also at 33 1/3 and 78, and interviewing a member of the band, the FBI Laboratory declared the lyrics to be officially “unintelligible at any speed.”

In fact the song’s creator, Richard Berry, had released “Louie Louie” to mild regional success– and no lyrical controversy– a decade earlier.  But the FBI’s verdict notwithstanding, a cloud hovered over the tune: in 2005, the superintendent of the Benton Harbor, Michigan school system refused to let the marching band at one of the schools play the song in a parade; she later relented.

from the FBI’s “Louie Louie” file

source

 

Written by (Roughly) Daily

May 17, 2019 at 1:01 am

Me gotta go…

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In 1963, a Portland high school band called the Kingsmen covered the song “Louie Louie,” originally recorded by Richard Berry eight years earlier. Their version has become a classic– though almost no one has any idea what the actual words are.  (Hear it here.)  As it happened, the band had a one-hour recording session in which to lay down both the A and B sides of their first record.  To simulate a live performance, singer Jack Ely was forced to lean back and sing into a microphone suspended from the ceiling. “It was more yelling than singing,” Ely said, “’cause I was trying to be heard over all the instruments.”  It didn’t help that he was wearing braces at the time of the performance, further aggravating his infamously slurred words.  Still, the raw recording worked– it sold over 1 million copies, going gold.

It probably helped that Indiana Governor Matthew E. Welsh, assuming that obscurity meant obscenity, banned the song.  Soon after, an angry parent wrote to then-U.S. Attorney General Robert F. Kennedy, insisting that the lyrics were dirty. Kennedy put FBI on the case; but the crime lab concluded,  after four months of investigation, that the the recording could not be interpreted, that it was “unintelligible at any speed.”  The lyrics are in fact innocent; but the FBI missed something:  at about 0:53 into the song– audibly, but not obviously– Lynn Easton, the band’s drummer, drops a drumstick… and drops the f-bomb.  (Hear it here.)

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As we mind our manners, we might recall that it was on this date in 1980 that AC/DC earned their first Top 40 hit with “You Shook Me All Night Long.”  The maiden voyage of Brian Johnson (who’d replaced the band’s original lead singer Bon Scott after Scott’s untimely the prior year), it was the lead single on Back in Black, an album that has sold over 20 million copies.

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Written by (Roughly) Daily

October 25, 2013 at 1:01 am

Where everybody knows your name…

Some have fame thrust upon them…

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Some just happen upon it along the way…

source

Artist and scientist Stephen Von Worley has mashed up Google Maps and the Open Street Map Project to create a search tool that will let one find all of the streets in the U.S. that share one’s name (first name, for now… as a bonus, one also gets places and things).

One can visit Steve’s Data Pointed to find one’s namesakes…

As we rethink our routes, we might recall that it was on this date in 1965 that the FBI exonerated “Louie Louie,” declaring that the lyrics of the 1963 recording by The Kingsmen– widely rumored to be “dirty”— were in fact simply indecipherable.  After analyzing the disc at its intended 45 rpm and also at 33 1/3 and 78, and interviewing a member of the band, the FBI Laboratory declared the lyrics to be officially “unintelligible at any speed.”

In fact the song’s creator, Richard Berry, had released “Louie Louie” to mild regional success– and no lyrical controversy– a decade earlier.  But the FBI’s verdict notwithstanding, a cloud hovered over the tune: in 2005, the superintendent of the Benton Harbor, Michigan school system refused to let the marching band at one of the schools play the song in a parade; she later relented.

from the FBI’s “Louie Louie” file (source)