Posts Tagged ‘invention’
“How we spend our days is, of course, how we spend our lives”*…
On the history and impact of a seemingly simple service…
If I was to ask you what was the most important invention of the 20th century, you might mention the car, the television, the computer, or the internet. But there’s another invention that had such a huge impact on culture and society that people would organize their lives around it, and it drove the growth of multi-billion dollar industries. Despite this, most of us wouldn’t think of it as an invention at all, as it seems to have always just been there. So here’s a brief history of one of the most important overlooked inventions of modern times: the TV schedule…
The TV schedule organized the attention of millions of people at the same time, sharing the same experience, whether it was Richard Nixon sweating in a presidential debate, Neil Armstrong stepping foot onto the moon, or finding out who shot JR. These live, synchronous events created a kind of public sphere at a scale that had never been seen before, and we’re unlikely to see again. Sports are the only TV events that get close—on the list of most-watched US TV programs of all time, the only entries from the 2000s are Superbowls.
For nearly a century, a simple list, based around the hours of the day, structured the daily habits of millions of people, shaped the careers of politicians and celebrities, and powered a multi-billion dollar advertising industry. As we spend less time watching live TV, and more time on digital platforms, that power is now passing from the TV schedule to another way of organising our attention—algorithmic streams…
Entertainment, technology, and shared experiences: “The TV Schedule Edition,” from Why Is This Interesting? (@WhyInteresting), by Matt Locke (@matlock).
(Image above: source)
* Annie Dillard
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As we tune in, we might recall that it was on this date in 1980 that Magnum, P. I. premiered on CBS; consistently highly-rated and the recipient of numerous Emmy and Golden Globe nominations and awards, it ran until 1988, and made a star of its lead, Tom Selleck.
“Why should we look to the past in order to prepare for the future? Because there is nowhere else to look.”*…
With a tip of the hat to James Burke…
European civilization is built on ham and cheese, which allowed protein to be stored throughout the icy winters.
Without this, urban societies in most of central Europe would simply not have been possible.
This is also why we have hardback books. Here’s why…
Ham, cheese, snails, underwear, Jesus, spectacles– the ingredients in the birth of the book as we know it: a wonderful thread from the wonderful Incunabula (@incunabula) TotH to @inevernu.
* James Burke, Connections
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As we ponder precedents, we might send inventive birthday greetings to Marvin P. Middlemark; he was born on this date in 1919.
Old Westbury tinkerer Marvin Middlemark invented the “rabbit ears” TV antenna in 1953, helping millions of Americans get the fuzz, or some of it, out of their pre-cable television reception. Though not completely original – the design was based on the dipole antenna invented by Heinrich Hertz in 1886 – the update made Middlemark a wealthy man.
Middlemark was awarded 62 patents in his lifetime, but his other inventions, including a water-powered potato peeler and a technique for resuscitating gone-soft tennis balls, didn’t muster the same commercial appeal. He sold his antenna company, All Channel Products Corp., in the mid-1960s, parked the proceeds in municipal bonds, and retired to his wooded 12-acre estate, where he kept miniature horses, collected stained glass windows and housed a pet chimpanzee named Josie who liked to finish unwary guests’ drinks.
Middlemark died in 1989, leaving behind a $5 million fortune and, inexplicably, 1,000 pairs of woolen gloves. His son, second wife and her son from another marriage fought over the will for years. Highlights: Planted drugs and weapons, death threats and at least one choking attempt. And all that was by the widow. The stepson, a prominent North Hempstead political operative, pleaded guilty to perjury and was sentenced to two years in jail.
“Every lawyer has read ‘Bleak House,’ ” Neal Johnston, an attorney for Middlemark’s son said at the time. “This is as close as I’ve come to living it.”…
Long Island Press
“I propose to build for eternity”*…
Sent back in time 600 years and tasked with building the world’s largest dome, how would most of us fare? Most of us, of course, are not trained architects or engineers, but then, neither was Filippo Brunelleschi. Known at the time as a goldsmith, Brunelleschi ended up winning the commission to build just such a colossal dome atop Florence’s Cattedrale di Santa Maria del Fiore, which itself had already been under construction for well over a century. The year was 1418, the dawn of the Italian Renaissance, but a break with medieval building styles had already been made, not least in the rejection of the kind of flying buttresses that had held up the stone ceilings of previous cathedrals. Brunelleschi had thus not just to build an unprecedentedly large dome, in accordance with a design drawn up 122 years earlier, but also to come up with the technology required to do so.
“He invented an ox-driven hoist that brought the tremendously heavy stones up to the level of construction,” architect David Wildman tells HowStuffWorks. Noticing that “marble for the project was being damaged as it was unloaded off of boats,” he also “invented an amphibious boat that could be used on land to transport the large pieces of marble to the cathedral.”
These and other new devices were employed in service of an ingenious structure using not just one dome but two, the smaller inner one reinforced with hoops of stone and chain. Built in brick — the formula for the concrete used in the Pantheon having been lost, like so much ancient Roman knowledge — the dome took sixteen years in total, which constituted the final stage of the Cattedrale di Santa Maria del Fiore’s generations-long construction.
Brunelleschi’s masterpiece, still the largest masonry dome in the world, has yet to quite yield all of its secrets: “There is still some mystery as to how all of the components of the dome connect with each other,” as Wildman puts it, thanks to Brunelleschi’s vigilance about concealing the nature of his techniques throughout the project. But you can see some of the current theories visualized (and, in a shamelessly fake Italian accent, hear them explained) in the National Geographic video [below]. However he did it, Brunelleschi ensured that every part of his structure fit together perfectly — and that it would hold up six centuries later, when we can look at it and see not just an impressive church, but the beginning of the Renaissance itself…
For more on the dome, see Ross King’s marvelous 2013 book, Brunelleschi’s Dome: How a Renaissance Genius Reinvented Architecture.
And for more on Brunelleschi— whose other accomplishments include the first precise system of linear perspective, which revolutionized painting and opened the way for the naturalistic styles of Renaissance art– see here.
* Filippo Brunelleschi
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As we go big, we might recall that it was on this date in 330 that Roman Emperor Constantine the Great consecrated Constantinople (on the site of what had been the ancient city of Byzantium; today, Istanbul). Constantine identified the site of Byzantium as a place where an emperor could sit, readily defended, with easy access to the Danube or the Euphrates frontiers, his court supplied from the rich gardens and sophisticated workshops of Roman Asia, his treasuries filled by the wealthiest provinces of the Empire.
The city became famous for its architectural masterpieces, such as Hagia Sophia, the cathedral of the Eastern Orthodox Church. Built by the eastern Roman emperor Justinian I as the Christian cathedral of Constantinople for the state church of the Roman Empire between 532 and 537, the church was then the world’s largest interior space and among the first to employ a fully pendentive dome. It is considered the epitome of Byzantine architecture and is said to have “changed the history of architecture”… It set the bar for Brunelleschi.












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