Posts Tagged ‘Comics’
“The pure and simple truth is rarely pure and never simple”*…
An all-too-timely 2016 piece from philosophy professors Scott Aikin and Robert Talisse…
So much Political commentary seems to proceed by means of debate rather than report. This is an understandable consequence of new technology which makes engagement easy. Our heightened exposure to debate is a good thing, too. Open debate is democracy’s lifeblood. Yet popular political disagreement has taken on an odd hue. Rather than presenting facts and professing a view, commentators present views concerning the views of their opponents. And often, it’s not only views about opponents’ views, many go straight to views about opponents. Despite heated disagreements over Big Questions like healthcare, stem-cell research, abortion, same-sex marriage, race relations and global warming, we find a surprising consensus about the nature of political disagreement itself: All agree that, with respect to any Big Question, there is but one intelligent position, and all other positions are not merely wrong, but ignorant, stupid, naïve. And as a consequence, those who cling to these views must be themselves either ignorant or wicked. Or both.
A minute in the Public Affairs section of any bookstore confirms this: Conservatives should talk to liberals “only if they must” because liberalism is a “mental disorder.” Liberals dismiss their Conservative opponents, since they are “lying liars” who use their “noise machine” to promote irrationality.
Both views betray a commitment to the Simple Truth Thesis, the claim that Big Questions always admit of a simple, obvious, and easily-stated solution. The Simple Truth Thesis encourages us to hold that a given truth is so simple and so obvious that only the ignorant, wicked, or benighted could possibly deny it. As our popular political commentary accepts the Simple Truth Thesis, there is a great deal of inflammatory rhetoric and righteous indignation, but in fact very little public debate over the issues that matter most. Consequently, the Big Questions over which we are divided remain unexamined, and our reasons for adopting our different answers are never brought to bear in public discussion.
This brings us back to our original observation – there seems to be so much debate. Yet what passes for public debate is in fact no debate at all. No surprise, really. Debate or discussion concerning a Big Question can be worthwhile only when there is more than one reasonable position regarding the question; and this is precisely what the Simple Truth Thesis denies.
It would be a wonderful world were the Simple Truth Thesis true. Our political task simply would be to empower those who know the simple truth, and rebuke the fools who do not. But the Simple Truth Thesis is not true. In fact, it’s a fairytale—soothing, but ultimately unfit for a serious mind. For any Big Question, there are several defensible positions; it is precisely this feature that makes them big. Of course, to say that a position is defensible is not to say that it’s true. To oppose the Simple Truth Thesis is not to embrace relativism (which is itself a version of the Simple Truth view), nor is it to give up on the idea that there is truth; it is rather to give up on the view that the truth is always simple.
This intellectual distance is difficult because we feel invested in our own Big Answers. But it’s a fantasy to think that the billions of people with whom we disagree have all simply failed to appreciate the facts. This fantasy is easily dissolved once we come to realize that those who reject our own Big Answers often give good reasons for their views and against ours. We might not find ourselves convinced by their reasons, of course, but we can no longer see them as ignorant or foolish.
The lesson to draw is that there is a difference between being stupid and being wrong; the most important truths are often the most difficult to discern, even by the most careful and sincere inquirers. This lesson dismantles the Simple Truth Thesis and leads us to acknowledge that although there may be but one correct answer to each Big Question, there are several defensible views concerning which of the going answers is, indeed, correct. So if the Big Questions matter to us, we should be most eager to hear the reasons of our opponents. We should pursue real disagreement, with real interlocutors, not the cooked-up arguments against caricatured opposition on offer from the political commentary industry.
Democracy is the proposition that a just, peaceful, and morally decent society is possible among equals who disagree over Big Questions. Democracy tries to enable such a society by maintaining the conditions under which citizens could reason together, and, despite ongoing disagreement, come to see each other as reasonable. Citizens who see each other in this way can agree to share in the task of collective self-government despite ongoing and even growing discord over Big Questions. The Simple Truth Thesis repudiates this ideal. Accordingly, as our politics become more argumentative, they become less concerned with actual argument. Yet if we lose our capacity to argue with each other—to confront openly each other’s reasons—we will lose our capacity to see each other as equal partners in self-government, and thus we will lose our democracy…
If only: “The Myth of Simple Truths,” in @3QD.
(Image above: source)
* Oscar Wilde
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As we dig Diogenes, we might send exciting birthday greetings to Otto Binder; he was born on this date in 1911. An author of science fiction and non-fiction books and stories, and comic books, he is best known as the co-creator of Supergirl and for his many scripts for Captain Marvel Adventures and other stories involving the entire superhero Marvel Family. He is credited with writing over 4,400 stories across a variety of publishers under his own name, as well as more than 160 stories under the pen-name Eando Binder.
Indeed, it was as Eando that he wrote “I, Robot” is a scifi short story , part of a series about a robot named Adam Link, that was published in the January 1939 issue of Amazing Stories. Very innovative for its time, “I, Robot” was one of the first robot stories to break away from Frankenstein clichés. It was reprised in two different comic series, and adapted into episodes of The Outer Limits.
Isaac Asimov— who is famous for his own I, Robot and the series of novels that followed from it, was heavily influenced by the Binder short story. In his introduction to the story in Isaac Asimov Presents the Great SF Stories (1979), Asimov wrote: “It certainly caught my attention. Two months after I read it, I began ‘Robbie’, about a sympathetic robot, and that was the start of my positronic robot series. Eleven years later, when nine of my robot stories were collected into a book, the publisher named the collection I, Robot over my objections. My book is now the more famous, but Otto’s story was there first.”
“You see much more of your children after they leave home”*…
… And so, American parents are seeing less of their 18-24 year-old kids. From David Crowther, a graphic reminder that a historic rite of passage for young people and their parents has changed…
As we enter the peak summer months, many students and newly-minted college graduates are taking their first steps into the big bad world of work. In decades gone by, a wave of weddings often followed and young newlyweds shacked up to leave a huge cohort of “empty nesters” behind. That is no longer the case.
In the late 1960s, nearly 40% of 18-24 year-olds lived with their spouse. Last year, just 6% did.
Indeed, data plotted from the Census Bureau (and inspired by reddit user u/theimpossiblesalad) reveals how dramatically the living arrangements of America’s youngest adults have changed in the last 50+ years…
More on how we now live: “Who do Gen Z and Millennials live with in America?” from @ChiefChartmaker in @chartrdaily.
* Lucille Ball
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As we ruminate on residence, we might recall that it was on this date in 1910 that those epic enactors of the human condition Krazy Kat (and Ignatz Mouse) first appeared in print, in New York Journal (as the “downstairs” strip in George Herriman’s predecessor comic, The Dingbat Family (later, The Family Upstairs). Krazy, Ignatz, and Offisa Pup stepped out on their own in 1913 and ran until 1944– but never actually succeeded financially. It was only the admiration (and support) of publisher William Randolph Hearst that kept those bricks aloft.
“Our poetry is courage, audacity and revolt”*…
One of your correspondent’s daily delights is Rusty Foster‘s Today in Tabs, a newsletter that informs and provokes as it, inevitably, amuses. Take for example this excerpt from Monday’s installment, subtitled “Today in Fascism”…
“Could the end of the AI hype cycle be in sight?” asked TechBrew’s Patrick Kulp and precisely on time today here’s a doorstop of LinkedIn-brained crypto-(but-not-too-crypto)-fascism from Egg Andreessen titled “The Techno-Optimist Manifesto.” It’s very long, and you should absolutely not read it, but it’s useful for finally making explicit the fascist philosophy that people like Brad Johnson have long argued is growing steadily less implicit in Silicon Valley’s techno-triumphalism.
“Techno-Optimists believe that societies, like sharks, grow or die,” writes Egg, and Rose Eveleth was already like 🤔:
But before going fully mask-off, Andreessen has some crazy things to say about AI.
There are scores of common causes of death that can be fixed with AI, from car crashes to pandemics to wartime friendly fire.
But AI can surely help us kill the right people in war much more efficiently, yes? Still, he needs to make a pseudo-moral case to keep pumping cash into the AI bubble, so we get this:
We believe any deceleration of AI will cost lives. Deaths that were preventable by the AI that was prevented from existing is a form of murder.
Got that, Untermenschen? Regulation == murder. [Followed by the photo at the top]
But let’s get to the good stuff, in the section titled “Becoming Technological Supermen” (I swear I’m not making this up).
We believe in the romance of technology, of industry. The eros of the train, the car, the electric light, the skyscraper. And the microchip, the neural network, the rocket, the split atom.
We believe in adventure. Undertaking the Hero’s Journey, rebelling against the status quo, mapping uncharted territory, conquering dragons, and bringing home the spoils for our community.
To paraphrase a manifesto of a different time and place: “Beauty exists only in struggle. There is no masterpiece that has not an aggressive character. Technology must be a violent assault on the forces of the unknown, to force them to bow before man.”
The first two paragraphs here are just bonkers. He’s horny for trains? I guess he saw North By Northwest at an impressionable age. But that last paragraph contains the only quote in the whole piece that isn’t attributed to a specific source, and it turns out it’s not really a paraphrase, it’s a direct quote from Filippo Marinetti’s 1909 “Futurist Manifesto” with “technology” substituted for the original’s “poetry.” I wonder if Marinetti wrote any other famous manifestos?
In case we somehow still don’t get it, Andreessen specifies that “The Enemy” is “the ivory tower, the know-it-all credentialed expert worldview, indulging in abstract theories, luxury beliefs, social engineering, disconnected from the real world, delusional, unelected, and unaccountable…” and then drops an extended Nietzsche excerpt. You know who else hated the ivory tower and loved Nietzsche?…
“Industrial Society and Its Future (Are Gonna Be Great!),” from @rusty.todayintabs.com. Do yourself the favor of subscribing to Today in Tabs— it’s marvelous.
* Filippo Tommaso Marinetti, Manifesti Futuristi
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As we reprioritize prudence, we might recall that it was on this date in 1896 that Richard F. Outcault‘s comic strip Hogan’s Alley— featuring “the Yellow Kid” (Mickey Dugan)– debuted in William Randolph Hearst’s New York Journal as a regular feature. While “the Yellow Kid” had appeared irregularly before, it was the first full-color comic to be printed regularly (many historians suggest), and one of the earliest in the history of the comic; Outcault’s use of word balloons in the Yellow Kid influenced the basic appearance and use of balloons in subsequent newspaper comic strips and comic books. Outcault’s work aimed at humor and social commentary; but (perhaps ironically) the concept of “yellow journalism” referred to stories which were sensationalized for the sake of selling papers (as in the publications of Hearst and Joseph Pulitzer, an earlier home to sporadic appearances of the Yellow Kid) and was so named after the “Yellow Kid” cartoons.
“He offered alternative facts”*…
When reach exceeds grasp (in both senses of the word), from @ryanqnorth in Dinosaur Comics.
* Kellyanne Conway (defending Sean Spicer)
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As we have it our way, we might we might send an amusing birthday verse to Ogden Nash; he was born on this date in 1902. A poet best known for his light verse, Nash wrote over 500 pieces published, between 1931 and 1972, in 14 volumes. At the time of his death in 1971, he was, The New York Times averred, “the country’s best-known producer of humorous poetry.” The following year, on his birthday, the U.S. Postal service celebrated him with a commemorative stamp.
- Candy
Is Dandy
But liquor
Is quicker.- “Reflections on Ice-Breaking” in Hard Lines (1931); often misattributed to Dorothy Parker
- It is common knowledge to every schoolboy and even every Bachelor of Arts,
That all sin is divided into two parts.
One kind of sin is called a sin of commission, and that is very important
And it is what you are doing when you are doing something you ortant…- “Portrait of the Artist as a Prematurely Old Man” in The Family Album of Favorite Poems (1959)
“I sensed myself in the presence of something I didn’t really know how to handle, didn’t understand.”*…
Bill Janeway, with sage advice– for businesses, but easily extensible to our personal lives– on how to live, and succeed, in an environment of radical uncertainty…
… From John Maynard Keynes at the University of Cambridge 90 years ago through Robert Lucas at the University of Chicago in the mid-twentieth century, economists have placed expectations at the core of market dynamics. But they differ on how expectations are formed. Are the data we observe the outcome of processes that are as “stationary” as physical laws, like those determining the properties of light and gravity? Or do the social processes that animate markets render future outcomes radically uncertain?
For a long generation starting in the 1970s, Lucas and his colleagues dominated economic theory, giving rise to different strands of Chicago School economics. While the Efficient Market Hypothesis asserted that prices in financial markets incorporate all relevant information, the Real Business Cycle Theory of New Classical Economics held that the macroeconomy is a self-equilibrating system whose markets are both efficient and complete. The system may be subject to external shocks, but it is not amenable to fiscal or monetary management.
This assumption of complete markets implies that we can overcome our ignorance of the future. It suggests that we could, at any moment, write contracts to insure ourselves against all the infinite possible future states of the world. But since perfect, complete markets obviously do not exist, the Chicago School’s Rational Expectations Hypothesis (REH) proposes that market participants will guide their forward-looking decisions by reference to a (generally implicit) model of how, on average, the world works and will continue to work. As a result, expectations will be tamed and aligned with efficient market equilibria.
For their part, Kay and King look further back to the pre-REH period, when Frank Knight and then Keynes correctly showed that our ignorance of future outcomes is inescapable. As Keynes famously put it in 1937:
By ‘uncertain knowledge’ … I do not mean merely to distinguish what is known from what is merely probable. … The sense in which I am using the term is that in which the prospect of a European war is uncertain, or the price of copper and the rate of interest twenty years hence, or the obsolescence of a new invention, or the position of private wealth owners in the social system in 1970. About these matters there is no scientific basis on which to form any calculable probability whatever. We simply do not know.
The shockingly unanticipated Global Financial Crisis of 2008 brought this insight back to the fore.
…
The central question remains: Where can we find guidelines for mitigating the consequences of radical uncertainty? What basis is there for purposive action in the face of “We simply do not know”?
I see three paths forward. The first two are defensive, and the third is proactive. All three reject an exclusive focus on efficiency in the allocation of resources. Thus, they stand outside what remains the dominant paradigm of mainstream economics.
…
Success in the real world demands a recognition that the future is unknowable. Three strategies: “What to Do About Radical Uncertainty,” from @billjaneway in @ProSyn. Eminently worth reading in full.
* James Baldwin, Sonny’s Blues
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As we contemplate complex contingency, we might recall that it was on this date in 1910 that George Herriman‘s signature characters, Krazy Kat and Ignatz Mouse, made their first appearance in the bottom of the frames in Herriman’s The Dingbat Family daily comic strip. They got their own strip three years later, scored a Sunday panel in 1916– and delighted readers with the surreal philosophical questions they raised until 1944.













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