Posts Tagged ‘apple’
“The bigger, the better”*…
Thea Applebaum Licht with a reminder that, when it comes to size, Texas has got nothing on California…
Between about 1905 and 1915, the United States entered a golden age of postcards. Cheaper and faster mail service, the advent of “divided back” cards (freeing the entire front for images), and improved commercial printing all drove a new mass market for collectible communication. It was at this same moment that a craze for “tall-tale” or “exaggeration” postcards reached its peak. By cutting, collaging, and re-photographing images, artists created out-of-proportion illusions. One of the most popular genres was agricultural goods of fantastic dimensions.
Nowhere were such postcards more popular than in the western states. There, in the heart of the tough business of agriculture, illustrations of folkloric American abundance were understandable favorites. Pride and place were tied up with the prodigious crops. Supersized fruits and vegetables were often accompanied by brief captions: “How We Do Things at Attica, Wis.”, “The Kind We Raise in Our State”, or “The Kind We Grow in Texas”. Photographers like William “Dad” H. Martin and Alfred Stanley Johnson Jr. captured farmers harvesting furniture-sized onions and stacking corn cobs like timber, fisherman reeling in leviathans, and children sharing canoe-like slices of watermelon.
In the series of exaggeration postcards [produced in the run-up to the postcard boom, then published during it] collected [here], it is California that takes center stage. Produced by the prolific San Francisco–based publisher Edward H. Mitchell, each card features a single rail car rolling through lush farmland. Aboard are gargantuan, luminous fruits and vegetables: dimpled navel oranges, a dusky bunch of grapes, and mottled walnuts. Placed end-to-end, the cards would make a colorful train crossing California’s fertile valleys. Unlike other, more action-packed “tall-tale” cards — filled with farmers, fisherman, and children for scale — Mitchell’s series is restrained. Sharply illuminated, the colossal cargo lean toward artwork rather than gag. “A Carload of Mammoth Apples”[here], green-yellow and gleaming, could have been plucked from Rene Magritte’s The Son of Man [here].
Fabulous fruit and vegetables: “Calicornication: Postcards of Giant Produce (1909),” from @publicdomainrev.bsky.social.
In other art-related news: (very) long-term readers might recall that, back in 2008, (R)D reported that London’s Daily Mail believed that it had tracked him down, and that he is Robin Gunningham. Now as Boing Boing reports:
Anyone reading Banksy’s Wikipedia article at any point since a famous Mail on Sunday exposé in 2008 would likely get the impression the secretive stenciler is probably Robin Gunningham or Robert Del Naja, artists who came from the Bristol Underground. Reuters, having conducted extensive research into their movements, finds both men present at critical moments, but only one at all of them: an arrest report from New York City puts Gunningham firmly in the frame, and recent public records from Ukraine put it beyond doubt.
We later unearthed previously undisclosed U.S. court records and police reports. These included a hand-written confession by the artist to a long-ago misdemeanor charge of disorderly conduct – a document that revealed, beyond dispute, Banksy’s true identity. … Reuters presented that man with its findings about his identity and detailed questions about his work and career. He didn’t reply. Banksy’s company, Pest Control, said the artist “has decided to say nothing.”
His long-time lawyer, Mark Stephens, wrote to Reuters that Banksy “does not accept that many of the details contained within your enquiry are correct.” He didn’t elaborate. Without confirming or denying Banksy’s identity, Stephens urged us not to publish this report, saying doing so would violate the artist’s privacy, interfere with his art and put him in danger.
Del Naja (better known for other work) evidently participates in painting the murals and is perhaps the stencil draftsman (Banksy: “he can actually draw”). Banksy’s former manager, Steve Lazarides, organized a legal name change for Gunningham after the Mail on Sunday item, which successfully ended records for Banksy’s movements under his birth name and stymied researchers—until Reuters figured out the new one by poring through Ukrainian public records on days Del Naja was there. Gunningham used the name David Jones, among the most common in the U.K. If it rings a bell, you might be thinking of another famous British artist was who obliged by his record company to find something more unique.
* common idiom
###
As we live large, we might spare a thought for Isaac Newton; he died on this date (O.S.) in 1727. A polymath who was a key figure in the Scientific Revolution and the Enlightenment that followed, Newton was a mathematician, physicist, astronomer, alchemist, theologian, author, and inventor. He contributed to and refined the scientific method, and his work is considered the most influential in bringing forth modern science. His book Philosophiæ Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy), first published in 1687, achieved the first great unification in physics and established classical mechanics. He also made seminal contributions to optics, and shares credit with the German mathematician Gottfried Wilhelm Leibniz for formulating infinitesimal calculus. (Newton developed calculus a couple of years before Leibniz, but published a couple of years after.) Newton spent the last three decades of his life in London, serving as Warden (1696–1699) and Master (1699–1727) of the Royal Mint, a role in which he increased the trustworthiness/accuracy and security of British coinage in a way crucial to the rise of Great Britain as a commercial and colonial power.
Newton, of course, had a famous relationship with fruit:
Newton often told the story that he was inspired to formulate his theory of gravitation by watching the fall of an apple from a tree. The story is believed to have passed into popular knowledge after being related by Catherine Barton, Newton’s niece, to Voltaire. Voltaire then wrote in his Essay on Epic Poetry (1727), “Sir Isaac Newton walking in his gardens, had the first thought of his system of gravitation, upon seeing an apple falling from a tree.” – source
Newton’s apple is thought to have been the green skinned ‘Flower of Kent’ variety.

“If I could explain it to the average person, I wouldn’t have been worth the Nobel Prize”*…
Alex Murrell on the surge of sameness all around us…
The interiors of our homes, coffee shops and restaurants all look the same. The buildings where we live and work all look the same. The cars we drive, their colours and their logos all look the same. The way we look and the way we dress all looks the same. Our movies, books and video games all look the same. And the brands we buy, their adverts, identities and taglines all look the same.
But it doesn’t end there. In the age of average, homogeneity can be found in an almost indefinite number of domains.
The Instagram pictures we post, the tweets we read, the TV we watch, the app icons we click, the skylines we see, the websites we visit and the illustrations which adorn them all look the same. The list goes on, and on, and on…
Perhaps when times are turbulent, people seek the safety of the familiar. Perhaps it’s our obsession with quantification and optimisation. Or maybe it’s the inevitable result of inspiration becoming globalised…
But it’s not all bad news.
I believe that the age of average is the age of opportunity…
Lots more mesmerizing examples: “The age of average,” from @alexjmurrell.
* Richard Feynman
###
As we think different, we might recall that it was on this date in 1976 that Steve Jobs, Steve Wozniak, and Ronald Wayne signed a partnership agreement that established the company that would become Apple Computer, Inc.– a company that was all about trumping sameness– on January 3, 1977.
Wayne left the partnership eleven days later, relinquishing his ten percent share for $2,300.

“There must be some other way out of here, said the joker to the thief / There’s too much confusion, I can’t get no relief”*…
The dangers of rapid scaling: Praveen Seshadri on what ails Google and how it can turn things around…
I joined Google just before the pandemic when the company I had co-founded, AppSheet, was acquired by Google Cloud. The acquiring team and executives welcomed us and treated us well. We joined with great enthusiasm and commitment to integrate AppSheet into Google and make it a success. Yet, now at the expiry of my three year mandatory retention period, I have left Google understanding how a once-great company has slowly ceased to function.
Google has 175,000+ capable and well-compensated employees who get very little done quarter over quarter, year over year. Like mice, they are trapped in a maze of approvals, launch processes, legal reviews, performance reviews, exec reviews, documents, meetings, bug reports, triage, OKRs, H1 plans followed by H2 plans, all-hands summits, and inevitable reorgs. The mice are regularly fed their “cheese” (promotions, bonuses, fancy food, fancier perks) and despite many wanting to experience personal satisfaction and impact from their work, the system trains them to quell these inappropriate desires and learn what it actually means to be “Googley” — just don’t rock the boat. As Deepak Malhotra put it in his excellent business fable, at some point the problem is no longer that the mouse is in a maze. The problem is that “the maze is in the mouse.”
It is a fragile moment for Google with the pressure from OpenAI + Microsoft. Most people view this challenge along the technology axis, although there is now the gnawing suspicion that it might be a symptom of some deeper malaise. The recent layoffs have caused angst within the company as many employees view this as a failure of management or a surrender to activist investors. In a way, this reflects a general lack of self-awareness across both management and employees. Google’s fundamental problems are along the culture axis and everything else is a reflection of it. Of course, I’m not the only person to observe these issues (see the post by Noam Bardin, Waze founder and ex-Googler).
The way I see it, Google has four core cultural problems. They are all the natural consequences of having a money-printing machine called “Ads” that has kept growing relentlessly every year, hiding all other sins.
(1) no mission, (2) no urgency, (3) delusions of exceptionalism, (4) mismanagement…
A provocative diagnosis: “The maze is in the mouse.” Eminently worth reading in full.
* Bob Dylan, “All Along the Watchtower”
###
As we go back to basics, we might recall that it was on this date in 1955 that a boy was born to University of Wisconsin graduate students Joanne Simpson and Abdulfattah Jandali. He was given up for adoption and taken in by a machinist and his wife in Mountain View, California. They named him Steve Jobs.









You must be logged in to post a comment.