Posts Tagged ‘John Milton’
“Wild above rule or art, enormous bliss”*…
What greater joy than that of creation? John Crace on the all-time champion coiner of English words…
To many scholars he is still the sublime English poet. To the rest of us, he’s the blind bloke who wrote the scarily long and difficult epic about heaven, hell and the failure of the English revolution we were made to read at school. But John Milton… deserves to be remembered for rather more than Paradise Lost. Step aside Martin Amis, Will Self et al; Milton is in a league of his own for neologisms.
According to Gavin Alexander, lecturer in English at Cambridge university and fellow of Milton’s alma mater, Christ’s College, who has trawled the Oxford English Dictionary (OED) for evidence, Milton is responsible for introducing some 630 words to the English language, making him the country’s greatest neologist, ahead of Ben Jonson with 558, John Donne with 342 and Shakespeare with 229. Without the great poet there would be no liturgical, debauchery, besottedly, unhealthily, padlock, dismissive, terrific, embellishing, fragrance, didactic or love-lorn. And certainly no complacency.
The OED does tend to privilege famous writers with first usage,” Alexander admits, “and early-modern English – a composite of Germanic and Romance languages – was ripe for innovation. If you couldn’t think of a word, you could just make one up, ideally based on a term from French or Latin that others educated in those languages would understand. Yet, by any standards, Milton was an extraordinary linguist and his freedom with language can be related to his advocacy of personal, political and religious freedoms.”
Milton’s coinages can be loosely divided into five categories. A new meaning for an existing word – he was the first to use space to mean “outer space”; a new form of an existing word, by making a noun from a verb or a verb from an adjective, such as stunning and literalism; negative forms, such as unprincipled, unaccountable and irresponsible – he was especially fond of these, with 135 entries beginning with un-; new compounds, such as arch-fiend and self-delusion; and completely new words, such as pandemonium and sensuous.
Not that Milton got things all his own way. Some of his words, such as intervolve (to wind within each other) and opiniastrous (opinionated), never quite made it into regular usage – which feels like our loss rather than his…
“John Milton – our greatest word-maker,” from @mrjohncrace.bsky.social in @theguardian.com.
For an appreciation of the revolutionary afterlife of Milton’s masterwork, Paradise Lost, see Orlando Reade‘s What In Me Is Dark. (TotH to PN)
* John Milton, Paradise Lost
###
As we reach for the right word, we might send articulate birthday greetings to Anthony Burgess; he was born on this date in 1917. An author primarily of comic fiction (e.g., the Enderby quartet), he strayed to other turf (like Earthly Powers, one of your correspondent’s faves). He is, of course, best known for his dystopian satire A Clockwork Orange— for which he invented a slang argot (“Nadsat“) that, while it added little to the vernacular, certainly had an impact on those of us who read the book or saw Stanley Kubrick’s film adaptation.
“A cynic is a man who knows the price of everything, and the value of nothing”*…
In times like these, it’s all too easy to resort to (or indeed, to relapse into) cynicism. In an excerpt from his recent book Hope for Cynics, the director of the Stanford Social Neuroscience Lab, Jamil Zaki, offers an alternative…
… Over the last few years, I’ve met dozens of self-proclaimed cynics. Besides the obvious contempt for people, most have something else in common: a harsh pride. It may feel better to believe in people than to be cynical, they say. But we can’t go around thinking whatever we want, just like we can’t pretend tiramisu is a health food. Cynics might live hard lives, but that’s just the price of being right.
If cynicism is a sign of intelligence, then someone who wants to appear smart might put it on, like wearing a suit to a job interview. And indeed, when researchers ask people to appear as competent as possible, they respond by picking fights, criticizing people, and removing friendly language from emails—performing the gloomiest version of themselves to impress others.
Most of us valorize people who don’t like people. But it turns out cynicism is not a sign of wisdom, and more often it’s the opposite. In studies of over 200,000 individuals across thirty nations, cynics scored less well on tasks that measure cognitive ability, problem-solving, and mathematical skill. Cynics aren’t socially sharp, either, performing worse than non-cynics at identifying liars. This means 85 percent of us are also terrible at picking lie detectors. We choose Colleens to get to the bottom of things when we should join team Sue.
In other words, cynicism looks smart, but isn’t. Yet the stereotype of the happy, gullible simpleton and the wise, bitter misanthrope lives on, stubborn enough that scientists have named it “the cynical genius illusion.”
If cynicism is a pathogen, we can create resistance to it with skepticism: a reluctance to believe claims without evidence. Cynicism and skepticism are often confused for each other, but they couldn’t be more different. Cynicism is a lack of faith in people; skepticism is a lack of faith in our assumptions. Cynics imagine humanity is awful; skeptics gather information about who they can trust. They hold on to beliefs lightly and learn quickly…
Timely advice: “Instead of Being Cynical, Try Becoming Skeptical,” from @zakijam in @behscientist.
* Oscar Wilde
###
As we reframe, we might recall that it was on this date (which is, by the way, Fibonacci Day) in 1644 that John Milton, best remembered, of course, for his epic poem Paradise Lost, published Areopagitica; A speech of Mr. John Milton for the Liberty of Unlicenc’d Printing, to the Parlament of England. A prose polemic opposing licensing and censorship, it is among history’s most influential and impassioned philosophical defenses of the principle of a right to freedom of speech and expression. The full text is here.
“Your memory and your senses will be nourishment for your creativity”*…
On which senses do great creators rely? Randall Collins investigates…
Beethoven started going deaf in his late 20s. Already famous by age 25 for his piano sonatas, at 31 he was traumatized by losing his hearing. But he kept on composing: the Moonlight Sonata during the onset of deafness; the dramatic Waldstein Sonata at 32; piano sonatas kept on coming until he was 50. In his deaf period came the revolutionary sounds of his 3rd through 8th symphonies, piano and violin concertos (age 32-40). After 44 he became less productive, with intermittent flashes (Missa Solemnis, Diabelli variations, 9th symphony) composed at 47-53, dying at 56. His last string quartets were composed entirely in his head, left unperformed in his lifetime.
Handel went blind in one eye at age 66; laboriously finished the oratorio he was working on; went completely blind at 68. He never produced another significant work. But he kept on playing organ concertos, “performing from memory, or extemporizing while the players waited for their cue” almost to the day he died, aged 74.
Johann Sebastian Bach fell ill in his 64th year; next year his vision was nearly gone; he died at 65 “after two unsuccessful operations for a cataract.” At 62 he was still producing great works; at 64 he finished assembling the pieces of his B Minor Mass (recycling his older works being his modus operandi). At death he left unfinished his monument of musical puzzles, The Art of the Fugue, on which he had been working since 55.
Can we conclude, it is more important for a composer to see than hear?…
And given examples like Milton, that it’s more critical to poets and writers to hear than see? More at “Deaf or Blind: Beethoven, Handel,” from @sociologicaleye.
* Arthur Rimbaud
###
As we contemplate creativity, we might recall that it was on this date in 2013 that Google– Google Search, YouTube, Google Mail, and Google Drive, et al.– went down for about 5 minutes. During that brief window, internet traffic around the world dropped by 40 percent.
“If one tells the truth, one is sure, sooner or later, to be found out”*…
That most quotable (well, after Shakespeare) of wits…
More enduring epigrams in the entertaining infographic “And the Oscar goes to…” (full and larger) from @guardian.
See also “Oscar Wilde Will Not Be Automated, ” from @benjaminerrett.
* Oscar Wilde
###
As we chortle, we might recall that it was on this date (which is, by the way, Fibonacci Day) in 1644 that John Milton published Areopagitica; A speech of Mr. John Milton for the Liberty of Unlicenc’d Printing, to the Parlament of England. A prose polemic opposing licensing and censorship, it is among history’s most influential and impassioned philosophical defenses of the principle of a right to freedom of speech and expression. The full text is here.
“One should aim not at being possible to understand, but at being impossible to misunderstand”*…
Here’s an ambiguous sentence for you: “Because of the agency’s oversight, the corporation’s behavior was sanctioned.” Does that mean, “Because the agency oversaw the company’s behavior, they imposed a penalty for some transgression,” or does it mean, “Because the agency was inattentive, they overlooked the misbehavior and gave it their approval by default”? We’ve stumbled into the looking-glass world of contronyms—words that are their own antonyms…
This phenomenon is called enantiosemy, enantionymy (enantio- means “opposite”), antilogy or autantonymy; an enantiosemic term is necessarily polysemic.
Contronyms, also known as auto-antonyms or autantonyms– or just as Janus words: “25 Words That Are Their Own Opposites.”
For a longer list, see “75 Contronyms.”
* Quintilian (Marcus Fabius Quintilianus)
###
As we note that context is everything, we might recall that it was on this date (which is, by the way, Fibonacci Day) in 1644 that John Milton published Areopagitica; A speech of Mr. John Milton for the Liberty of Unlicenc’d Printing, to the Parlament of England. A prose polemic opposing licensing and censorship, it is among history’s most influential and impassioned philosophical defenses of the principle of a right to freedom of speech and expression. The full text is here.
You must be logged in to post a comment.