Posts Tagged ‘feminism’
“There is nothing nicer than a kitchen really made for a cook. Things that are designed to be used always have an innate beauty.”*…
In an earlier (R)D, we looked at Lillian Gilbreth‘s hugely influential design for “The Kitchen Practical.” At roughly the same time, a similar, but interestingly different design was debuted in Frankfurt. 99% Invisible has the story…
After World War I, in Frankfurt, Germany, the city government was taking on a big project. A lot of residents were in dire straits, and in the second half of the 1920s, the city built over 10,000 public housing units. It was some of the earliest modern architecture — simple, clean, and uniform. The massive housing effort was, in many ways, eye-poppingly impressive, with all new construction and sleek, cutting edge architecture. But one room in these new housing units was far and away the most lauded and influential: and that was the kitchen.
Many consider the Frankfurt Kitchen to be nothing less than the first modern kitchen. [It did pre-date Gilbreth’s creation by a couple of years, though it’s unclear whether Gilbreth knew of it.] A few of these kitchens still exist, some in museums. And it’s strange to see one there, because to modern eyes, it doesn’t appear to be high art. It just looks like a kitchen.
But so many things that we totally take for granted now as standard kitchen features were pretty unheard of before they showed up in the Frankfurt Kitchen. Things like a cookstove that wasn’t also your house’s heat source; well-planned storage to stash your plates and glasses; a way to wash dishes that didn’t involve hauling a heavy tub of water into the house; and slatted racks for drying dishes over the countertops.
Standardization ruled this design. Before, for example, there weren’t long surfaces that were uniform in height. Most kitchens just had whatever random assortment of tables you could throw in them. The Frankfurt Kitchen, countertops and all, was mass-produced off-site — which was a totally new phenomenon. It was designed to fit in relatively small apartments. So, here is perhaps the most visibly striking thing about the kitchen: it is super compact.
To the woman who designed it, Margarete Schütte-Lihotzky, the Frankfurt Kitchen was a revolution. Not just because it was part of a huge effort to get people housed, but because of its wildly efficient layout. It was designed to fit, and to bring modern appliances and architecture to the masses — but it was also designed to conserve the user’s energy. To make cooking as fast and easy as possible. And to Schütte-Lihotzky, that ease was political…
Schutte-Lihotzky was methodical and scientific in her planning. She studied how women used their kitchens, and mapped out their movements like football plays or complex dance steps, with little lines across the floor, and streamlined accordingly, until she came up with this very design – a kitchen in which no single step or reach of the arm was unnecessary.
From the 1920s into the present, many architects and home cooks celebrated, even revered the Frankfurt Kitchen. And the echoes of her design are still everywhere. But Schütte-Lihotzky’s feminist legacy is a bit more complicated. She was revolutionary in that she paid attention to the kitchen, a space that had historically been neglected by architects and designers. She laid everything out with the goal of lessening the burden of housework for women. But by the time Schütte-Lihotzky designed this revolutionary kitchen, many feminists had already been questioning whether private kitchens could ever be designed to liberate women. Or whether they were irredeemable, and needed to be abolished. And their stories show just how much design can accomplish… and how much it can’t…
The instructive story of “The Frankfurt Kitchen,” from @99piorg.
* Julia Child
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As we save steps, we might spare a thought for M. F. K. (Mary Frances Kennedy) Fisher; she died on this date in 1992. A food writer and founder of the Napa Valley Wine Library, she published 27 books (including a translation of The Physiology of Taste by Brillat-Savarin) and hundreds of essays and reviews. Of her work, W. H. Auden once remarked, “I do not know of anyone in the United States who writes better prose.”
“I like boring things”*…
What’s not to like?…
A Youtube video titled “THE MOST BORING VIDEO EVER MADE (Microsoft Word tutorial, 1989) has accrued over 1.5 million views despite its self-proclaimed boringness. The video, an hour and forty-seven-minute computer tutorial, appears to have been recorded in one long take. It’s a time capsule to the early days of home computers and despite the monotonous, sleep-inducing narration, the instructions are quite thorough. In the video’s comments, viewers point out the mind-blowing drama at minute 59 and the charming quote “no ‘command m’ for ‘miracle.'”
“1989 Microsoft Word tutorial is ‘the most boring video ever made’,” from Annie Rauwerda @BoingBoing
Pair with this 1984 video of Stanley Kubrick discussing his favorite software manuals:
* Andy Warhol
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As we take on tedium, we might send qualified birthday greetings to Edward William Bok; he was born on this date in 1863. An editor and Pulitzer Prize-winning author, he is best remembered for his 30-year stewardship of the Ladies’ Home Journal.
Bok’s overall concern was to promote his socially conservative vision of the ideal American household, with the wife as homemaker and child-rearer. At the Ladies Home Journal, Bok authored more than twenty articles opposed to women’s suffrage, women working outside the home, woman’s clubs, and education for women. He wrote that feminism would lead women to divorce, ill health, and even death. Bok viewed suffragists as traitors to their sex, saying “there is no greater enemy of woman than woman herself.”
(See here for a glimpse at his ambitions and impact.)
“There is filth on the floor, and it must be scraped up with the muck-rake”*…

Harriet Martineau c1834, by Richard Evans. (National Portrait Gallery, London)
Harriet Martineau was a social reformer, novelist, and children’s author, the author of over over 50 books. (Early in her career, she was outselling Dickens.) An abolitionist, she was also a feminist and sociologist– before those terms had been invented. And she was one of the first women journalists, who published nearly 2,000 articles and columns in the leading newspapers and magazines of her day. Throughout a career devoted to “understanding how society works,” she strove to give the unheard– women, the poor– a voice… even as, for most of her life, Harriet was herself deaf.
Martineau had broken the mould by making complex ideas accessible to a wider readership via entertaining stories that connected grand theories with personal circumstances. While her delight in creating characters and human narratives gradually waned in favour of more direct campaigning for her favourite causes, she never lost her preference for example over theory, or (until her health gave out in 1855) for visiting places in person, so that she could see things for herself. What makes her career so remarkable was the number of times she made a fresh start on a new topic by mastering it for herself, from whatever information she could find to hand, and constantly updating her expertise so that her interventions might offer some practical support. Inevitably, some of these fields dated faster than others, but after a century of critical neglect, Martineau is now being widely reclaimed as a forthright thinker with a distinctive voice…
A campaigning journalist and an early feminist, Harriet Martineau humanized economic theory through Dickensian storytelling: “Mistress of All Trades.”
* Theodore Roosevelt
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As we celebrate curiosity, we might recall that it was on this date in 1970, on the 50th anniversary of the ratification of the 19th Amendment, which had effectively given women the right to vote, that 50,000 women in New York City (and thousands more around the country and the world) marched down 5th Avenue to Bryant Park in protest of the lack of progress in securing equal rights for women. Organized by Betty Friedan and sponsored by NOW, it was known as the Women’s Strike for Equality.








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