(Roughly) Daily

Posts Tagged ‘Dictionary

“Uniformity is not nature’s way; diversity is nature’s way”*…

The U.S. boasts an impressively vast array of agricultural and botanical species. In an attempt to document that fact, The United States Department of Agriculture collected over 7,500 botanical watercolour paintings of evolving fruit and nut varieties in its Pomological Watercolor Collection, assembled between 1886 and 1942…

Independent publishing house Atelier Éditions is now revisiting this documentation of American pomology with the release of its latest book: An Illustrated Catalog of American Fruits & Nuts. “I came across the collection a few years back while researching botanical artworks,” says Pascale Georgiev, editorial director of Atelier. “There was such potential for a book with this collection, and it fits with our way of building archival or collection-based volumes.” The book is a biophilic wonder, with beautiful images of fruits popping with gentle colours and careful watercolour work. Accompanying them are often texts by well-versed experts, giving a fascinating insight into the agriculture behind the produce.

“We only produce and consume a handful of varieties today, mainly hybrids that cater to our desire for a certain sweetness, juiciness, smoothness, even specific shapes and lack of seeds,” says Pascale on the importance of the book’s current publication. “In some respects, the collection is a time capsule, and a reminder about the importance of diversity and conservation,” she adds…

Joey Levenson in discussion with Pascal: “We talk to Atelier Éditions about its new Illustrated Catalog of American Fruits & Nuts,” in @itsnicethat. More at Atelier Éditions.

Vandana Shiva

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As we fancy favorite fruits, we might carefully compose a birthday greeting to Pierre Athanase Larousse, the French grammarian and lexicographer, born in Toucy on this date in 1817.  In 1856 Larousse and his partner Augustin Boyer published the New Dictionary of the French Language, the forerunner of the Petit Larousse.   On December 27, 1863 the first volume of Larousse’s masterwork, the great encyclopedic dictionary, the Grand dictionnaire universel du XIXe siècle (Great Universal 19th-Century Dictionary), appeared.

The cover of the first Larousse French dictionary (1856)

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Then, in 1938, the Larousse publishing house published an encyclopedia of gastronomy, Larousse Gastronomique edited by Prosper Montagne.

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And Happy Mole Day (or to be more precise, October 23 at 6:02 pm, in honor of Avogadro’s number: 6.02 x 1023 items are in a mole — it’s the chemist’s version of a dozen)

Written by (Roughly) Daily

October 23, 2022 at 1:00 am

“The nice thing about doing a crossword puzzle is, you know there is a solution”*…

An Ernie Bushmiller “Cross Word Cal” cartoon, from Sunday New York World, 1925. Note how the animals are caged by letter length and genus — Source.

Roddy Howland Jackson (himself a setter of puzzles) considers the origins of, and reveals the pleasures and imaginative creatures lurking in Torquemada’s seminal puzzles, the original cryptic crosswords…

Just a few years after The Waste Land appeared — a poem whose difficulty critics compared to some “pompous cross-word puzzle” — Edward Powys Mathers (alias: Torquemada) pioneered the cryptic: a puzzle form that, like modernist poetry, unwove language and rewove it anew…

“The Swan” from Torquemada’s Cross-Words in Rhyme for Those of Riper Years (1925) — Source

T. S. Eliot, Vladimir Nabokov, Torquemada, and the Modernist crossword: “Beastly Clues,” from @roddyhj in @PublicDomainRev.

See also “Topic: Surprise, Drowsy Cows RIP, as Corrected (2,5,7,10)

* Stephen Sondheim (who helped introduce Americans to British-style cryptic crosswords)

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As we contemplate circuitous clues, we might note that today is National Thesaurus Day, celebrated each year on this date in honor of physician, natural theologian, and lexicographer Peter Mark Roget, who was born on this date in 1779. In 1852 Roget published his Thesaurus of English Words and Phrases Classified and Arranged so as to Facilitate the Expression of Ideas and Assist in Literary Composition (or, as we know it, Roget’s Thesaurus), a pioneering collection of related words.

Modern thesauri tend to be collections of synonyms and antonyms. Roget’s Thesaurus was…

… essentially a reverse dictionary. With a dictionary, the user looks up a word to find its meaning. With Roget’s, the user start with an idea and then keeps flipping through the book until he finds the word that best expresses it. The organization of the book reflects the unique intelligence of the polymath that created it…

Roget’s was a two-for-one: it put both a book of synonyms and a topic dictionary (a compendium of thematically arranged concepts) under one cover.

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Roget’s official portrait by Thomas Pettigrew

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“I cannot well repeat how there I entered”*…

Domenico di Michelino, La Divina Commedia di Dante, 1465 — Source

A collection– and consideration– of the illustrations inspired by Dante’s The Divine Comedy…

A man wakes deep in the woods, halfway through life. Far from home, unpermitted to return, his heart pierced by grief. He has strayed from the path. It’s a dark night of the soul, his crisis so great that death becomes a tempting end. And then, as wild beasts advance upon this easy prey, his prayers are answered. A guide appears, promising to show him the way toward paradise…

[This month] marks the seventh centenary of Dante Alighieri’s death, the Florentine poet who wrote The Divine Comedy, arguably our most ambitious Western epic. Eschewing Latin, the medieval currency of literature and scholarship, Dante wrote in his vernacular tongue, establishing the foundations for a standardized Italian language, and, by doing so, may have laid cultural groundwork for the unification of Italy.

The poet’s impact on literature cannot be overstated. “Dante’s influence was massive”, writes Erich Auerbach, “he singlehandedly established the expressive possibilities and the landscape of all poetry to come, and he did so virtually out of thin air”. And just as the classical Virgil served as Dante’s guide through the Inferno, Dante became a kind of Virgil for later writers. Chaucer cribbed his rhythm and images, while Milton’s Paradise Lost may have been actually lost, were it not for Dante as a shepherd. The Divina Commedia is a touchstone for works as diverse as fifteenth-century Castilian and Catalan verse; Gogol’s Dead Souls (1842); and Mary Shelley’s Italian Rambles (1844), which finds the poet at every turn:

There is scarcely a spot in Tuscany, and those parts of the North of Italy, which he visited, that Dante has not described in poetry that brings the very spot before your eyes, adorned with graces missed by the prosaic eye, and which are exact and in perfect harmony with the scene.

If Dante’s poetry summons landscapes before its reader’s eyes, artists have tried, for the last seven hundred years, to achieve another kind of evocation: rendering the Commedia in precise images, evocative patterns, and dazzling color. By Jean-Pierre Barricelli’s estimate, a complete catalogue of Commedia-inspired artworks would exceed 1,100 names. The earliest dated image comes from Florence in 1337, beginning the tradition soon after the poet’s death in 1321. Before long, there were scores of other illustrations…

A thoughtful consideration and a glorious collection: “700 Years of Dante’s Divine Comedy in Art,” from @PublicDomainRev.

* Dante Alighieri, The Divine Comedy

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As we visualize, we might send well-worded birthday greetings to Samuel Johnson; he was born on this date in 1709.  A poet, essayist, moralist, literary critic, biographer, editor, and lexicographer, Johnson’s best-known work was surely  A Dictionary of the English Language, which he published in 1755, after nine years work– and which served as the standard for 150 years (until the completion of the Oxford English Dictionary).  But Dr. Johnson, as he was known, is probably best remembered as the subject of what Walter Jackson Bate noted is “the most famous single work of biographical art in the whole of literature”: James Boswell’s Life of Samuel Johnson.  A famous aphorist, Johnson was the very opposite of a man he described to Boswell in 1784: “He is not only dull himself, but the cause of dullness in others.”

Apropos Dante, Johnson observed “if what happens does not make us richer, we must welcome it if it makes us wiser.”

Joshua Reynolds’ portrait of Dr. Johnson

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“Slang is a language that rolls up its sleeves, spits on its hands and goes to work”*…

For example…

The slang of 19th century scoundrels and vagabonds: browse it in full at invaluable Internet Archive, “Vocabulum; or, The Rogue’s Lexicon.”

* Carl Sandburg

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As we choose our words, we might send fashionable birthday greetings to George Bryan “Beau” Brummell; he was born on this date in 1778. An important figure in Regency England (a close pal of the Prince Regent, the future King George IV), he became the the arbiter of men’s fashion in London in the territories under its cultural sway. 

Brummell was remembered afterwards as the preeminent example of the dandy; a whole literature was founded upon his manner and witty sayings, e.g. “Fashions come and go; bad taste is timeless.”

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Written by (Roughly) Daily

June 7, 2021 at 1:01 am

“The Earth is what we all have in common”*…

Ancient Gateway, Angkor, Cambodia

There’s a pervasive notion in our society that nature is something outside, over there, other, from what we are as humans. From religious texts teaching that God provided humans with dominion over Earth, to futuristic literature pitching nature as our past and human ingenuity and technology as our future, the narrative that humans are beyond – or even superior to – nature is deeply entrenched.

This separation, this othering of nature, has arguably enabled our rampant destruction of the rest of the living world, and even led some to claim that our human nature is incompatible with nature itself.

Now a huge international study involving geography, archeology, ecology, and conservation adds to the wealth of sciences that exposes this idea as the lie it is.

Researchers found that for most of our history, humanity has lived in equilibrium with our world, despite us having altered most of Earth’s terrestrial surface far sooner than we realized. “Societies used their landscapes in ways that sustained most of their native biodiversity and even increased their biodiversity, productivity, and resilience,” said University of Maryland environmental systems scientist Erle Ellis.

Analyzing reconstructions of historic global land use by humans and comparing this to global patterns of biodiversity, the researchers found that by 10000 BCE humans had transformed nearly three-quarters of Earth’s land surface – you can view an interactive map of their findings here.

This upends previous models that suggested most land was still uninhabited as recently as 1500 CE. “Lands now characterized as ‘natural’, ‘intact’, and ‘wild’ generally exhibit long histories of human use,” University of Queensland conservation scientist James Watson explained.

“There’s a paradigm among natural scientists, conservationists, and policymakers that human transformation of terrestrial nature is mostly recent and inherently destructive,” said Watson.

In recent times, it’s certainly appeared that way, but clearly this hasn’t always been the case – humanity’s presence hasn’t always caused the life around us to wither away. The researchers note that in many areas, mosaics of diverse landscapes managed by people were sustained for millennia.

They used strategies like planting, animal domestication, and managing the ecosystems in a way that made the landscape not just more productive for us, but helping to support high species richness too. “Our study found a close correlation between areas of high biodiversity and areas long occupied by Indigenous and traditional peoples,” said Max Planck Institute archeologist Nicole Boivin.

“The problem is not human use per se, the problem is the kind of land use we see in industrialized societies – characterized by unsustainable agricultural practices and unmitigated extraction and appropriation.”

“We need to recognize that some types of human activity – particularly more traditional land management practices that we see in the archaeological record or practiced today by many Indigenous peoples – are actually really supportive of biodiversity. We need to promote and empower that,” said Bovin.

University of Maine anthropologist Darren Ranco noted that while indigenous people manage around 5 percent of the world’s lands that currently contain 80 percent of the world’s biodiversity, they have been excluded from management and access in protected areas like the US National Parks.

These findings make it clear that we need to empower Indigenous, traditional, and local peoples who know their lands in ways science is only just beginning to understand, explained Ellis. While no one is suggesting we revert to technology-less societies of our past, the idea is to learn from different ways of living that have proven track records of longevity.

From there, we can find new and better ways forward with the help of our advanced technologies, and a big part of this is recognizing that we are part of nature just as nature is a part of us.

Learning from our ancestors: “Humans Shaped Life on Earth For 12,000 Years, And It Wasn’t All Doom And Destruction.” Read the research in full at PNAS.

By way of an illustration of the issue, “Climate crisis has shifted the Earth’s axis, study shows“:

In the past, only natural factors such as ocean currents and the convection of hot rock in the deep Earth contributed to the drifting position of the poles. But the new research shows that since the 1990s, the loss of hundreds of billions of tonnes of ice a year into the oceans resulting from the climate crisis has caused the poles to move in new directions.

Indeed, we’ve moved the poles 4 meters since 1980…

And for a look at just how much the earth has changed, “Google Earth Now Shows You The Consequences of Climate Change For The Past 37 Years.”

[TotH to the ever-illuminating “Nothing Here“]

* Wendell Berry

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As we find balance, we might spare a thought for Jean Nicot de Villemain; he died on this date in 1604. A diplomat and scholar, he introduced tobacco to the French court (and thus, into wide usage in Europe). In 1560, while serving as ambassador in Portugal, he was shown a tobacco plant in the garden of Lisbon botanist Damião de Goes, who claimed it had healing properties. Nicot applied it to his nose and forehead and found it relieved his headaches.

Nicot sent home seeds and leaves of tobacco, recommending its marvelous therapeutic value. He then sent snuff to Catherine de Medici, the Queen of France to treat her migraine headaches. She was impressed with its results, and became an advocate.

The tobacco plant, Nicotiana tabacum, and its active substance, nicotine, derive their names from his.

Nicot also compiled one of the first French dictionaries, Thresor de la langue françoyse (1606).

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