Posts Tagged ‘Colossal Pictures’
“I Want My MTV!”*…
You’ve probably seen a variation of this news on social media over the past few days: MTV officially shut down on New Year’s Eve, ending their final broadcast the same way the network started: With the clip “Video Killed the Radio Star” by The Buggles.
But those posts are misinformed. It’s New Year’s Day 2026, and MTV is still around. Granted, today the channel is playing a marathon of “The Big Bang Theory” sitcom repeats, so your interpretation of “MTV is still around” may vary…
– Variety, January 1, 2026
Indeed, the reality shows and network re-runs are still flowing. But the new owners of MTV’s parent, Paramount Global, did end its dedicated, 24/7 music channels (like MTV Music, MTV 80s, MTV 90s) at the close of 2025 across most international markets, effectively ceding the video music turf to YouTube.
So it’s a propitious moment to pause and reflect on the legacy, the impact of MTV…
… MTV, the Music Television that launched a thousand careers and redefined a generation, is finally shutting down [as a music channel]. It’s bittersweet to see it go, but it’s also a perfect moment to reflect on just how profoundly this channel, born in a blaze of sound and vision, altered the landscape of music, media, and even society itself.
It’s hard to imagine now, but before August 1, 1981, music was primarily an auditory experience. You listened to it on the radio, on records, or at concerts. The idea of a 24-hour channel dedicated solely to music videos was revolutionary, a gamble by Warner-Amex Satellite Entertainment. They saw the burgeoning popularity of music videos, then mostly promotional tools for artists, and envisioned a dedicated platform. The very first video ever played, fittingly, was “Video Killed the Radio Star” by The Buggles – a prophetic title if there ever was one.
MTV’s early days were a chaotic, vibrant mix of rock, pop, and new wave, with VJs (video jockeys) becoming household names. It was raw, experimental, and deeply intertwined with the youth culture of the 80s. But what started as a niche cable channel quickly exploded into a global phenomenon, forever altering how we consumed and understood music. So, as we bid adieu, let’s explore ten ways MTV truly changed everything…
Remember them at: “MTV: A Farewell to the Channel That Changed Our World,” from Eric Alper (@thatericalper.com)
* The tag line of MTV’s initial ad campaign (aimed at getting cable viewers to press their cable suppliers to carry MTV)
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As we recollect rock, we might recall that it was on this date in 1972 that David Bowie released “Changes,” from his 1971 album Hunky Dory. Co-produced by Bowie and Ken Scott, it featured Rick Wakeman on piano and the musicians who would later become known as the Spiders from Mars—Mick Ronson, Trevor Bolder and Mick Woodmansey.
“We are the first generation to feel the effect of climate change and the last generation who can do something about it”*…
One of the issues that vexes coordinated response is a paradox that lies at the heart of the phenomenon: Earth’s climate is chaotic and volatile. Climate change is simple and predictable. How can both be true? Joseph Howlett explains…
The Earth’s atmosphere is nothing but freely roaming molecules. Left alone, they would drift and collide, and eventually even out into a mixture that’s dynamic, yet stable and broadly unchanging.
The sun’s rays complicate things. Energy enters the Earth system in daily cycles, the bulk of it going to whichever half of the planet is tilted toward the sun (and experiencing summer). The molecules in that half acquire more energy than others, which sets the global atmosphere steadily swirling. Depending on the season and location, molecules in our atmosphere might traverse warm land, then cold seas. They might encounter a mountain range that forces them to high altitudes, where the air pressure is low and water condenses. Then they might become part of large-scale phenomena, such as currents, atmospheric rivers, turbulent jet streams and continental fronts.
These phenomena are erratic. They interact at every scale and manifest as weather, from clear sunny days to blustery blizzards and the anomalous events — from hurricanes and polar vortices to hailstorms and tornadoes — that are happening with increasing intensity. Any thought of stability is illusory; no patch of molecules dances in isolation.
The result, from seemingly simple inputs of molecules and energy, is emergent, incalculable chaos. Some individual molecule in the room you are sitting in is careening about blindly and colliding with its immediate neighbors. Zoom out — block to city, field to landscape, region to continent — and patterns appear and intermix. Complexity abounds and compounds. Nothing in the atmosphere is untethered from the rest of the global picture.
We live with this unpredictable mess of an atmosphere every day. We tote around unopened umbrellas, or refresh weather apps and watch our weekend plans dissolve. Anticipating conditions any further out than a week or two is a fool’s errand. The Earth is a complex dynamical system — an interwoven mass of moving parts, each of which requires a different branch of science to understand. Even with advanced knowledge, sophisticated algorithms and modern instruments, it defies and eludes us.
Yet this engine of chaos is now under our influence. It is incontrovertible fact that we are changing the Earth’s temperature by adding more carbon dioxide to the atmosphere. We know exactly how we are changing it — that when we double the proportion of carbon dioxide in the thin layer that rests over the surface of the Earth, the planet will become 2 to 4 degrees Celsius warmer, overall, than it is today. This conclusion has remained essentially unchanged since 1896, when the Swedish scientist Svante Arrhenius arrived at an estimate of 2 to 5 degrees. (Using an extraordinarily simplified picture of Earth, he made a number of mistakes that, in the end, balanced out.) Some details may remain uncertain, some chaos untamable, but the basic conclusion is a matter of unwavering scientific agreement — 97% is a rare degree of consensus on almost any subject. We are nearly as sure of this as we are of the causes of infectious disease, or how stars form, or the fact that life evolves through natural selection.
oth things are true: The climate system is vastly complex, and we’re certain about what we are doing to it. How can we be so confident in a hundred-year projection when we can’t predict the weather with any reliability more than a week out?
“How can it be that both are true?” said Nadir Jeevanjee, an atmospheric physicist at NOAA’s Geophysical Fluid Dynamics Laboratory, a leading institution for cutting-edge simulations of the atmosphere. “It’s a huge tension that’s lurking behind the whole conversation.”
It turns out that complexity can be a veil concealing more basic truths. An enormously complicated system can yield simple answers. You just have to ask a simple enough question…
Read on for Howlett’s fascinating– and important– explanation: “The Climate Change Paradox,” from @quantamagazine.bsky.social.
And for a reminder that this matters (as though we need one…): “Human-Caused Warming Tripled the Death Toll of European Heat Waves This Summer, New Report Shows,” from @insideclimatenews.org.
* Barack Obama
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As face reality, we might recall that on this date in 1988, the #1 song in the U.S. was Bobby McFerrin‘s “Don’t Worry, Be Happy,” the first a cappella song to reach the top of the Billboard Hot 100 chart, a position it held for two weeks.
(Produced by Colossal Pictures, Directed by Drew Takahashi)
“Animation is not the art of drawings that move but the art of movements that are drawn”*…

Via Io9, news of your correspondent’s alma mater, Colossal Pictures…
We don’t know just how long MTV has been releasing old Liquid TV shorts on their website, but what we do know is that this news is pure, uncut awesome. After years of watching crummy youtubes of the most f-ed up cartoons and shorts ever made, MTV has finally decided to release all the contents of Liquid Television online. Which means, all the Psycho-Grams and Winter Steele episodes you want!
So many wonderful things came from this late night animation and puppet variety show: Æon Flux, Beavis and Butt-Head, heaps of They Might Be Giants music videos, and more. It was just solid crazy-person programming…
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Hours of fun at Liquid Television.
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As we color outside the lines, we might recall that it was on this date in 1929 that Walt Disney released El Terrible Toreador, the second cartoon (following the epic The Skeleton Dance) in the Silly Symphony series (which, unlike Disney’s other consistently character-themed series, like Mickey Mouse, had no continuing characters; rather they were whimsical accompaniments to pieces of music– in the case of El Terrible Toreador, a snatch of Carmen).
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Shooting oneself in the foot with an air-to-air missile…
Foreign Policy suggests that China is using Top Gun footage as Chinese air force drill reportage… (particularly amusing to your correspondent, as his alma mater [USFX, part of Colossal Pictures] created the shots in question :-)
As part of its ongoing expansion, has the People’s Liberation Army signed up Goose and Maverick? Chinese bloggers are accusing state broadcaster CCTV of using repurposed footage from the 1986 film Top Gun for a story on a recent air force drill. “Ministry of Tofu” explains:
In the newscast, the way a target was hit by the air-to-air missile fired by a J-10 fighter aircraft and exploded looks almost identical to a cinema scene from the Hollywood film Top Gun.
A net user who went by the name “??” (Liu Yi) pointed out that the jet that the J-10 “hit” is an F-5, a US fighter jet. In Top Gun, what the leading actor Tom Cruise pilots an F-14 to bring down is exactly an F-5. Looking at the screenshots juxtaposition, one cannot fail to find that even flame, smoke and the way the splinters fly look the same.
Assuming the above screen shots [more at the links in the first paragraph, above] are genuine, the rip-off seems pretty clear. In related news, CCTV recently aired footage of the Chinese Olympic volleyball team at their secret training facility.
As we remind ourselves never to trust our eyes, we might recall that this date in 1959 was “the day the music died”: the day that a plane crash near Clear Lake, Iowa killed Buddy Holly, Ritchie Valens, J.P. Richardson (aka, The Big Bopper), and pilot Roger Peterson.
Photo-journal(ism)…
An old Colossal Pictures friend, Dan Hanna, has been pursuing an unusual project:
Every day I position myself in the center of this ring and take two simultaneous photos (180 degrees apart). The ring is marked off for the 365 days of the year and a pair of crosshairs (mounted on a sliding wooden fixture) are incremented along the circumference of the ring to line up with these markings. I use the crosshairs to position my head as nearly as possible in the center of the ring. So far, I’ve accumulated approximately 17 years worth of photos (the project was started in ’91).
See all 17 years worth of The Photo Aging Project here. (Thanks, PR, for lead.)
As we check our hair and make-up, we might tilt at a birthday windmill in honor of Miguel de Cervantes Saavedra, the author of Don Quixote; he was born on this date in 1547… and we might marvel that what is arguably the first novel (in the Western canon, anyway) may also be the best.
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