(Roughly) Daily

Posts Tagged ‘canon

“Culture is the name for what people are interested in”*…

Henry Nelson O’Neil; “The Last Hours of Mozart”

… but “culture” (that’s to say, “high culture”) has also been a form of authority, a kind of superego for society. These days, Adam Kirsh argues, not so much…

From the 1920s to the 1950s, from jazz and blues to rock and roll, tweaking the canon was part of the appeal of pop music—and a favorite device of lyricists. Ella Fitzgerald had a signature hit with Sam Coslow’s “(If You Can’t Sing It) You’ll Have to Swing It (Mr. Paganini).” Betty Comden and Adolph Green wrote the lyrics to “It’s a Simple Little System,” from the musical Bells Are Ringing, in which a bookie uses composers’ names as code to refer to racetracks: “Beethoven is Belmont Park/ Tchaikovsky is Churchill Downs.” Chuck Berry hit the same targets in “Roll Over Beethoven”: “My heart’s beating rhythm/ And my soul keeps singing the blues/ Roll over Beethoven/ Tell Tchaikovsky the news.”

In recent decades, however, this type of indirect homage to the authority of classical music has completely disappeared from popular music. The last example may be “Rock Me, Amadeus,” a German pop hit from 1985 that was inspired less by Mozart himself than by the 1984 movie Amadeus, in which the composer is portrayed as, in the song’s words, “ein Punker” and “ein Rockidol.” Today’s pop lyricists don’t poke fun at Beethoven and Tchaikovsky because young listeners no longer recognize those names as possessing any cultural authority or prestige, if they recognize them at all. It would make as much sense to write a pop song called “Roll Over Palestrina” or “Rock Me, Hildegard von Bingen,” since all composers are equally unfamiliar to a mass audience.

Like the disappearance of a certain species of frog or insect, this is a small change that signals a profound transformation of the climate—in this case, the cultural climate…

And while that change has its costs, Kirsch explains, it also has its benefits : “Culture as counterculture.”

Walter Lippmann

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As we contemplate canons, we might recall that on this date in 2008 the #1 song in the U.S. was “Whatever You Like” by T.I. Jared W. Dillon of Sputnikmusic called the song a “more sophisticated take” on Lil Wayne‘s “Lollipop.”

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Written by (Roughly) Daily

September 6, 2021 at 1:00 am

“Saint: A dead sinner revised and edited”*…

 

Johann Sebastian Bach

 

When eminent biologist and author Lewis Thomas was asked what message he would choose to send from Earth into outer space in the Voyager spacecraft, he answered, “I would send the complete works of Johann Sebastian Bach.”  After a pause, he added, “But that would be boasting.”

You can hardly find a more sanctioned and orthodox insider than Johann Sebastian Bach, at least as he is typically presented. He is commemorated as the sober bewigged Lutheran who labored for church authorities and nobility, offering up hundreds of cantatas, fugues, orchestral works, and other compositions for the glory of God. Yet the real-life Bach was very different from this cardboard figure. In fact, he provides a striking case study in how prickly dissidents in the history of classical music get transformed into conformist establishment figures by posterity…

Fighting, drinking, organ loft liaisons… and then there’s the music– the subversive practice of a canonical composer: “J.S. Bach the Rebel.”

* Ambrose Bierce

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As we interrogate our idols, we might send harmonic birthday greetings to John Birks “Dizzy” Gillespie; he was born (in Cheraw, S.C.) on this date in 1917.  A jazz pioneer– performer, bandleader, composer, and singer– he was a trumpet virtuoso and a style-setting improviser.  His combination of musicianship, showmanship, and wit made him (with Charlie Parker) a leading popularizer of (the emerging new music) bebop.  His beret and horn-rimmed spectacles, his scat singing, his bent horn, his pouched cheeks, and his light-hearted personality became emblematic of the form.

220px-Dizzy_Gillespie01 source

 

Written by (Roughly) Daily

October 21, 2019 at 1:01 am

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