Posts Tagged ‘museums’
“The pieces I chose were based on one thing only — a gasp of delight. Isn’t that the only way to curate a life?”*…
The Louvre has the Mona Lisa. In his nifty newsetter Ironic Sans, David Friedman reviews the “most treasured” holding of other museums…
Did you know that there is only one painting by Leonardo da Vinci on view in America? It’s a portrait of a teenage girl named Ginevra de’ Benci, a Florentine aristocrat, possibly commissioned for her wedding. And it’s one of only four portraits Leonardo painted of women. The most famous one, of course, is the Mona Lisa.The portrait of Ginevra is on display at the National Gallery of Art in Washington, DC, which acquired the painting in 1967. There’s an interesting story of how the painting was brought from Liechtenstein Castle to Washington in carry-on luggage.
[I haven’t told you this yet, but for the past year I’ve been working full-time as Senior Video Producer at the National Gallery of Art. I love it. Working in a museum surrounded by some of the world’s best art and telling stories about how art makes a difference in people’s lives, every day is a good day. Another time, I’ll share some of the work we’re doing. But for now, I just need to make clear that this newsletter is in no way formally connected to the museum or my work there.]
Here is Ginevra, painted by Leonardo around 30 years before Mona Lisa:
I once heard someone refer to Ginevra as “America’s Mona Lisa.” Obviously that’s in part because they’re both by the same artist. But sometimes people refer to something as their Mona Lisa to mean it’s their prize possession, or an incredible work, or the draw that people come to see.
And that got me wondering: What do other museums and institutions refer to as their Mona Lisa?
So I did some digging and I’ve gathered 17 works of art and other surprising things where someone from the institution has gone on record calling it their Mona Lisa…
From Duccio and Matisse to Sow and Warhol: “It’s Their Mona Lisa,” from @ironicsans.com.
* Maira Kalman, My Favorite Things
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As we hit the highlights, we might spare a thought for a man whose works were often the “Mona Lisas” of the halls they graced: Giovanni Battista Tiepolo (AKA, Giambattista or Gianbattista Tiepolo): he died on this date in 1770. A painter and printmaker from the Republic of Venice, his luminous, poetic frescoes, while extending the tradition of Baroque ceiling decoration, epitomized the lightness and elegance of the Rococo period. Indeed, he was described by National Gallery head Michael Levey as “the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman.” He is considered– with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi— one of the traditional Old Masters of that period.
“To-day I think / Only with scents”*…
We’ve considered before smell, the unsung hero of the senses. Today, Kaja Šeruga explains how scientists using chemistry, archival records, and AI are reviving the aromas of old libraries, mummies and battlefields…
We often learn about the past visually — through oil paintings and sepia photographs, books and buildings, artifacts displayed behind glass. And sometimes we get to touch historical objects or listen to recordings. But rarely do we use our sense of smell — our oldest, most primal way of learning about the environment — to experience the distant past.
Without access to odor, “you lose that intimacy that smell brings to the interaction between us and objects,” saysanalytical chemist Matija Strlič. As lead scientist of the Heritage Science Laboratory at the University of Ljubljana in Slovenia and previously deputy director of the Institute for Sustainable Heritage at University College London, Strlič has devoted his career to interdisciplinary research in the field of heritage science. Much of his work focused on the preservation and reconstruction of culturally significant scents.
Reconstructed scents can enhance museum and gallery exhibits, says Inger Leemans, a cultural historian at the Royal Netherlands Academy of Arts and Sciences. Smell can provide a more inviting entry point, especially for uninitiated visitors, because there’s far less formalized language for describing smell than for interpreting visual art or displays. Since there’s no “right way” of talking about scent, she says, “your own knowledge is as good as the others’.”
Despite their potential to enrich our understanding of history and art, smells are rarely conserved with the same care as buildings or archaeological artifacts. But a small group of researchers, including Strlič and Leemans, is trying to change that — combining chemistry, ethnography, history and other disciplines to document and preserve olfactory heritage…
Read on for the fascinating details: “Recreating the smells of history,” from @knowablemag.bsky.social.
* Edward Thomas, “Digging“
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As we take a whiff, we might recall that it was on this date in 1924 that Coco Chanel agreed with the Wertheimer brothers Pierre and Paul, directors of the perfume house Bourjois, to create a new corporate entity, Parfums Chanel, Its signature product was Chanel No. 5. She had been selling small quanitites of the scent in her boutique since 1921.
Traditionally, fragrances worn by women had fallen into two basic categories. Respectable women favored the essence of a single garden flower while sexually provocative indolic perfumes heavy with animal musk or jasmine were associated with women of the demi-monde. Chanel sought a new scent that would appeal to the flapper and celebrate the seemingly liberated feminine spirit of the 1920s. Her scent was formulated by chemist and perfumer Ernest Beaux, who designed an unprecedented olfactory architecture, a bouquet of 80 scents whose precious notes were blended with high proportions of aldehydes, organic compounds that carry a crisp, soapy, and floral citrusy scent. In late 1920, when presented with small glass vials containing sample scents numbered 1 to 5 and 20 to 24 for her assessment, she chose the fifth vial. Chanel told Beaux, “I present my dress collections on the fifth of May, the fifth month of the year and so we will let this sample number five keep the name it has already, it will bring good luck.”
The first promotion for Chanel No. 5 appeared in The New York Times on December 16, 1924– a small ad for Parfums Chanel announcing the Chanel line of fragrances available at Bonwit Teller, an upscale department store. The fragrance, of course, become a fave. An Andy Warhol subject and worn by everyone from Marilyn Monroe and Catherine Deneuve to Mad Men’s Peggy Olson, the perfume, is a foundational part of fragrance history… and still sells a bottle every 30 seconds.
“If you can make it here, you can make it anywhere.”*…
Hannah Frishberg, in Gothamist, on a labor of love…
Reno may be “the biggest little city in the world,” but it’s got some serious competition from the miniature New York City that hobbyist Joseph Macken built in his upstate New York basement over two decades.
“I sat down in my basement, turned the camera on on my phone and just started talking about my first section, which was Downtown Manhattan,” the Clifton Park resident said on a recent Thursday about his viral TikToks on his roughly 50-by-30-foot scale model of the city. “It just took off.”
The intricate model features what Macken says are hundreds of thousands buildings, landmarks and geographic elements across the five boroughs and their surroundings, including bridges, airports, the Hudson and East rivers, New York Harbor, Central Park, One World Trade Center and the original World Trade Center, the Statue of Liberty and Empire State Building. The work consists of 350 handmade sections that are pieced together and can be taken apart and moved…
… Macken, a 63-year-old truck driver who grew up in Middle Village and has no formal carpentry or engineering training, said he dreamed of replicating the Queens Museum’s famous “Panorama” after an elementary school trip when he was a kid. He embarked on the endeavor in 2004, armed with little more than balsa wood, Elmer’s glue and Styrofoam. His first building was “the RCA building at Rockefeller Center,” he said, referring to 30 Rock, which was formerly named for its longtime tenant, the Radio Corporation of America.
Macken said it took him about 10 years to build Manhattan alone and 11 years for the rest of the boroughs. He completed his opus in April, and said he’s confident every building in the city is represented. (Gothamist could not independently verify this claim; the city has more than 1 million buildings, according to the Department of Buildings.)…
… Macken is now working on a mini Minneapolis: “‘Mary Tyler Moore’ was one of my favorite shows growing up,” he said, adding that he plans to eventually do Los Angeles, Las Vegas and Chicago as well.
Macken said he’s still figuring out what he’ll do next with the model, but he’s in talks with the Museum of the City of New York in Manhattan about an exhibit there. A museum spokesperson confirmed this, praising his “ingenuity, creativity and skill.”
“ I don’t wanna put it back in storage,” Macken said. “That’s for damn sure.”…
More– and more photos– at: “This trucker built a scale model of NYC over 21 years. It’s drawing museums’ attention” from @gothamist.com.
* “Theme from New York, New York” composed by John Kander, with lyrics by Fred Ebb; performed in the film by Liza Minnelli and famously covered by Frank Sinatra
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As we get small, we might recall that on this date in 1776– in the early days of the military occupation of the city by British forces during the Revolutionary War– the “Great Fire of New York” raged on the West Side of what then constituted New York City at the southern end of the island of Manhattan.
The fire destroyed from 10 to 25 percent of the buildings in the city, and some unaffected parts of the city were plundered. Many believed or assumed that the fire was deliberately set; British leaders accused revolutionaries– and used the pretext to declare martial law, to confiscate surviving uninhabited homes of known Patriots and assign them to British officers; to convert chuches (other than Church of England sanctuaries), into prisons, infirmaries, or barracks; and to billet regular soldiers with civilian families… all of which continued until the British evacuated the city on November 25, 1783.
“…When fascism comes to the United States it will be wrapped in the American flag and will claim the name of 100-percent Americanism”*…
Sinclair Lewis sent up a warning flare in 1935. 90 years later, Richard Ovenden (Oxford’s librarian and author of the important– and terrific— Burning the Books: A History of Knowledge Under Attack) smells smoke…
In the space of three short months, the Archivist of the United States, Colleen Shogan, and the Librarian of Congress, Carla Hayden, have both been fired by the Trump administration. Both of these institutions have suffered setbacks before, and have come back stronger. One of the most severe attacks came at the hands of the British. In 1814 a British expeditionary force besieged Washington and set fire to the Capitol building. Officials had already recognised the threat and commandeered every cart they could find to move the National Archives outside the city.
The Capitol building also housed the Library of Congress, and its 3,000 volumes of highly combustible material could not be moved so quickly. The volumes were ignited by British troops. The whole building, and much of the city, was consumed by flames.
News of the destruction of the library reached Thomas Jefferson, whose presidency had ended five years before. In a letter published in a Washington newspaper, he expressed his outrage at the “barbarism” of the British, and offered to make good the losses from his own private library. Congress purchased 7,000 volumes from the former president; with Jefferson’s books, the Library was reborn.
The Library of Congress serves two functions simultaneously. It is both the national library and the library of the legislature. It is as if the British Library was the same organisation as the libraries of the House of Commons and the House of Lords. The irony of course is that unlike its predecessor in 1814, the 119th US Congress has done nothing to protect its own library.
Trump’s press secretary, Karoline Leavitt, stated in a press briefing that Hayden had been dismissed because the Library had been providing “inappropriate books for children”. It was another senior Trump aide, Kellyanne Conway, who in 2017 introduced the world to the notion that there could be “alternative facts”. This reason for firing Hayden — who has, since 2016, greatly strengthened the institution she inherited — is another “alternative fact”.
The Library of Congress is a reference-only research library and has no lending library for children or adults, its collections being built through legal deposit legislation, passed by Congress in 1909 and updated as recently as 2016.
Shogan was dismissed as Archivist of the United States and replaced by Marco Rubio — who clearly has so much free time alongside his dual role as Secretary of State and national security adviser that he can also run the world’s largest National Archives.
One role that archives play is to preserve documents for legal and evidential reasons. After his last presidency, Trump’s illegal removal of classified documents, stored in a guest bathroom at Mar-a-Lago, resulted in their eventual retrieval by the National Archives under the provisions of the Presidential Records Act.
The removal of Hayden and Shogan demonstrates the exercise of arbitrary power, asserting control over knowledge. Both are the first women to lead their respective institutions, and both committed to reaching all parts of the nation they were appointed to serve. If the ideologically motivated censorship of collections and the recent mass deletion of government websites is anything to go by, the Trump administration is intent on removing swaths of knowledge from public circulation.
In a famous letter of 1813, Thomas Jefferson compared the spread of ideas to the way one candle is lit from another: “He who receives an idea from me”, he wrote, “receives instruction without lessening mine; as he who lights his taper at mine, receives light without darkening me”. Instead of Trump lighting the candles of knowledge in the US today, they are being systematically snuffed out…
An institution that survived British torching in 1814 is now facing a new onslaught: “The US Library of Congress is under attack,” from @richove.bsky.social in @financialtimes.com.
For more on why the attack on the LoC (and the Archive): “Trump Is Trying to Take Control of Congress Through Its Library“- “admin is trying to take over the Library of Congress, ‘a major component of the legislative branch” that confidentially advises lawmakers’.”
And related: “Chaos At The Copyright Office: Trump’s Firing Of Register Shira Perlmutter Came After AI Report’s Release, Leaving Industry Wondering What’s Next“- “speculation about the role that a long-awaited report on [on the use of copyrighted materials to train generative AI models] may have played in his action.”
Apposite, Human Smoke by Nicholson Baker: as Hamilton Nolan explains:
… a history of the years leading up to World War 2. The entire book takes the form of short, stylized, factual items of a few paragraphs or less, presented in chronological order, which taken together tell the story of societies sliding—often unwittingly—into very dark places.
While reading the book, I found over and over again that certain entries would vividly remind me of things happening today. The experience was so vivid that I decided to present a few of them to you here—first, Baker’s entry in his book, and then the modern thing that it made me think of. I make no sweeping claims that one thing is just like the other, or that this time is equivalent to that time. I’m only a curious reader, not a professional historian. I make no sweeping claims at all. It’s just interesting. “History doesn’t repeat itself,” Mark Twain said, “but it often rhymes.”…
And per William Faulkner (“”The past is never dead. It’s not even past”)…
* Sinclair Lewis
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As we listen carfully for echoes, we might celebrate International Museum Day.
“Museums are places of worship for those whose faith dwells in human stories”*…
This map displays almost 26,000 museums, historical societies, and historic preservation associations in the United States
There are twenty-four history museums and historical societies in the city of Charleston, South Carolina. Even within the confines of downtown, a visitor could peruse the stately home of a nineteenth-century shipping merchant or the much more modest home of an eighteenth-century furniture maker. There are museums dedicated to the history of Charleston, of South Carolina, and of dentistry. And in 2020, the city that once imported and sold more enslaved people than any other city in the United States will be the site of the International African American Museum.
Across the country, museums explore the histories of all kinds of things—states, local communities, religious sects, music, steam engines, the Tuskegee Airmen.
The proliferation of museums of all sizes means that in the United States, one is never very far from history: the average distance between two history museums is only 2.6 miles. Because there tend to be more museums in cities than in rural areas, the “history museum density” of the country is one museum for every 147 square miles (an area about the size of Fayetteville, North Carolina)…
Read more and explore the interactive map at: “Public History.”
* anonymous
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As we ruminate on roots, we might recall that it was on this date in 1775 that, at the request fo the Second Continental Congress, the U. S. Marine Corps was founded, as the first two battalions of Marines were requested at Tun Tavern in Philadelphia. (Tun Tavern was quite the convening spot in that period: among other “foundings,” Benjamin Franklin raised the Pennsylvania militia there and it is regarded as the “birthplace of Masonic teachings in America.”)
Commemorating this event, the National Museum of the Marine Corps was opened in Triangle, Virginia (near the Quantico Marine Base) on this same date in 2006.
Sketch of the original Tun Tavern
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