(Roughly) Daily

Posts Tagged ‘bebop

“A phenomenon like Mozart remains an inexplicable thing”*…

And now there’s more of that extraordinary phenomenon to appreciate. Sonja Anderson, with big news…

A 12-minute piece of music composed by Wolfgang Amadeus Mozart has been discovered in a library in Germany. Researchers think the composer wrote the previously unknown piece—called Serenade in C—when he was a young teenager.

The composition was hidden in the holdings of Germany’s Leipzig Municipal Libraries—some 280 miles north of Salzburg, Austria, where Mozart was born in 1756. By the age of 5, he was a child prodigy who toured Europe performing for royals and aristocrats. As a teenager, he built a reputation as a composer, spending a few years in Salzburg and Vienna before moving to Italy in 1769.

Mozart probably wrote the recently discovered composition in the mid- to late-1760s, according to a statement from the Leipzig Municipal Libraries. Library researchers were compiling an edition of the Köchel catalog, a comprehensive archive of Mozart’s work, when they stumbled across a mysterious bound manuscript containing a handwritten composition in brown ink [pictured above].

The composition is attributed to “Wo[l]fgang Mozart.” The handwriting, however, is not Mozart’s, suggesting that the manuscript is a copy of the original composition. Researchers think it was made around 1780.

Serenade in C consists of seven miniature movements for a string trio (two violins and a bass), according to a statement from the International Mozarteum Foundation, a Salzburg-based nonprofit dedicated to Mozart’s life and work. The attribution to “Wo[l]fgang Mozart” indicates that the piece is from the composer’s youth, as he started regularly adding “Amadeo” to his name around 1769…

… In his early years… Mozart wrote many chamber works like Serenade in C, which his father recorded on a list of his son’s compositions. Many of these works were thought to have been lost to history, as Leisinger says in the statement. Fortunately, this particular piece was saved—thanks to the composer’s sister.

“It looks as if—thanks to a series of favorable circumstances—a complete string trio has survived in Leipzig,” Leisinger adds. “The source was evidently Mozart’s sister, and so it is tempting to think that she preserved the work as a memento of her brother. Perhaps he wrote the trio specially for her.”…

… The newly discovered Serenade in C has been renamed Ganz kleine Nachtmusik in the Köchel catalog (presumably in reference to Mozart’s famous serenade Eine kleine Nachtmusik)…

More than 250 years after a teenage Mozart wrote “Serenade in C,” a copy of the piece has surfaced: “This Lost Mozart Composition Hasn’t Been Heard for Centuries. Now, You Can Listen to It,” from @SmithsonianMag.

* Johann Wolfgang von Goethe

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As we listen, we might spare a thought for Miles Davis; he died on this date in 1991. Rolling Stone described him as “the most revered jazz trumpeter of all time, not to mention one of the most important musicians of the 20th century.” Over a five-decade career (which began when he dropped out of Juilliard), Davis played bebop with Charlie Parker, paved the way for cool jazz with Birth of the Cool, pioneered hard bop, assembled a quintet (that included saxophonist John Coltrane and bassist Paul Chambers) and yielded ‘Round About Midnight, led a jazz orchestra (that recorded Kind of Blue among other albums), worked with bassist Ron Carter, pianist Herbie Hancock, drummer Tony Williams, and saxophonist Wayne Shorter to create the post-bop genre, and created jazz fusion with Bitches Brew.

In discussing Birth of the Cool, jazz great Azar Lawrence said of Davis what countless others have said of Davis and his other contributions: “It was such a phenomenal expression of artistry. It was like something created by Picasso or Bach or Mozart, or somebody of that stature of expression. It’s a foundational work and a musical landmark.”

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Written by (Roughly) Daily

September 28, 2024 at 1:00 am

“After silence, that which comes nearest to expressing the inexpressible is music”*…

Artistic approximation…

Charles Ives set himself an impossible problem [in his 114 Songs of 1922]. He wanted to use pitch distance to represent the fact that God is infinitely close to man. But what is an infinitesimally close pitch distance? In the end Ives gave up and left it to the singer to decide. Maybe what Ives wanted was a smallest perceptible pitch difference. There is no standard notation for this.

Wilfrid Hodges, “The Geometry of Music,” in John Fauvel, ed., Music and Mathematics, 2006

Vaguely apposite (but in any case beautiful): “Mystical Photographs Taken Inside a Cello, Double Bass & Other Instruments.”

Via Futility Closet.

* Aldous Huxley

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As we ponder proximity, we might send liberated birthday greeting to another musician deeply concerned with wrangling pitch: Ornette Coleman; he was born on this date in 1930. A saxophonist, violinist, trumpeter, and composer, he was the principal founder of the “Free Jazz” movement, which abandoned the chordal and harmony-based structure found in bebop for an avant-garde (sometimes jarring) approach to improvisation. Coleman’s “Broadway Blues” and “Lonely Woman” became genre standards; his album Sound Grammar received the 2007 Pulitzer Prize for Music.

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“Saint: A dead sinner revised and edited”*…

 

Johann Sebastian Bach

 

When eminent biologist and author Lewis Thomas was asked what message he would choose to send from Earth into outer space in the Voyager spacecraft, he answered, “I would send the complete works of Johann Sebastian Bach.”  After a pause, he added, “But that would be boasting.”

You can hardly find a more sanctioned and orthodox insider than Johann Sebastian Bach, at least as he is typically presented. He is commemorated as the sober bewigged Lutheran who labored for church authorities and nobility, offering up hundreds of cantatas, fugues, orchestral works, and other compositions for the glory of God. Yet the real-life Bach was very different from this cardboard figure. In fact, he provides a striking case study in how prickly dissidents in the history of classical music get transformed into conformist establishment figures by posterity…

Fighting, drinking, organ loft liaisons… and then there’s the music– the subversive practice of a canonical composer: “J.S. Bach the Rebel.”

* Ambrose Bierce

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As we interrogate our idols, we might send harmonic birthday greetings to John Birks “Dizzy” Gillespie; he was born (in Cheraw, S.C.) on this date in 1917.  A jazz pioneer– performer, bandleader, composer, and singer– he was a trumpet virtuoso and a style-setting improviser.  His combination of musicianship, showmanship, and wit made him (with Charlie Parker) a leading popularizer of (the emerging new music) bebop.  His beret and horn-rimmed spectacles, his scat singing, his bent horn, his pouched cheeks, and his light-hearted personality became emblematic of the form.

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Written by (Roughly) Daily

October 21, 2019 at 1:01 am

Going out gracefully…

Twenty-four more valedictions at Buzzfeed’s “The Last Words Of 25 Famous Dead Writers.”  And many more parting shots– like Oscar Wilde’s “My wallpaper and I are fighting a duel to the death. One or the other of us has to go”– at Wikiquote’s Famous Last Words.

As we rehearse our final scenes, we might spare a tuneful thought for trumpeter, bandleader, and composer Miles Dewey Davis III; he died on this date in 1991.  Davis was a pioneer of a number of jazz forms– bebop, cool jazz, hard bop, modal jazz, and jazz fusion, among others– but was perhaps even more influential for the musicians he launched in his bands (an extraordinary roster that includes Bill Evans, Gerry Mulligan, John Coltrane, Cannonball Adderley, Wayne Shorter, Herbie Hancock, Keith Jarrett, Chick Corea, Elvin Jones, and Jack DeJohnette) and for the bands and musicians he influenced (and equally amazing list that includes Lalo Schifrin, Tangerine Dream, King Crimson, Steely Dan, Frank Zappa, Duane Allman, Radiohead, The Flaming Lips, Lydia Lunch, Jerry Garcia, and Prince).

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