(Roughly) Daily

Posts Tagged ‘Bob Dylan

“The crisis consists precisely in the fact that the old is dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear”*…

Three considerations of Gary Gerstle‘s important new book, The Rise and Fall of the Neoliberal Order: America and the World in the Free Market Era: First Robert Kuttner ponders why Democratic presidents embraced an economic credo that annihilated their own public philosophy and its appeal to the electorate…

Beginning with the presidency of Jimmy Carter, a succession of Democratic presidents joined Republicans in turning away from the New Deal model of regulated capitalism toward what has come to be known as neoliberalism. The neoliberal credo claims that markets work efficiently and that government attempts to constrain them via regulation and public spending invariably fail, backfire, or are corrupted by politics. As public policy, neoliberalism has relied on deregulation, privatization, weakened trade unions, less progressive taxation, and new trade rules to reduce the capacity of national governments to manage capitalism. These shifts have resulted in widening inequality, diminished economic security, and reduced confidence in the ability of government to aid its citizens.

The Republican embrace of this doctrine is hardly surprising. Given the lessons learned about the necessity of government interventions following the 1929 stock market collapse and the success of the Roosevelt administration as a model for the Democratic Party, the allure of neoliberalism to many Democrats is a puzzle worth exploring.

The term “neoliberalism” itself is confusing, because for at least a century “liberalism” in the United States has meant moderate left, not free-market right. Neoliberalism in its current economic sense draws on the older meaning of liberalism, which is still common in Europe and which holds that free markets are the counterpart of a free and democratic society. That was the claim of classical liberals like Adam Smith and Thomas Jefferson.

Only in the twentieth century, after the excesses of robber-baron capitalism, did modern liberals begin supporting extensive government intervention—the use of “Hamiltonian means” to carry out “Jeffersonian ends,” in the 1909 formulation of Herbert Croly, one of the founders of The New Republic. This view defined the ideology of both presidents Roosevelt and was reinforced by the economics of John Maynard Keynes. In Britain, the counterpart in the same era was the “radical liberalism” of social reform put forth by the Liberal prime minister David Lloyd George.

The term neoliberalism also gets muddled because some on the left use it as an all-purpose put-down of conservatism—to the point where one might wonder whether it is just an annoying buzzword. But neoliberalism does have a precise and useful meaning, as a reversion to the verities of classical economics, with government as guardian of unregulated markets…

Free Markets, Besieged Citizens

Brian Kettenring worries (with Gramsci, as quoted in this post’s title above) that the transition to what’s next could be treacherous…

In a contest among global models, one option is the state-authoritarian capitalist model represented by China. A second one would be a neoliberalism retooled for the 21st century. But because neoliberalism has failed on its most central promise (growth) and other important tests (climate, inequality, and race), it is increasingly marginalized, if still persistent in the public imagination and the structures of important national and international institutions. A third option—which seems ascendant—is the ethno-nationalism of Trump, Viktor Orbán, Jair Bolsonaro, and company. The economic track record of ethno-nationalism in power has often proved anti-neo-liberal—especially on trade, but often on public investment, the social safety net, and even industrial policy—but that hasn’t foreclosed tax cutting or deregulation. And while the racialist and exclusionary politics of ethno-nationalism are disqualifying, its record of governance is, with some exceptions, poor.

None of these geopolitical arrangements will serve America or the world well in the third decade of the 21st century. For those who share Gerstle’s critique of neoliberalism, the task is to chart a fourth way that is inclusive, sustainable, and consonant with strong democratic governance and pluralistic societies. At present, this fourth way appears to be the harder road. That said, Rise and Fall offers guidance for how it might still win the day. 

Gerstle reminds us that geopolitics can have unpredictable economic side effects. The war in Ukraine has accelerated inflationary dynamics in the global economy, increasing the price of everything from energy to wheat. It’s too soon to assess the long-term consequences of the Russian invasion. Still, one optimistic reading of the potential by-products of the war might be accelerated investments—at least in Europe—in the green energy sector…

Neoliberalism Is Dying. What Comes Next?

And L. Benjamin Rolsky considers the moral– and spiritual– baggage that it carries…

… A moral code accompanied the neoliberal order to protect itself against its worst excesses and moral failures. Many Americans were perfect matches for neoliberalism’s entrepreneurial politics, its promises of unbridled freedom once remade in the image of homo economicus; many were not. For Gerstle, the neoliberal order produced two interrelated modes of citizenship within the body politic: conservative neo-Victorianism and liberal cosmopolitanism. The former encouraged self-discipline in the name of market austerity and the proverbial Christian family. The latter privileged diversity, self-expression, and socioeconomic mobility. As Gerstle describes, “It celebrated the cultural exchanges and dynamism that increasingly characterized the global cities — London, Paris, New York, Hong Kong, San Francisco, Toronto, and Miami among them — developing under the aegis of the neoliberal order.” This much is most certainly true circa 1975: the beginnings of neoliberalism’s deregulatory ascent.

Within the same moment, however, neoliberalism would also help give birth to additional forms of religiosity including the “Prosperity Gospel,” replete with global communication networks, acts of spiritual exuberance, and larger-than-life television personalities. While this tradition of health and wealth dates back to the late 19th century, it found its domestic stride in the United States within the postindustrial conditions of the neoliberal order in the 1980s and 1990s. The fact that prosperity gospel healer Paula White-Cain has rekindled her relationship with former president Donald Trump’s communications team speaks to the intimate relationship between neoliberal success, political freedom, and spiritual prosperity in American political life — especially in 2022.

The rise and fall of the neoliberal order has curtailed some religious ideals and formulations in the name of neo-Victorian morality, but it also cultivated equally powerful forces that promised to liberate true believers from their respective experiences of spiritual captivity. Until such forces of neoliberal freedom are understood and diagnosed as complex forms of economic captivity themselves, there is no telling how much longer the neoliberal order can remain fractured yet deeply informative of our collective political imaginations…

Religion of the Market: On Gary Gerstle’s “The Rise and Fall of the Neoliberal Order

How neoliberalism rose, fell, and what might replace it: @rkuttnerwrites, @bkettenring, and @LBRolsky on a powerful new book by @glgerstle.

* Antonio Gramsci, Prison Notebooks

###

As we compose our selves for change, we might recall that it was on this date in 1965 that Bob Dylan was booed off stage at the Newport Folk Festival during his first public performance with electric instruments (and a band that included Michael Bloomfield and Al Kooper)… The cat-calling began with his opening number, “Maggie’s Farm,” and continued through three more songs, after which Dylan left the stage. As a peace offering to Pete Seeger and other aggrieved organizers, Dylan returned later to do two acoustic numbers… but the die was cast; thereafter, his career was electrically-powered… and both folk and rock music were forever changed.

source

“The stupid neither forgive nor forget; the naive forgive and forget; the wise forgive but do not forget.”*…

 

MySpace

Artwork excavated from archived GeoCities pages (1994–2009).

A tribute to the lost days of unrefined self-expression on the Internet.

myspace2

myspace three

 

More at Art of Geocities.

* Thomas Szasz

###

As we express ourselves we might recall that it was on this date in 1965 that Bob Dylan was booed off stage at the Newport Jazz Festival during his first public performance with electric instruments (and a band that included Michael Bloomfield and Al Kooper)… The cat-calling began with his opening number, “Maggie’s Farm,” and continued through three more songs, after which Dylan left the stage. As a peace offering to Pete Seeger and other aggrieved organizers, Dylan returned later to do two acoustic numbers… but the die was cast; thereafter, his career was electrically-powered…

source

For a sense of just how far things have come, check out Johnny Winter’s version of “Highway 61,” taped at a 1992 tribute to Dylan (on the occasion of his 30th anniversary as a recording artist):

 

Written by (Roughly) Daily

July 25, 2019 at 1:01 am

“Glory is fleeting, but obscurity is forever”*…

 

The internet runs on an attention economy. Those with the most views, clicks, retweets, likes, and friends win. That’s why Petit Tube is so wonderful: it presents only the least-viewed videos on YouTube. It’s a bare-bones site, streaming video after video (1:30 long tops), with two buttons: “cette vidéo est bien? and “cette vidéo n’est pas bien?” Thumbs up or thumbs down.

To say Petit Tube curates videos is probably an overstatement. Real estate tours with corny music aren’t popular for a reason. But even they have their charm, and you’ll also find the occasional gem of found poetry…

Consider this, for example: a Chinese youth orchestra’s rendition of “Scarborough Fair” (up to over 500 views as of this post, surely as a function of it’s featured place in the rotation on Petit Tube)…

email readers click here for video

Read more about this celebration of the wonderfully weird at Studio 360‘s “Introducing the least viral videos on the internet,” and then dive into the wonder that is Petit Tube… where “with 100 hours of video uploaded to YouTube every minute, Petit Tube [is unlikely] run out of material anytime soon.”

* Napoleon

###

As we ponder popularity, we might recall that it was on this date in 1965 that Bob Dylan was booed off stage at the Newport Jazz Festival during his first public performance with electric instruments (and a band that included Michael Bloomfield and Al Kooper)… The cat-calling began with his opening number, “Maggie’s Farm,” and continued through three more songs, after which Dylan left the stage. As a peace offering to Pete Seeger and other aggrieved organizers, Dylan returned later to do two acoustic numbers… but the die was cast; thereafter, his career was electrically-powered…

source

For a sense of just how far things have come, check out Johnny Winter’s version of “Highway 61,” taped at a 1992 tribute to Dylan (on the occasion of 30th anniversary as a recording artist):

email readers click here for video

 

Written by (Roughly) Daily

July 25, 2014 at 1:01 am

Life imitates art far more than art imitates life*…

It is absurd to have a hard and fast rule about what one should read and what one shouldn’t. More than half of modern culture depends on what one shouldn’t read.
– Oscar Wilde, The Importance of Being Earnest

Santino Fontana and David Furr, stars of the Roundabout Theatre Company’s production of The Importance of Being Earnest, reading transcripts from The Jersey Shore.

[via Playbill; TotH to Stephen Fry]

* “Life imitates art far more than art imitates life.” Oscar Wilde, The Decay of Lying (1889)

As we remember that to lose one parent “may be regarded as a misfortune, to lose both looks like carelessness,” we might recall that it was on this date in 1968 that Hair ( book by Gerome Ragni and James Rado, music by Galt MacDermot) premiered on Broadway.  Though it had done well with audiences in an earlier six-week run at the Public Theater, Hair was considered a long-shot on the Great White Way, and opened to mixed reviews.  But it charmed audiences (and spawned a million-selling original cast recording and a #1 song, “Aquarius,” for the Fifth Dimension).  Looking back forty years later, critic Charles Isherwood wrote in the New York Times, “For darker, knottier and more richly textured sonic experiences of the times, you turn to the Doors or Bob Dylan or Joni Mitchell or Jimi Hendrix or Janis Joplin. Or all of them. For an escapist dose of the sweet sound of youth brimming with hope that the world is going to change tomorrow, you listen to Hair and let the sunshine in.”

source

The Times They are A’Changin…

Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won’t come again
And don’t speak too soon
For the wheel’s still in spin
And there’s no tellin’ who
That it’s namin’
For the loser now
Will be later to win
For the times they are a-changin’

Bob Dylan

Rebecca Black’s “Friday” has become a runaway sensation. As Kevin Rutherford, a columnist for Billboard, explained, “Black’s video for ‘Friday’ is one of those rare occurrences where even the most seasoned critics of Internet culture don’t know where to begin. From the singing straight out of Auto-Tuned hell to lyrics such as ‘Tomorrow is Saturday / And Sunday comes afterwards / I don’t want this weekend to end’ and a hilariously bad rap about passing school buses, ‘Friday’ is something that simply must be seen and heard to be fully appreciated.”

And “seen and heard” it has been, closing in on 34 million YouTube views at this writing– not counting the scores of parodies floating across the web.

Music industry exec Jay Frank captures the impact of a performance that has been called “bizarre,” “inept,” and “hilariously dreadful” with a set of a simple comparisons that illustrate the upending of the music business:

WINNER: REBECCA BLACK
As she’s shown on her Good Morning America interview, she is making lemons out of lemonades. Make no bones about it, this song is selling (reached Top 20 on iTunes) and is going to be a valuable copyright for years to come.

LOSER: EVERY SOUTH BY SOUTHWEST BAND
At my SxSW panel on Saturday, I did the math. If you combined every view of “Friday” and its parody videos, approximately 62 Million minutes were spent on this song. That’s presuming that, on average, the viewers only watched half the video. In the meantime, if the approximately 15,000 SxSW attendees watched 12 hours of music a day for all 5 days, that would only add up to 54 Million minutes spent watching music. All hopes of fame from Austin got upstaged by a 13 year old.

WINNER: YOUTUBE
Their ability for anyone to upload anything produces overnight successes like this. This attracts even more people to their platform. Also, this firmly makes them a broadcaster, probably more than any previous video. 21 million views in a week? That’s more than nearly EVERY show on TV (cable or broadcast) receives in a week INCLUDING the DVR play. The fact that they have also successfully conquered with mobile apps and IPTV just increases their reach.

LOSER: VEVO
The music industry’s supposed white knight got upstaged in a big way. Turns out quality (of the song or HD transmission) doesn’t matter. The viewer goes to what they want to see. Also, Rebecca Black got more views in 9 days of “Friday” than Lady Gaga’s “Born This Way” did in 3x the days. Lady Gaga’s a huge star. Her new video got massive blog pickup like “Friday.” It was also hugely promoted as an “exclusive” on the Vevo site. If “Friday” can beat all that, something is wrong with Vevo and there’s some explainin’ to do.

WINNER: NEW CHART METHODOLOGY
In Austin, I discussed with Eric Charland of Ultimate Chart about how high Rebecca Black will debut next week. With the numbers she’s had, it’s painfully obvious that this dominated the entire conversation. Quality of the song was irrelevant. Since it wasn’t in heavy rotation on pop radio, it likely won’t be at #1 on their chart, but it’ll properly debut high. This will give Ultimate Chart even more credibility on truly leading in identifying a song’s true popularity.

LOSER: THE ALBUM CHART
When the Soundscan Top 200 album chart is released on Wednesday, Adele will be battling a new album by Rise Against. Nothing against either artist, but this week the battle was Rebecca Black vs. everything else. If you use Google search as a gauge, there’s just no competition. The album chart has been irrelevant for quite some time. It no longer reflects our time. This should end the discussion and let’s focus on singles where the business IS rather than albums where the business WAS.

[TotH to Bob Lefsetz]

 

As we recall that unit sales of the best selling album of 2010 wouldn’t have made the Top Ten in 2000, we might recall that it was on this date in 1973 that U.S. Immigration authorities ordered John Lennon to leave the US within 60 days… thus beginning Lennon’s fight to acquire permanent residency, which he received in July of 1976.

John Lennon’s Green Card (source)

 

%d bloggers like this: