(Roughly) Daily

Posts Tagged ‘Satisfaction

“Find a job you enjoy doing, and you will never have to work a day in your life”*…

Your correspondent is headed into another period of turbulence– travel, talk, meetings– this one, a little longer than the last; so (Roughly) Daily is about to go into another hiatus. Regular service should resume on or around October 8.

If only it were so easy… There is always a demand for more jobs. But what makes a job good? Tyler Re suggests that Kant has an answer…

Work is no longer working for us. Or, for most of us anyway. Citing lack of pay and promotion, more people are quitting their jobs now than at any time in the past 20 years. This is no surprise, considering that ‘real wages’ – the average hourly rate adjusted for inflation – for non-managers just three years ago was the same as it was in the early 1970s. At the same time, the increasing prominence of gig work has turned work from a steady ‘climb’ of the ladder into a precarious ‘hustle.’

The United States Department of Labor identifies a ‘good job’ as one with fair hiring practices, comprehensive benefits, formal equality of opportunity, job security and a culture in which workers are valued. In a similar UK report on the modern labour market called ‘Good Work’ (2017), Matthew Taylor and his colleagues emphasise workplace rights and fair treatment, opportunities for promotion, and ‘good reward schemes’. Finally, the UN’s Universal Declaration of Human Rights has two sections on work. They cite the free choice of employment and organization, fair and equal pay, and sufficient leisure time as rights of workers.

What all three of these accounts have in common is that they focus on features of jobs – the agreement you make with your boss to perform labour – rather than on the labour itself. The fairness of your boss, the length of your contract, the growth of your career – these specify nothing about the quality of the labour you perform. And yet it is the labour itself that we spend all day doing. The most tedious and unpleasant work could still pay a high salary, but we might not want to call such work ‘good’. (Only a brief mention is made in the Taylor report – which totals more than 100 pages – of the idea that workers ought to have some autonomy in how they perform their job, or that work ought not be tedious or repetitive.) This is not to say that the extrinsic aspects of work like pay and benefits are unimportant; of course, a good job is one that pays enough. But what about work’s intrinsic goods? Is there anything about the process of working itself that we ought to include in our list of criteria, or should we all be content with a life of high-paying drudgery?

Philosophers try to answer this question by giving a definition of work. Since definitions tell us what is essential or intrinsic to a thing, a definition of work would tell us whether there is anything intrinsic to work that we want our good jobs to promote. The most common definition of work in Western thought, found in nearly every period with recorded writing on the subject, is that work is inherently disagreeable and instrumentally valuable. It is disagreeable because it is an expenditure of energy (contrast this with leisure), and it is instrumentally valuable because we care only about the products of our labour, not the process of labouring itself. On this view, work has little to recommend it, and we would do better to minimise our time spent doing it. A theory of work based on this definition would probably say that good jobs pay a lot (in exchange for work’s disagreeableness) and are performed for as little time as possible.

But this is not the only definition at our disposal. Tucked away in two inconspicuous paragraphs of his book about beauty, the Critique of Judgment (1790), is Immanuel Kant’s definition of work. In a section called ‘On Art in General’, Kant gives a definition of art (Kunst in German) as a subset of our more general capacity for ‘skill’ or ‘craft’ (note that Kant’s definition should not be limited to the fine arts like poetry or painting, which is schöne Künste in German, which he addresses in the following section of the book). In other words, Kant defines art as a particular kind of skilled labour. Kant’s definition of art as skilled labour will direct us to the intrinsic features of work that we ought to include in our conception of good jobs…

Read on: “Freedom at Work,” in @aeonmag.

* Mark Twain

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As we center satisfaction, we might recall that on this date in 1908, at the at the Ford Piquette Avenue Plant in Detroit, “Model T 001”– the first production Model T– rolled off the line.  Generally regarded as the first mass-produced/mass-affordable automobile, it made car travel available to middle-class Americans– and became the avatar of assembly-line production and the type of jobs that it produces.

(On May 26, 1927, Henry Ford watched the 15 millionth Model T Ford roll off the assembly line at his factory in Highland Park, Michigan.)

1908 Ford Model T ad (source)

Written by (Roughly) Daily

September 27, 2023 at 1:00 am

“In America, everyone is entitled to an opinion, and it is certainly useful to have a few when a pollster shows up”*…

In the last couple of decades, opinion polling in the U.S. has exploded; the number of national pollsters has more than doubled. Over the same period, American lifestyles have changed in ways that have challenged pollsters– and led them to innovate in a quest for accuracy. Indeed, after the embarrassment of the election of 2016, 61% of national pollsters have changed their methods…

The pollsters at The Pew Research Center— arguably the best of bunch– have polled the pollsters…

The 2016 and 2020 presidential elections left many Americans wondering whether polling was broken and what, if anything, pollsters might do about it. A new Pew Research Center study finds that most national pollsters have changed their approach since 2016, and in some cases dramatically. Most (61%) of the pollsters who conducted and publicly released national surveys in both 2016 and 2022 used methods in 2022 that differed from what they used in 2016. The study also finds the use of multiple methods increasing. Last year 17% of national pollsters used at least three different methods to sample or interview people (sometimes in the same survey), up from 2% in 2016.

This study captures what changes were made and approximately when. While it does not capture why the changes were made, public commentary by pollsters suggests a mix of factors – with some adjusting their methods in response to the profession’s recent election-related errors and others reacting to separate industry trends. The cost and feasibility of various methods are likely to have influenced decisions.

This study represents a new effort to measure the nature and degree of change in how national public polls are conducted. Rather than leaning on anecdotal accounts, the study tracked the methods used by 78 organizations that sponsor national polls and publicly release the results. The organizations analyzed represent or collaborated with nearly all the country’s best-known national pollsters. In this study, “national poll” refers to a survey reporting on the views of U.S. adults, registered voters or likely voters. It is not restricted to election vote choice (or “horserace”) polling, as the public opinion field is much broader. The analysis stretches back to 2000, making it possible to distinguish between trends emerging before 2016 (e.g., migration to online methods) and those emerging more recently (e.g., reaching respondents by text message)…

Fascinating– and important: “How Public Polling Has Changed in the 21st Century,” from @pewresearch (via friend PH).

* Neil Postman, Amusing Ourselves to Death

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As we consider our answers, we might recall that it was on this date in 2016 that Pew Research Center published the results of a poll on voter satisfaction with U.S. Presidential candidates:

Voter satisfaction with the choice of presidential candidates, already at a two-decade low, has declined even further. A new survey finds that just a third of registered voters say they are very or fairly satisfied with the choices, while 63% say they are not too or not at all satisfied. That represents a 7-percentage-point drop since June in the share of voters expressing satisfaction with their candidate choices…

Already-low voter satisfaction with choice of candidates falls even further

“It’s the end of the world as we know it / And I feel fine”*…

From the Department of Polarization…

While the percentage of Americans who are satisfied with the direction of the United States is only around 17 percent — up from 11 percent in the pits of the pandemic but still down from 41 percent two years ago — respondents are telling pollsters that nevertheless they’re personally doing just great. Fully 85 percent of respondents said they are satisfied with how things are going in their personal life, a little bit off the all-time highs of 90 percent but still definitely on the higher side of the historical range in responses to the question, which has been asked since 1979. While 51 percent of Americans are “very dissatisfied” with the direction of the country, 51 percent are also “very satisfied” with their own personal life.

@WaltHickey and his invaluable Numlock News (@NumlockAM) on Gallup‘s (@Gallup) January, 2022 “Mood of the Nation” poll.

* REM

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As we reconcile, we might recall that it was on this date in 1820 that the first 86 African American immigrants sponsored by the American Colonization Society departed New York to start a settlement in present-day Liberia.

The ACS had been founded in 1816 by Robert Finley to encourage and support the migration of free African Americans to the continent of Africa– in response to what he and his cohort saw as a growing social problem: what to do with free Blacks. Slave owners feared that these free Blacks might help their slaves to escape or rebel. At the same time, many white Americans saw African Americans as an inferior race. To these whites, “amalgamation,” or integration, of African Americans with mainstream American culture—giving them citizenship—was undesirable, if not altogether impossible. There was, the ACS argued, little prospect of changing these views. African Americans, therefore, should be relocated somewhere they could live in peace, free of prejudice, where they could be citizens.

The African-American community and abolitionist movement overwhelmingly opposed the project. Contrary to stated claims that emigration was voluntary, many African Americans were pressured into emigrating. Indeed, enslavers sometimes manumitted their slaves on condition that the freedmen leave the country immediately. William Lloyd Garrison, author of Thoughts on African Colonization (1832), proclaimed the Society a fraud. According to Garrison and his many followers, the Society was not a solution to the problem of American slavery—it actually was helping, and was intended to help, to preserve it.

According to historian Marc Leepson, “Colonization proved to be a giant failure, doing nothing to stem the forces that brought the nation to Civil War.” Between 1821 and 1847, only a few thousand African Americans, out of millions in the US, emigrated to what would become Liberia. Close to half of them died from tropical diseases.

Map of Liberia circa 1830 (source)

“And those who were seen dancing were thought to be insane by those who could not hear the music”

 

From our old friends at Polygraph, a stroll down memory lane…  headphones advised.

* Friedrich Nietzsche

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As we trip the light fantastic, we might recall that it was on this date in 1965, in the wee hours, in a motel room in Clearwater, Florida, that Keith Richards awoke, grabbed his guitar, turned on a small portable tape recorded, laid down the signature riff of ”(I Can’t Get No) Satisfaction”… then slipped back into the arms of Morpheus.

“When I woke up in the morning, the tape had run out,” Richards recalled many years later. “I put it back on, and there’s this, maybe, 30 seconds of ‘Satisfaction,’ in a very drowsy sort of rendition. And then suddenly—the guitar goes ‘CLANG,” and then there’s like 45 minutes of snoring.”

 source

Written by (Roughly) Daily

May 6, 2016 at 1:01 am

Life at the top…

 

Britney Spears: Fish and chips, McDonald’s cheeseburgers without the buns, 100 prunes and figs, a framed photo of Princess Diana.

Photographer Henry Hargreaves explains:

A rider is a contractual proviso that outlines a series of stipulations or requests between at least two parties. While they can be attached to leases and other legal documents, they’re most famously used by musicians or bands to outline how they need their equipment to be set up and arranged, how they like their dressing room organized, and what types of food and beverages they require. Anyone who’s seen Spinal Tap knows these requests can be extremely outrageous and unreasonable. (And, in the case of Iggy Pop’s, unexpectedly hilarious.)

I was inspired to create this series after reviewing a few riders from some of the biggest acts in the world, all of which were ridiculous. But what I found most interesting about them is that they offered a glimpse into their larger-than-life personalities.

I initially thought I would try and shoot all of the items listed on the catering riders but quickly realized that this would become an exercise in wasting money. So I decided to focus on the quirkiest requests and shoot them in a Flemish Baroque still-life style because I felt that there was a direct connection between the themes in these types of paintings and the riders: the idea of time passing and the ultimate mortality of a musician’s career as the limelight inevitably fades—they only have a short time in which they are able to make these demands and have them fulfilled.

Al Green: Twenty-four long-stem (dethorned) red roses.

Nine Inch Nails: Two boxes of corn starch.

Rihanna: Hard-boiled eggs, turkey bacon, turkey sausage, at any time throughout the day. Please be prepared!

See more of “Henry Hargreaves’s photos of what musicians like to eat and drink backstage.”

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As we order every meal as though it’s our last, we might recall that it was on this date in 1965, in the wee hours, in a motel room in Clearwater, Florida, that Keith Richards awoke, grabbed his guitar, turned on a small portable tape recorded, laid down the signature riff of ”(I Can’t Get No) Satisfaction”… then dropped back into the arms of Morpheus.

“When I woke up in the morning, the tape had run out,” Richards recalled many years later. “I put it back on, and there’s this, maybe, 30 seconds of ‘Satisfaction,’ in a very drowsy sort of rendition. And then suddenly—the guitar goes ‘CLANG,” and then there’s like 45 minutes of snoring.”

 source

 

 

Written by (Roughly) Daily

May 7, 2013 at 1:01 am