(Roughly) Daily

Posts Tagged ‘George Romero

“There’s never enough time to do all the nothing you want.”*…

Over the past two decades, we’ve been reallocating our time away from offices, malls, and classrooms… and toward home and solitude. Hyunsoo Rim illustrates…

With our Covid-induced lockdowns now a moderately foggy memory for most, the last few years have turned out to be a continued normalization for many of the habits that defined the pandemic era.

Peloton bikes are now doubling as coat racks; the banana bread craze has cooled; Zoom’s share price is almost back to where it started; millions of people have gone back to clothes shopping in person; and companies like Del Monte are stuck with mountains of unsold canned fruit that’s no longer flying off the shelves.

But one seismic lifestyle change has proven far more permanent than any fitness fad or panic-buying spree — and it turns out to be part of a much longer trend that’s been building for decades: Americans are spending more time at home, and alone. And not everyone has the means to break that growing trend…

[Rim uses infographics to chart American’s use of time…]

… According to the annual American Time Use Survey (ATUS) — a self-reporting survey conducted by the Bureau of Labor Statistics — an average American’s typical day still breaks down pretty much the same as it did 20 years ago. Roughly a third still goes to sleep, a fifth to leisure and sports, and, perhaps most surprising to anyone feeling burned out, just one-sixth to work. The rest goes to household chores, meals, and everything else. The survey does, of course, represent the average, with many retirees likely skewing the work figures down.

But if you look closer, the routines underneath tell a different story about how the collective American experience has changed.

Over the past two decades, Americans have gained about 30 minutes of sleep per day — now averaging over nine hours, more than ever — and spend roughly 11 more minutes on household activities such as cooking, cleaning, and pet care.

Where did those extra hours come from? It seems like we’ve carved them out of work commutes, mall trips, and in-person classes… activities that usually have us interacting with others out in public in some way.

Some of this shift can certainly be explained by demographic factors — America is an older country than it was in 2003, as birth rates have dropped. Nevertheless, on aggregate, the figures are pretty staggering for a nation of 340+ million people — and the sharp rise in the pandemic era suggests at least a decent amount of the shift is behavioral.

Line graph showing the average hours per day Americans spend at home and alone from 2003 to 2024. The green line indicates time spent at home peaking at 9.1 hours, while the purple line shows time spent alone reaching 6.9 hours.

Indeed, in 2003, the average American spent 7.7 hours per day at home, according to the ATUS data compiled by IPUMS. By 2024, that rose to 9.1 hours, with the pandemic only accelerating the climb…

… what’s more striking is how time once spent outside or with others has steadily moved in the opposite direction…

Graph showing the share of time spent at home for selected activities from 2003 to 2024, highlighting increases in household activities, education, and leisure, with a comparison between time spent at home and alone.

… As more of our daily lives have moved home and online, the same shift is reshaping how we unwind. Since 2003, time spent socializing and communicating — from hanging out with family and friends to hosting events — has fallen 24%, while travel time is down 26%…

Graph showing changes in leisure time activities of Americans from 2003 to 2024, with average hours per day for various categories including arts and entertainment, travel, socializing, reading, watching TV, sports, relaxation, computer use, and gaming.

… But not everyone is experiencing the shift in the same way. As evidence for the K-shaped economy — where some groups thrive while others struggle — becomes harder to ignore, income is proving to be a strong differentiator.

In fact, households earning under $35,000 now spend about 10 hours a day at home, almost an hour and a half longer than those earning $150,000 or more. The pattern holds for time spent alone, too, with a two-hour daily gap between the lowest- and highest-income groups…

… wealthier Americans aren’t just spending less time at home; they’re more likely to pay their way out of it, with restaurant meals instead of cooking, pilates classes instead of home workouts, or washer-dryer combos instead of hours tied up in chores.

For the very wealthiest, that logic even goes further: according to a recent survey by Long Angle, nearly two-thirds of multimillionaires now outsource housekeeping, while about half pay for gardening services and two-fifths employ nannies.

Of course, time at home and alone isn’t inherently negative — as researchers note that, for many, solitude can be valued as a way to rest, think, or create. But when more of your day is taken up by unpaid chores and low-cost, home-bound leisure, that retreat indoors starts to look less like a choice…

Americans are spending more time at home and alone — and money determines who can opt out. Eminently worth reading in full: “Home. Alone.” from @sherwood.news.

* Bill Watterson, Calvin and Hobbes (August 28, 1988)

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As we contemplate our calendars, we might recall that it was on this date in 1967 that kids across America could “go out” even as they stayed in: they were invited for the first time into Mr. Roger’s Neighborhood, as the series premiered on NET (which later became PBS). The show had had earlier local incarnations in Canada, then in Pittsburgh, where the national show was birthed and produced. Michael Keaton, who worked for the Pittsburgh public television station WQED at the time, often helped out with Roger’s show. And future horror director George A. Romero worked on the show shooting short films.

A smiling man in a cable-knit cardigan sits on a wooden chair, with greenery in the background. The text 'Mister Rogers' Neighborhood' is displayed prominently at the bottom.

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“Don’t be DIABOLICAL! Do not destroy the interest that your friends may have in this movie. Do not tell them what you have seen.”*…

From Dayten Rose, a brief history of the spoiler alert…

Serialized fiction emerged in the middle of the 19th century, in which writers could publish whole novels in weekly installments. Suddenly writers could string their audience along to a thrilling conclusion. They didn’t even need to have answers to the questions they were asking.

Wilkie Collins published his 1859 mystery The Woman in White over ten months in his friend Charles Dickens’ periodical. In a scene familiar to anyone who followed Breaking Bad as it aired, the sensation around Collins’ serial was such that at least one treasury chancellor cleared his social calendar to catch up.

When Collins finished the story and prepared for its release as a finished three-volume set, it occurred to him that anyone could come along and ruin the suspense. Namely, he worried about critics. What if they gave away the ending? What if, in failing to tell the whole story, they made him look bad?

He wrote to reviewers in the preface of the set asking to keep plot details to a minimum. Literary historian James Aaron Green identifies at least one reviewer who listened, writing:

“[we hope] there is no objection to an occasional hint, a dark allusion … to this mystery of mysteries, the [plot of] the Woman in White.”

Or, to detranslate from the magniloquent prolixity of Victorian prose: “Spoiler alert.”…

Preserving suspense: “███████ Alert,” from @DaytenRose in @readtedium, the wonderful newsletter by @ShortFormErnie.

* Promo blurb for the 1955 psychological thriller Les Diabolique

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As we keep a secret, we might send chilling birthday greetings to George Romero; he was born on this date in 1940. A  filmmaker, writer, editor and actor who worked broadly in movies and television, he is best remembered for his Night of the Living Dead series of films about an imagined zombie apocalypse, which began with the 1968 film of the same name. Though he wasn’t the first creator of a Zombie film (see, e.g., I Walked with a Zombie), he is widely considered the “Father of the Zombie Film.”

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Written by (Roughly) Daily

February 4, 2023 at 1:00 am

“It is not only fine feathers that make fine birds”*…

Sometimes profane, often profound, always wonderfully watercolory…

Visit the amazing aviary at False Knees (@FalseKnees)

* Aesop

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As we have fun with fowl, we might send powerfully-drawn birthday greetings to Jack Kamen; he was born on this date in 1920. An artist and illustrator, he is remembered for his work in books, magazines, comic books, and advertising, especially for his work illustrating crime, horror, humor, suspense and science fiction stories for EC Comics (and for the onscreen artwork he contributed to the 1982 horror anthology film Creepshow, a tribute to EC created by Stephen King and George Romero’s homage to EC).

Jack Kamen’s “Kamen’s Kalamity” from Tales from the Crypt #31 (August–September 1952) showed Kamen getting an assignment from the publisher Bill Gaines and editor Al Feldstein. [larger version]

Kamen had four children, one of whom is the inventor Dean Kamen— whose patent application for the Segway was drawn by his father.

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