Posts Tagged ‘fiction’
“The rich get richer and the poor get poorer”*…

The richest families in Florence, Italy have had it good for a while—600 years to be precise.
That’s according to a recent study by two Italian economists, Guglielmo Barone and Sauro Mocetti, who after analyzing compared Florentine taxpayers way back in 1427 to those in 2011. Comparing the family wealth to those with the same surname today, they suggest the richest families in Florence 600 years ago remain the same now.
“The top earners among the current taxpayers were found to have already been at the top of the socioeconomic ladder six centuries ago,” Barone and Mocetti note on VoxEU. The study was able to exploit a unique data set—taxpayers data in 1427 was digitized and made available online—to show long-term trends of economic mobility…
More on the research and it’s import at “The richest families in Florence in 1427 are still the richest families in Florence.” More on the underlying mechanisms of capital accumulation, the persistence of wealth and income, and their polarization here.
* widely-used aphorism, probably dating back to the Bible verse, “For whosoever hath, to him shall be given, and he shall have more abundance: but whosoever hath not, from him shall be taken away even that he hath” (Matthew 13:12, King James edition); it’s use was reinvigorated by the popular 1921 song “Ain’t We Got Fun.”
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As we dream the American dream, we might spare a rugged thought for Louis Dearborn L’Amour; he died on this date in 1988. While L’Amour wrote mysteries, science fiction, historical fiction, and non-fiction, he is surely best remembered as the author of westerns (or as he preferred, “frontier stories”) like Hondo and Sackett. At the time of his death he was one of the world’s most popular writers; dozens of his stories had been made into films, and 105 of his works were in print (89 novels, 14 short-story collections, and two full-length works of nonfiction); as of 2010, over 320 million copies of his work had been sold.
L’Amour was interred in the Forest Lawn Memorial Park Cemetery near Los Angeles. His grave is marked in a way that acknowledges that death was able to contain him in a way that he successfully resisted throughout his life: while his body is underground, his site is fenced in.
“Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt”*…

The word “photography” might bring to mind the stark granite of an Ansel Adams photograph, or perhaps the memory of a childhood vacation. But the camera is also a scientific tool, whose progress can, in one sense, be measured by its ability to freeze ever-smaller fragments of time for our observation. In 1826, Joseph-Nicéphore Niépce needed at least eight hours to create an imprint of the view from the upstairs window of his Burgundy chateau onto a pewter plate coated with bitumen. Today, we can capture photos with an exposure time of a trillionth of a second, and are at the brink of attosecond photography—that is, snapshots taken 10 billion trillion times faster than those first grainy images in the east of France…
Click through a collection of photographic images that, at the time they were taken, were breakthroughs in speed at “Photographing Time.
* Susan Sontag
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As we stop the clock, we might send hard-boiled birthday greetings to Frank Morrison “Mickey” Spillane; he was born on this date in 1918. A writer who cut his teeth on comic books, Spillane moved to crime novels, many featuring his signature detective character, Mike Hammer. Early reaction to Spillane’s work was generally hostile: Malcolm Cowley dismissed the Mike Hammer character as “a homicidal paranoiac”, John G. Cawelti called Spillane’s writing “atrocious”, and Julian Symons called Spillane’s work “nauseating.” (By contrast, Ayn Rand publicly praised Spillane’s work, though she later publicly repudiated what she regarded as the amorality of Spillane’s Tiger Mann stories.) But the public was altogether enthusiastic: more than 225 million copies of his books have sold internationally; and in a 1980 survey, Spillane was responsible for seven of the top 15 all-time best-selling fiction titles in the U.S. Still, by the late 90s his novels had gone out of print– Spillane had begun supporting himself by appearing in Miller Lite commercials– and remained unavailable until the the New American Library began reissuing them in 2001.
“Those big-shot writers could never dig the fact that there are more salted peanuts consumed than caviar…”

Mickey Spillane, as a guest star on Columbo.
Equality for all!…

This speculative map imagines a world divided into 665 territories of approximately equal population (10-11 million people each). The logic of the map does not entirely discount existing ethnic or national boundaries, but neither is it beholden to them. The particular political rationale behind these divisions is not addressed – whether these are independent nation-states or provinces of a world government is left to the imagination of the viewer. The map is rather meant to provide a visual representative of the radically unequal distribution of the world’s population. For example, one New York City and Long Island = half of Karachi = one Russian Far East = one of every Pacific Island. What does this make you think about the current distribution of the world’s resources, the movement of populations and the arbitrariness of territorial divisions?

Explore this “geography thought experiment” at World of Equal Districts.
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As we ponder proximity, we might send hard-boiled birthday greetings to James Myers “Jim” Thompson; he was born on this date in 1906. Arguably the finest of all pulp-crime writers, Thompson began his career as a “traditional” author, publishing his first two novels, Now and on Earth and Heed the Thunder as hardbacks. After these books failed to find wide audiences, Thompson found his voice in crime fiction, grinding out hellish tales for paperback mills such as Lion Books and Gold Medal. While he was quite prolific– Thompson once produced 12 books in 2 years– his crime fiction wasn’t paying the bills; so he turned to screenwriting, working with Stanley Kubrick on The Killing and Paths of Glory, to writing for TV series (Mackenzie’s Raiders, Cain’s Hundred, and Convoy), and to penning novelizations (e.g., Ironside).
But through it all, Thompson wrote thrillers– noir nuggets that included The Killer Inside Me, Savage Night, A Hell of a Woman, and Pop. 1280. Thompson was convinced that recognition would come to him only after his death; and while two of his novels (The Killer Inside Me and The Getaway) were made into films during his lifetime, he was, sadly, largely right. Since his death in 1977, both those films have been remade (The Getaway, twice, if one counts the first half of the Rodriguez/Tarantino mash-up From Dusk ’til Dawn), and several others adapted: The Grifters (nominated for four Oscars), After Dark, My Sweet, and This World, Then the Fireworks, among others. More to the point, Thompson’s writing has increasingly been appreciated for the marvel that it is.
The guy was over the top. The guy was absolutely over the top. Big Jim didn’t know the meaning of the word stop. There are three brave lets inherent in the forgoing: he let himself see everything, he let himself write it down, then he let himself publish it.
– Stephen King
If Raymond Chandler, Dashiell Hammett & Cornell Woolrich could have joined together in some ungodly union & produced a literary offspring, Jim Thompson would be it.
– Washington Post



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