Posts Tagged ‘digital memory’
“The mainstream narrative that we are living through an era of exponential, near-infinite knowledge accumulation no longer fits a society in which we lose our collective record of ourselves day in and day out”*…
Political and government bans and censorship, publishers attacking digital access/ lending— there’s a growing struggle underway (in the U.S. and abroad) that will define how humanity’s collective digital memory is owned, shared, and preserved — or lost forever. Nanna Bonde Thylstrup on why we must care…
… The fact that crucial decisions about whether to keep or destroy data are kept in the hands of actors with profit motives, autocratic aspirations or other self-serving ends has a huge implication not only for individuals but also for the culture at large.
Many instances of data loss have ramifications for cultural production, the writing of history and, ultimately, the practice of democracy…
Alongside the need to maintain public trust in democratic institutions, we must consider how we ought to preserve our collective cultural memory. Institutions like museums, libraries and archives must play a more proactive role while creating stronger institutional safeguards — including rules mandating secure transport of public sector data and professional management of archives, in addition to requirements for public accessibility — on their own conduct. These organizations, whether they are upstart archival initiatives or established public institutions, require stable financial and institutional support to flourish…
The history of knowledge is not one of simple progress or accumulation. Knowledge production in the digital era, like the creation and storage of knowledge across the centuries, is unfolding as a continual oscillation between gains and losses.
Data loss on a small scale — missing phone contacts, digital files lost to a glitch — is the occupational hazard of existing in a digitally reliant world. But data erasure at scale is always political. Responses to erasure and loss must exceed technical fixes and knee-jerk reactions; instead, governments and organizations must constantly reassess the ethical and regulatory frameworks that govern our relationship with data. The mainstream narrative that we are living through an era of exponential, near-infinite knowledge accumulation no longer fits a society in which we lose our collective record of ourselves day in and day out…
Eminently worth reading in full: “The World’s Digital Memory Is at Risk” (gift link)
Pair with the Internet Archive‘s Brewster Kahle‘s “Our Digital History Is at Risk” and Richard Ovenden‘s important (and engrossing) Burning the Books.
* Nanna Bonde Thylstrup
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As we prioritize preservation and open access, we might recall that it was on this date in 1978 that the Rainbow Flag was flown for the first time during the San Francisco Gay Freedom Day Parade. Created by Gilbert Baker, it has become a sign of LGBTQ pride worldwide.
“Last time I checked, the digital universe was expanding at the rate of five trillion bits per second in storage”*…

… and rising. Happily, technologists are keeping up:
The intricate arrangement of base pairs in our DNA encodes just about everything about us. Now, DNA contains the entirety of “The Wonderful Wizard of Oz” as well.
A team of University of Texas Austin scientists just vastly improved the storage capacity of DNA and managed to encode the entire novel — translated into the geek-friendly language of Esperanto — in a double strand of DNA far more efficiently than has been done before. DNA storage isn’t new, but this work could help finally make it practical…
The full story at “Scientists Stored “The Wizard of Oz” on a Strand of DNA.” The UT release, here.
* George Dyson
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As we reconsider Kondo, we might send carefully-stowed birthday greetings to Jay Wright Forrester; he was born on this date in 1914. A pioneering computer engineer and systems scientist, he was one of the inventors of magnetic core memory, the predominant form of random-access computer memory during the most explosive years of digital computer development (between 1955 and 1975). It was part of a family of related technologies which bridged the gap between vacuum tubes and semiconductors by exploiting the magnetic properties of materials to perform switching and amplification.
And close to your correspondent’s heart, Forrester is also believed to have created the first animation in the history of computer graphics, a “jumping ball” on an oscilloscope.


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