Posts Tagged ‘books’
“a publisher’s emblem or imprint, especially one on the title page or spine of a book”*…
Knowing a book (or its publisher anyway) by its cover (art)…
Colophons started out as short statements providing a book’s publication info—details like where and who and when. Those statements often included little emblems, logos, which are now also referred to as colophons (from the Greek kolophōn, meaning “summit, final touch”), and they slowly made their way to the spines of books. Like tattoos or mascots, many of these logos depict animals, often fish (or dolphins): FSG, Anchor Doubleday, Aldine Press, and Houghton Mifflin Harcourt. Birds are another well-represented category: Penguin, Bantam, Norton, and Europa Editions, to name a few. So if you’re going to be judging a book by its cover (you’re probably kidding yourself if you think you don’t) then you better start factoring in the colophon as well.
These symbols are often taken for granted because most readers are, understandably, less familiar with publishers than writers or booksellers are, but they have a totemic quality to them that’s worthy of consideration, functioning not just as trademarks but as little windows into the personalities of the publishing houses and the people who run them. The following list is a very unofficial ranking of some of the more interesting colophons, the ones that take risks or have more of an emphasis on design, something unique about them, that offer subtle clues as to what awaits us inside…
“An Unofficial Ranking of Publishing Colophons“: Dylan Brown (@dylanwalsdorf) on the fishes, kangaroos, and borzois that adorn our books.
[With thanks to MK]
* “Colophon” as defined by Oxford Languages
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As we linger over logos, we might recall that in Britain on this date in 1752 absolutely nothing happened. There was no “September 3” (nor September 4-13) in Britain that year, as 1752 was the year that Britain converted from the Julian to the Gregorian calendar, which required an adjustment of 11 days. Thus, that year British calendars went from Wednesday, September 2 directly to Thursday, September 14.
Most historians believe that persistent stories of riots in England at the time, demanding “give us our eleven days,” are an urban legend, fueled in part by an over-enthusiastic take on Hogarth’s 1755 painting “An Election Entertainment”:
“A town isn’t a town without a bookstore. It may call itself a town, but unless it’s got a bookstore, it knows it’s not foolin’ a soul.”*…
Behold, a behemoth…
Take a look at this graph. The blue is Amazon’s share of book sales in the past six years. The orange is where we are headed if their average growth rate (8%) continues. If nothing slows their momentum, Amazon will control nearly 80% of the consumer book market by the end of 2025. Every single book lover should worry. After we’re done worrying, we must change the way we buy books.
Books are a fundamental social good that have an outsized impact on our development, individually and collectively. They move us forward. They have been fundamental to our moral and social evolution, our inner lives, and our understanding of ourselves, others, and the world. What they give us is too precious to trust to a single entity for whom they are ultimately just a product, and whose algorithms value them only by the revenue and customers they bring in.
Popular books are so deeply discounted on Amazon that other bookstores have found it hard to compete. Why does Amazon sell books at prices so low they lose money? Cheap books are a loss-leader that devalue books to drive competitors out of business and help Amazon gain control of the market, leaving them with near-monopoly power.
What is lost if at the end of 2025, Amazon sells 80% of books in the US? If one mega-retailer has unprecedented control over what everyone reads?
For one thing, diversity. The vast majority of people will be reading the same top-selling books, as determined by Amazon. On Amazon, as The New York Times puts it, “Best Sellers Sell the Best Because They’re Best Sellers”. Amazon is algorithm driven; the books promoted by Amazon are the ones that are already selling well. That makes it very difficult for new authors to build audiences. It keeps lesser known, unconventional books from reaching the readers who would appreciate them. It narrows our national conversation down to a very fine point, and sands the edges off of human ideas and creativity. It excludes marginalized voices. It does to our culture what losing biodiversity does to our environment.
Authors and publishers need to worry. Once Amazon dominates 80% of the book market, who are authors working for? Authors will effectively be producing content for Amazon to sell on commission, and Amazon will have control over the terms. Everything we’ve seen from Amazon indicates that when they have leverage, they use it to squeeze the most profit for themselves at the expense of their partners.
Local bookstores are essential to a healthy culture around books. Independent bookshops are crucial for emerging authors, who find passionate advocates in the booksellers who hand-sell their books and can make their careers. They are where authors meet readers, where book clubs form, where children discover a love of reading, and where schools and businesses partner to increase the impact of worthy books. Every bookstore is an activist for the importance of books in our culture; they ar ethe fertile grounds where all kinds of wild narratives are nurtured and grow.
f Amazon succeeds in putting bookstores out of business, readership will decline and the importance of books in our culture will diminish. Books will not thrive without the advocacy, passion, and resourcefulness of our booksellers.
Booksellers are people so taken by the imagination and insights of books that they have dedicated their working lives to them. Only a very special person makes that choice, and independent bookstores are filled with remarkable people. People with enthusiasm and curiosity, who can press a new book into your hands that you would never have discovered otherwise. We need that humanity in the book market, not algorithms.
I created Bookshop.org, a public benefit corporation, to help independent bookstores compete for online sales. Bookshop.org has just hit a major milestone — in the past 16 months we’ve helped bookstores earn $15,000,000 in profit, providing a lifeline for many stores. We’ve made progress, capturing about 1% of Amazon’s book sales. But it’s not enough. We need to shore up the culture around books against the forces of consolidation and big business. We need to make this a movement…
“Every Book Lover Should Fear This Graph“; Andy Hunter (@AndyHunter777) reminds us to take our book buying where it matters.
Note that the effect of Amazon’s growing monopoly power on competition isn’t the only concern for readers…
You may own a Kindle full of books, but in reality, the only thing you truly own is the Kindle. Buried in the spaghetti code that is Amazon’s Kindle license agreement is the truth: your eBooks are not yours. You have a license agreement to view those books, and Amazon can revoke it at any time…
Technology Review
And of course, even as we support our local booksellers, we must also support our libraries, both local and global.
* Neil Gaiman, American Gods
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As we vote with our dollars, we might send historically-accurate birthday greetings to James MacGregor Burns; he was born on this date in 1918. A historian, political scientist, presidential biographer, and authority on leadership studies, received both the Pulitzer Prize and the National Book Award in History and Biography for his work on Franklin Delano Roosevelt, America’s 32nd president, Roosevelt: The Soldier of Freedom.
“A bookshelf is as particular to its owner as are his or her clothes; a personality is stamped on a library just as a shoe is shaped by the foot.”*…
As Anthony Powell once said, “Books do furnish a room.” But how to arrange that furniture?
The late French essayist and novelist Georges Perec understood the anxiety of shelving. In his 1978 essay “Brief Notes on the Art and Manner of Arranging One’s Books,” the title work of a newly issued collection, Perec’s discussion of the many schemes for handling your personal library only shows how utterly impossible the task is. You could, for instance, agree only to keep 361 books in your library — buy one book, get rid of one. But then, he writes, you’d have to decide what a “book” is. Is a three-volume series one book or three? Maybe it’s better to stick with 361 authors instead of books. But then some books are anonymous, and some books don’t make sense without others in the same genre, and . ..
Perec died in 1982. His home library contained more than 1,800 books.
Perec’s essay is somewhat tongue-in-cheek — he was an Oulipian, a tribe of literary gamesmen who found creativity in extreme restraint. (He’s probably most famous for his 1969 novel, translated into English as “A Void,” in which he avoided using the letter E.) But however deep the joke runs, he knew he was writing about a legitimate crisis — not so much one of shelving as of personal identity. How much mess will we accept in our lives? How much order? Shelving, he notes, exemplifies “two tensions, one which sets a premium on letting things be, on a good-natured anarchy, the other that exalts the virtues of the tabula rasa, the cold efficiency of the great arranging, one always ends by trying to set one’s books in order.”…
“Why bother organizing your books? A messy personal library is proof of life.” From Mark Athitakis (@mathitak)
[Image above: source]
* Alan Bennett
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As we stack ’em high, we might send pointed birthday greetings to Ambrose Gwinnett Bierce; he was born on this date in 1842. His book The Devil’s Dictionary was named as one of “The 100 Greatest Masterpieces of American Literature” by the American Revolution Bicentennial Administration. His story “An Occurrence at Owl Creek Bridge” has been described as “one of the most famous and frequently anthologized stories in American literature”; and his book Tales of Soldiers and Civilians (also published as In the Midst of Life) was named by the Grolier Club as one of the 100 most influential American books printed before 1900.
A prolific and versatile writer, Bierce was regarded as one of the most influential journalists in the United States, and as a pioneering writer of realist fiction. For his horror writing, Michael Dirda ranked him alongside Edgar Allan Poe and H. P. Lovecraft. S. T. Joshi speculates that he may well be the greatest satirist America has ever produced, and can take his place with such figures as Juvenal, Swift, and Voltaire. His war stories influenced Stephen Crane, Ernest Hemingway, and others, and he was an influential and feared literary critic. In recent decades Bierce has gained wider respect as a fabulist and for his poetry.
In 1913, Bierce told reporters that he was travelling to Mexico to gain first-hand experience of the Mexican Revolution. He disappeared and was never seen again.
Conservative (noun): A statesman who is enamored of existing evils, as distinguished from the Liberal, who wishes to replace them with others.
The Devil’s Dictionary
“I suppose illustration tends to live in the streets, rather than in the hermetically sealed atmosphere of the museum, and consequently it has come to be taken less seriously”*…
But surely, it shouldn’t necessarily be so. Consider Tom Gauld (@tomgauld). He’s probably best known for his work for The New Yorker (e.g.) and The New York Times (e.g.); but he’s also an accomplished cartoonist. Your correspondent’s favorites are his on-going contributions to The Guardian Review (above and below)
… and The New Scientist…
See more of his marvelous work at his site.
* master illustrator Quentin Blake.
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As we visualize it, we might send carefully limned birthday greetings to Richard McClure Scarry; he was born on this date in 1919. A children’s author and illustrator, he published over 300 books with total sales of over 100 million worldwide.
“It isn’t easy, coming up with book titles. A lot of the really good ones are taken. Thin Thighs in 30 Days, for example. Also The Bible.”*…
“What’s in a name?” mused Shakespeare in Romeo and Juliet (first published in print in 1597 as An Excellent Conceited Tragedie of Romeo and Juliet). Would he have said the same, one wonders, if he’d been around to hear that F. Scott Fitzgerald’s The Great Gatsby was at one point titled Trimalchio in West Egg; or that for Dracula, Bram Stoker considered The Dead Un-Dead? There is certainly an art to the great title, as demonstrated by the late English humourist Alan Coren, who when choosing a name for a collection of essays in 1975 noticed that the most popular books in Britain at that time were about cats, golf and Nazis. So he called his book Golfing for Cats and slapped a swastika on the front cover.
We also learn that care should be taken to avoid tempting an ironic fate. Bill Hillman, the American author of the 2014 guide Fiesta: How to Survive the Bulls of Pamplona, was gored by the bulls of Pamplona that same year—and again the next year. And in the 2017 British national election, the Conservative politician Gavin Barwell, author of How to Win a Marginal Seat, lost his marginal seat.
The humorous literary award known as the Bookseller/Diagram Prize for Oddest Title of the Year has been running since 1978, with past winners including Oral Sadism and the Vegetarian Personality (1986) by Glenn C. Ellenbogen, The Joy of Waterboiling (2018) by Achse Verlag and The Dirt Hole and its Variations by Charles L. Dobbins (2019). But we can go back centuries earlier to find their ancestors…
For example…
An Essay upon Wind, with Curious Anecdotes of Eminent Peteurs (1787) by Charles James Fox
Sun-beams May Be Extracted From Cucumbers, But the Process is Tedious (1799) by David Daggett
How to Cook Husbands (1898) by Elizabeth Strong Worthington
Fishes I Have Known (1905) by Arthur A. Henry Bevan
Does the Earth Rotate? No! (1919) by William Westfield
Thought Transference (Or What?) in Birds (1931) by Edmund Selous
The Boring Sponges Which Attack South Carolina Oysters (1956) by Bears Bluff Laboratories
A Weasel in My Meatsafe (1957) by Phil Drabble
Proceedings of the Second International Workshop on Nude Mice (1977) edited by Tatsuji Nomura et al.
…
Just a taste of the delights at: “77 Strange, Funny, and Magnificent Book Titles You’ve Probably Never Heard Of.” From @foxtosser.
* Dave Barry
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As we nominate, we might send bright birthday greetings to Greg Sherwood Cohelan; he was born 70 years ago today. An accomplished marketing consultant, he is best known for his decades on the radio and television (as Greg Sherwood) in the San Francisco Bay area.
The son of Don Sherwood, “The World’s Greatest Disc Jockey” (who ruled the Bay Area airwaves in the 1950s and 60s), Greg began his on-air career while in high school as a correspondent for his father, doing a call-in show as he drove across country, “Young Man on the Road”; he followed that with a stint as a morning traffic reporter, flying around in a helicopter doing traffic reports for his dad.
After college he joined KQED, the local public television and radio organization, first as a volunteer, then as an employee. Over the years, he’s become the face of KQED-TV and the voice of KQED radio, hosting interviews, anchoring award-winning documentaries, and especially during pledge periods.
“Call right now, 1 (800) 937-8850.”
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