Posts Tagged ‘American Museum of Natural History’
“No one ever explained the octopuses”*…
We humans are forward-facing, gravity-bound plodders. David Borkenhagen wonders if the liquid motion of the octopus can radicalize our ideas about time…
… The octopus may navigate its ocean home with ease, but it can seem like a creature from another planet. It populates our popular visions of cosmic beings and extraterrestrial life, with its eight arms, three hearts, and a malleable body without bones. What’s more, its ability to camouflage itself, coupled with a propensity to hide in tight holes, make it a master of disguise. If seen, a water siphon that expels inhaled water can instantly propel the creature away from danger in any direction in three-dimensional aquatic space. Its web of radially symmetrical arms allow it to crawl in any direction with equal competence, regardless of how its head is oriented. Its soft and malleable body can move through any crevasse larger than its beak. And with its two eyes positioned on opposite sides of its head, it has a near-total field of vision with almost nothing hidden ‘behind’. These abilities give the octopus a radically different relationship to its surroundings compared with other species, human or otherwise. It is a relationship free of constraints.
And what about our bodies? Compared with the octopus, human beings appear corporeally constrained. We lack the fluid mobility and wide field of vision of our (very, very) distant cephalopod cousins. Instead, we have two eyes stuck in the front of our heads. We have a paltry two legs, hardwired for forward movement. And we are bound to our terrestrial ecological niche, where our bodies must continually counteract the downward pull of gravity.
It’s not only that our experiences of space are different. Our experiences of time are likely different, too. We think about the passage of time through our terrestrial experience of unidirectional motion through space – our metaphors of time are almost all grounded in the way our bodies move forward through the environment. Given this fact, how would an octopus, who can easily see and move in all directions, conceptualise time? Current research methods may be able to take us only part of the way toward an answer, but it’s far enough to consider a radical possibility: if we became more like an octopus, could we free time, metaphorically speaking, from its constraints? Could we experience it as multidimensional, fluid and free?…
[Borkenhagen reviews the research on octopuses and what it tells us about how their relationships with time and death]
… In many ways, the octopus represents a challenge, or a profound limit, to our conventional ways of thinking about time and death. But it’s more than a challenge. It’s also an invitation. With its unconstrained movements and semelparous lifecycle, the octopus offers a radically different perspective on the fluidity and flexibility of existence. Could we learn to move through time as an octopus moves through space? With equal access to the past, present and future – viewed wide or with sharp focus – we might better navigate the challenges of living and dying on Earth. The octopus invites us to think in a way that dissolves the boundaries between the present and the future, understanding our ‘ending’ less as a fixed point and more as a fluid process stretching across generations. As the boundary between life and death dissolves and becomes more porous, so do the boundaries between ourselves and others. The metaphors we used to inhabit our time here may seem impoverished, but there’s another way. It’s in the unconstrained movements of an octopus traveling through space – fluid, flexible and free…
“Octopus Time,” from @posts_modern in @aeonmag. Eminently worth reading in full.
Pair with The Mountain in the Sea by Ray Nayler and/or “Stories of Your Life” in the short story collection of the same title, by Ted Chiang
* Gail Garriger (@gailcarriger)
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As we re-understand unfolding, we might recall that it was on this date in 1871 that the American Museum of Natural History opened to the public in New York City. Organized into a series of exhibits, the Museum’s collection–which had been gathered from the time of the Museum’s founding in 1869– went on view for the first time in the Central Park Arsenal, the Museum’s original home, on the eastern side of Central Park. The cornerstone of the Museum’s first building was laid in Manhattan Square (79th Street and Central Park West), the Museum’s current location, in 1874; but it is obscured from view by the many Museum buildings in the complex that today occupy most of the Square.
“Natural history is not about producing fables”*…
Or, then again, maybe it can be…
Lori Nix has created a series of photos that show the mayhem behind the scenes at an imaginary natural history museum. Many of the scenes reveal back-room deceit, like the a T. rex skeleton built from a do-it-yourself kit (above), the half-made papier-mâché mastodon (below), and a family of beavers emerging from a crate marked “Product of Mexico.” There is plenty of dark humor, like a bucket of fried chicken left in an avian storage room, and a pack of tigers and lions prowling around the remains of an unlucky custodian. Ms. Nix, who assembled the foam-and-cardboard scenes in the living room of her Brooklyn apartment, was inspired by visits to the American Museum of Natural History. “I come from the Midwest, the land of hunting and fishing, where there is a culture of stuffing your prize game,” she said. As for her favorite exhibits, like the bison and the Alaskan brown bear: “I hope they never update them.”
Read more, and learn where to see her work here. And then visit the extraordinary Museum of Jurassic Technology… or if L.A. isn’t handy, read Lawrence Weschler’s extraordinary Mr. Wilson’s Cabinet of Wonder.)
* David Attenborough
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As we look for our own inspiration, we might recall that it was on this date in 1869 that the American Museum of Natural history was incorporated. Its founding had been urged in a letter, dated December 30, 1868, and sent to Andrew H. Green, Comptroller of Central Park, New York, signed by 19 persons, including Theodore Roosevelt, A.G. Phelps Dodge, and J. Pierpont Morgan. They wrote: “A number of gentlemen having long desired that a great Museum of Natural History should be established in Central Park, and having now the opportunity of securing a rare and very valuable collection as a nucleus of such Museum, the undersigned wish to enquire if you are disposed to provide for its reception and development.” Their suggestion was accepted by Park officials; the collections were purchased– and thus the great museum began. It opened April 27, 1871.
“The Creator, if He exists, has an inordinate fondness for beetles”…
J. B. S. Haldane was moved to utter the quote that gives this post its title by his observation that there are more types of beetles than any other form of insect, and more insects than any other kind of animal. Cataloguing beetles, then, is a formidable challenge… But not too daunting for Dr. Udo Schmidt of Selbitz, in Germany. Dr. Schmidt has photographed and catalogued thousands of them– which readers can find here.
(Dr. Schmidt, something of a taxonomical overachiever, has also photographed and collected thousands of mollusks.)
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As we wonder where we left that roach, we might recall that it was on this date in 1871 that the American Museum of Natural History opened to the public in New York City. Organized into a series of exhibits, the Museum’s collection–which had been gathered from the time of the Museum’s founding in 1869– went on view for the first time in the Central Park Arsenal, the Museum’s original home, on the eastern side of Central Park. The cornerstone of the Museum’s first building was laid in Manhattan Square (79th Street and Central Park West), the Museum’s current location, in 1874; but it is obscured from view by the many Museum buildings in the complex that today occupy most of the Square.
Remembrance of Things Vast…
From the Himalayas, through our atmosphere, then dark space all the way out– that’s to say, back– to the afterglow of the Big Bang: the American Museum of Natural History presents The Known Universe.
Every star, planet, and quasar seen in the film is possible because of the world’s most complete four-dimensional map of the universe, the Digital Universe Atlas that is maintained and updated by astrophysicists at the American Museum of Natural History. The new film, created by the Museum, is part of an exhibition, Visions of the Cosmos: From the Milky Ocean to an Evolving Universe, at the Rubin Museum of Art in Manhattan through May 2010.
For more information visit the Museum’s web site.
(ToTH to Jesse Dylan)
As we stand in the places we are, we might recall that it was on (or about, historians are imprecise) this date in 1232 that Pope Gregory IX sent the first Inquisition team to the Kingdom of Aragon, in Spain, to prosecute the Albigensian heresy.
Saint Raymond of Penyafort, who codified the Canon Law for Gregory IX
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