Posts Tagged ‘Handel’
“It is the special province of music to move the heart”*…
From the estimable Ted Gioia…
Here’s one of the best music videos you will see this year.
Bach’s score for The Art of Fugue—perhaps his last work—does not specify the instrumentation, thus giving later musicians tremendous creative latitude. It’s based on [the motif pictured above].
This new video performance, released last week by the Netherlands Bach Society, features an impressive range of settings—starting with solo voices, and working through combinations of a dozen other instruments…
Bach– as Wagner proclaimed, “the most stupendous miracle in all music!”: The Art of the Fugue
* Johann Sebastian Bach
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As we appreciate patterns, we might recall that it was on this date in 1738 that Handel, Bach’s contemporary (he, Bach, and Domenico Scarlatti were all born in 1685), finished his his oratorio Saul and starts Israel in Egypt.
“Your memory and your senses will be nourishment for your creativity”*…
On which senses do great creators rely? Randall Collins investigates…
Beethoven started going deaf in his late 20s. Already famous by age 25 for his piano sonatas, at 31 he was traumatized by losing his hearing. But he kept on composing: the Moonlight Sonata during the onset of deafness; the dramatic Waldstein Sonata at 32; piano sonatas kept on coming until he was 50. In his deaf period came the revolutionary sounds of his 3rd through 8th symphonies, piano and violin concertos (age 32-40). After 44 he became less productive, with intermittent flashes (Missa Solemnis, Diabelli variations, 9th symphony) composed at 47-53, dying at 56. His last string quartets were composed entirely in his head, left unperformed in his lifetime.
Handel went blind in one eye at age 66; laboriously finished the oratorio he was working on; went completely blind at 68. He never produced another significant work. But he kept on playing organ concertos, “performing from memory, or extemporizing while the players waited for their cue” almost to the day he died, aged 74.
Johann Sebastian Bach fell ill in his 64th year; next year his vision was nearly gone; he died at 65 “after two unsuccessful operations for a cataract.” At 62 he was still producing great works; at 64 he finished assembling the pieces of his B Minor Mass (recycling his older works being his modus operandi). At death he left unfinished his monument of musical puzzles, The Art of the Fugue, on which he had been working since 55.
Can we conclude, it is more important for a composer to see than hear?…
And given examples like Milton, that it’s more critical to poets and writers to hear than see? More at “Deaf or Blind: Beethoven, Handel,” from @sociologicaleye.
* Arthur Rimbaud
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As we contemplate creativity, we might recall that it was on this date in 2013 that Google– Google Search, YouTube, Google Mail, and Google Drive, et al.– went down for about 5 minutes. During that brief window, internet traffic around the world dropped by 40 percent.
“If a book is new, it smells great. If a book is old, it smells even better”*…
It’s official. Science has decided that old books smell “smoky,” “earthy,” and more than anything, “woody.”
That’s based on findings released today by Cecilia Bembibre and Matija Strlič, researchers at the UCL Institute for Sustainable Heritage, who have been working to capture, analyze, and catalog historic and culturally important scents. The scientists collected the responses of visitors to St Paul’s Cathedral’s Dean and Chapter library in London, asking them to describe the smell and later compiling the results in a document they’re calling the Historic Book Odour Wheel…
Take a whiff at “The Odor ‘Wheel’ Decoding the Smell of Old Books.”
* Ray Bradbury
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As we breathe it in, we might recall that it was on this date in 1749 that George Frideric Handel’s Music for the Royal Fireworks— or Fireworks Music, as it’s commonly known — premiered in a specially-constructed theater in St. James park in London.
The display was not as successful as the music itself: the weather was rainy, and in the middle of the show the pavilion caught fire.
The ill-fated site of the premiere
Just when you thought it was safe to go back in the water…
As the regular resort to allergy meds testifies, Spring is upon us; and with it, thoughts of Summer and the sea…
Thankfully, the prudent folks at SimplyBeach have shared “The 15 Deadliest Beach Creatures.” Given the presence of the predators featured there, one simply can’t be too cautious. Consider, for example,
The Marble Cone snail shell looks beautiful but the sea creature inside is deadlier than any other possible beach inhabitant listed here. One drop of venom could kill 20 or more people. Found in warm, tropical salt water, if you find one, don’t touch it. A sting immediately begins showing symptoms or the onset may be days later. The intense pain, numbness, swelling and tingling-feeling can result, in severe cases, muscle paralysis, respiration shut down and vision changes or death. It is fortunate that only 30 people have been killed by envenomation because there is still no anti-venom available. (source)
As we replan and rebook for the mountains, we might recall that it was this date in 1742 that George Frideric Handel’s oratorio Messiah (often incorrectly called The Messiah) made its world-premiere in Dublin. The version debuted then was composed in in the summer 1741. But Handel revised his masterpiece repeatedly; the version with which modern listeners are familiar was first performed in 1754. (In fact, a version orchestrated by Mozart in 1789 was the most frequently heard until the mid-twentieth century, and the return of the “historically-informed” performance.)
Loving Godzilla, 17 syllables at a time…
From SamuraiFrog, an arresting (and very amusing) collection of Godzilla Haiku.
“Monsters are born too tall, too strong, too heavy, they are not evil by choice; that is their tragedy”
– Ishiro Honda (Kurosawa friend, Toho director, and creator of Godzilla)
Honda on the set of the original Godzilla
As we rethink our attraction to urban centers, we might compose a birthday rhyme for Torquato Tasso, the 16th Century Italian poet; he was born on this date in 1544. Though Tasso was a giant in his own time– he died in 1595, a few days before the Pope was to crown him “King of the Poets”– he had fallen out the core of the Western Canon by the end of the 19th century. Still, he resonates in the poems (Spencer, Milton, Byron), plays (Goethe), madrigals (Monteverdi), operas (Lully, Vivaldi, Handel, Haydn, Rossini, Dvorak) , and art work (Tintoretto, the Carracci, Guercino, Pietro da Cortona, Domenichino, Van Dyck, Poussin, Claude Lorrain, Tiepolo, Fragonard, Delacroix) that his life and work inspired.
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