Posts Tagged ‘Hugo Ball’
“If you could say it in words, there would be no reason to paint”*…
One of the world’s most important collections of art has re-emerged after having been lost for more than 70 years.
The corpus – 103 original drawings by the non-Western world’s most famous artist, the 19th century Japanese painter, Hokusai – came to light in Paris and has now been bought by the British Museum.
The newly discovered artworks appear to have formed part of one of the most ambitious publishing projects ever conceived – a Japanese plan to create a huge pictorial encyclopaedia.
Known as the Great Picture Book of Everything, it was conceived by Hokusai (best known for his most famous work – The Great Wave) – but was never completed.
The project was abandoned in the 1830s – either because of cost or possibly because Hokusai insisted on reproduction standards that were difficult to attain.
The Great Picture Book of Everything was to have been a comprehensive way for the Japanese to have access to images of people, cultures and nature around the world – at a time when virtually no Japanese people had been allowed out of Japan for some two centuries – and virtually no foreigners had been allowed into 99 per cent of the country.
In that ultra-restrictive atmosphere, the project was to have given people an opportunity to explore a highly stylised printed version of the outside world as well as Japan itself…
The full story (and more examples of the work) at “Hokusai: More than 100 lost works by non-western world’s most famous artist rediscovered“– the artist’s abandoned attempt to create Great Picture Book of Everything.
* Edward Hopper
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As we picture that, we might send challenging birthday greetings to Hans Peter Wilhelm Arp; he was born on this date in 1886. A sculptor, painter, and poet (who also worked in other media such as torn and pasted paper), Arp was a friend and associate of Hugo Ball and a regular at the Cafe Voltaire, where he helped create the Dada Movement; at the same time he was associated with the Surrealists. But he broke with those movements to found Abstraction-Création, working with the Paris-based group Abstraction-Création and the periodical, Transition. Beginning in the 1930s, he expanded his efforts from collage and bas-relief to include bronze and stone sculptures, and to write and publish essays and poetry. Examples of his work are here.
“All human beings have three lives: public, private, and secret”*…
A monitor displays the Omron Corp. Okao face- and emotion-detection technology during CES 2020
Twenty years ago at a Silicon Valley product launch, Sun Microsystems CEO Scott McNealy dismissed concern about digital privacy as a red herring: “You have zero privacy anyway. Get over it.”
“Zero privacy” was meant to placate us, suggesting that we have a fixed amount of stuff about ourselves that we’d like to keep private. Once we realized that stuff had already been exposed and, yet, the world still turned, we would see that it was no big deal. But what poses as unsentimental truth telling isn’t cynical enough about the parlous state of our privacy.
That’s because the barrel of privacy invasion has no bottom. The rallying cry for privacy should begin with the strangely heartening fact that it can always get worse. Even now there’s something yet to lose, something often worth fiercely defending.
For a recent example, consider Clearview AI: a tiny, secretive startup that became the subject of a recent investigation by Kashmir Hill in The New York Times. According to the article, the company scraped billions of photos from social-networking and other sites on the web—without permission from the sites in question, or the users who submitted them—and built a comprehensive database of labeled faces primed for search by facial recognition. Their early customers included multiple police departments (and individual officers), which used the tool without warrants. Clearview has argued they have a right to the data because they’re “public.”
In general, searching by a face to gain a name and then other information is on the verge of wide availability: The Russian internet giant Yandex appears to have deployed facial-recognition technology in its image search tool. If you upload an unlabeled picture of my face into Google image search, it identifies me and then further searches my name, and I’m barely a public figure, if at all.
Given ever more refined surveillance, what might the world look like if we were to try to “get over” the loss of this privacy? Two very different extrapolations might allow us to glimpse some of the consequences of our privacy choices (or lack thereof) that are taking shape even today…
From Jonathan Zittrain (@zittrain), two scenarios for a post-privacy future: “A World Without Privacy Will Revive the Masquerade.”
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As we get personal, we might send provocatively nonsensical birthday greetings to Hugo Ball; he was born on this date in 1886. Ball worked as an actor with Max Reinhardt and Hermann Bahr in Berlin until the outbreak of World War I. A staunch pacifist, Ball made his way to Switzerland, where he turned his hand to poetry in an attempt to express his horror at the conflagration enveloping Europe. (“The war is founded on a glaring mistake, men have been confused with machines.”)
Settling in Zürich, Ball was a co-founder of the Dada movement (and, lore suggests, its namer, having allegedly picked the word at random from a dictionary). With Tristan Tzara and Jan Arp, among others, he co-founded and presided over the Cabaret Voltaire, the epicenter of Dada. And in 1916, he created the first Dada Manifesto (Tzara’s came two years later).
“Many people, myself among them, feel better at the mere sight of a book”*…
For 20 years, Columbian rubbish-collector Jose Alberto Gutierrez has been holding on to the books he finds while on his rounds in Bogota.
After two decades his collection totals more than 20,000 books – many of them thrown away by the people of the Colombian capital, now given a new life in the huge library Jose has amassed. The books take up several rooms in the Gutierrez family home, from where they’re lent out to neighbors through a free community library, which Jose runs with the help of his wife, Luz Mery Gutierrez, and their three children…
Check it out at: “This dustbin man built a huge public library from books other people had thrown away.”
* Jane Smiley, Thirteen Ways of Looking at the Novel
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As we pile ’em high, we might recall that it was on this date in 1916 that the first and only edition of the magazine Cabaret Voltaire was published, containing work by Hugo Ball, Kandinsky, Jean (Hans) Arp, Modigliani, and the first printing of the word “Dada.” The (not so) periodical was named for the nightclub that Ball has started earlier in the year in Zurich with help from friends including Arp and Tristan Tzara.
“All the world loves a clown”*…
Nonetheless, circus folk fear that a national clown shortage is on the horizon. In a trend that only those who suffer coulrophobia could love, membership in the country’s largest trade organizations for the jesters has plunged, as an aging membership struggles to recruit new nabobs of the crimson nose.
‘What’s happening is attrition,’ said Clowns of America International President Glen Kohlberger, who added that membership at the Florida-based organization has plummeted since 2006. ‘The older clowns are passing away.’ He said he wouldn’t release specific numbers, citing the privacy of the members.
Membership at the World Clown Association, the country’s largest trade group for clowns, has dropped from about 3,500 to 2,500 since 2004. ‘The challenge is getting younger people involved in clowning,’ said Association President Deanna (Dee Dee) Hartmier, who said most of her members are over 40.
Read more in The Daily News [via NPR’s The Two-Way, from whence the photo above]
* Cole Porter
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As we stock up on greasepaint, we might send provocatively nonsensical birthday greetings to Hugo Ball; he was born on this date in 1886. Ball worked as an actor with Max Reinhardt and Hermann Bahr in Berlin until the outbreak of World War I. A staunch pacifist, Ball made his way to Switzerland, where he turned his hand to poetry in an attempt to express his horror at the conflagration enveloping Europe. (“The war is founded on a glaring mistake, men have been confused with machines.”)
Settling in Zürich, Ball was a co-founder of the Dada movement (and, lore suggests, its namer, having allegedly picked the word at random from a dictionary). With Tristan Tzara and Jan Arp, among others, he co-founded and presided over the Cabaret Voltaire, the epicenter of Dada. And in 1916, he created the first Dada Manifesto (Tzara’s came two years later).
Printers’ ink is the lifeblood of a democracy…
… cable news, not so much.
More sips from the seemingly-never-ending stream that broadcast journalism has become at Cable News Chyrons.
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As we cathect on Colbert, we might recall that it was on this date in 1918 that Tristan Tzara read the “Dada Manifesto of 1918“– the second, but arguably the most important, of the Dada manifestos*– at Meise Hall in Zürich, Switzerland.
* Hugo Ball had written an earlier manifesto in 1916.
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