(Roughly) Daily

Posts Tagged ‘gender

“Why does a public discussion of economic policy so often show the abysmal ignorance of the participants?”*…

… It could, Walt Frick suggests, have to do with the way in which economics has been taught for decades, centering zombie ideas from before economics began to become an empirical disciple. Happily, he suggests, that may be changing…

What happens to the job market when the government raises the minimum wage? For decades, higher education in the United States has taught economics students to answer this question by reasoning from first principles. When the price of something rises, people tend to buy less of it. Therefore, if the price of labour rises, businesses will choose to ‘buy’ less of it – meaning they’ll hire fewer people. Students learn that a higher minimum wage means fewer jobs.

But there’s another way to answer the question, and in the early 1990s the economists David Card and Alan Krueger tried it: they went out and looked. Card and Krueger collected data on fast-food jobs along the border between New Jersey and Pennsylvania, before and after New Jersey’s minimum wage increase. The fast-food restaurants on the New Jersey side of the border were similar to the ones on the Pennsylvania side in nearly every respect, except that they now had to pay higher wages. Would they hire fewer workers in response?

The prediction from conventional economic theory is unambiguous,’ Card and Krueger wrote. It was also wrong. Fast-food restaurants in New Jersey didn’t hire fewer workers – instead, Card and Krueger found that employment slightly increased. Their paper set off a hunt for other ‘natural experiments’ that could rigorously test economic theory and – alongside other research agendas like behavioural economics – transformed the field.

Over the past 30 years, PhD-level education in economics has become more empirical, more psychological, and more attuned to the many ways that markets can fail. Introductory economics courses, however, are not so easy to transform. Big, synoptic textbooks are hard to put together and, once they are adopted as the foundation of introductory courses, professors and institutions are slow to abandon them. So introductory economics textbooks have continued to teach that a higher minimum wage leads to fewer people working – usually as an example of how useful and relevant the simple model of competitive markets could be. As a result of this lag between what economists know and how introductory economics is taught, a gulf developed between the way students first encounter economics and how most leading economists practice it. Students learned about the virtues of markets, deduced from a few seemingly simple assumptions. Economists and their graduate students, meanwhile, catalogued more and more ways those assumptions could go wrong.

Today, 30 years after Card and Krueger’s paper, economics curriculums around the world continue to challenge the facile view that students used to learn, in which unfettered markets work wonders. These changes – like spending more time studying market failures or emphasising individuals’ capacity for altruism, not just selfishness – have a political valence since conservatives often hide behind the laissez-faire logic of introductory economics. But the evolution of Econ 101 is not as subversive as it may sound. Instead, it reflects the direction the wider discipline has taken toward empiricism and more varied models of economic behaviour. Econ 101 is not changing to reflect a particular ideology; it is finally catching up to the field it purports to represent….

[Frick describes the recent evolution– or revolution– in curricula…]

… It’s tempting to judge [open-source text project] CORE and even Harvard’s [recently-overhauled introductory economics course] Ec10 in ideological terms – as an overdue response or countermeasure to a laissez-faire approach. But the evolution of Econ 101 is about more than politics. (Despite its focus on traditionally more progressive topics, CORE has been criticised for being insufficiently ‘heterodox’, according to Stevens.) By elevating empiricism and by teaching multiple models of the economy, students in these new curriculums are learning how social sciences actually work.

“A model is just an allegory,” says the economist David Autor in his intermediate microeconomics course at MIT. For decades, Econ 101 taught one major allegory, in which markets worked well of their own accord, and buyers and sellers all emerged better off. Government, when it was mentioned at all, was frequently portrayed as an overzealous maintenance man – able to solve some problems but also meddling in markets that were fine on their own.

That is not how most contemporary economists think. Instead, they see the competitive market as one model among many. ‘The multiplicity of models is economics’ strength,’ writes the Harvard economist Dani Rodrik in Economics Rules (2015). ‘[W]e have a menu to choose from and need an empirical method for making that choice.’ As the Econ 101 curriculum catches up, economics students are finally getting a taste of the variety that the field has to offer.

As much of an improvement as the new curriculums are, they raise a puzzle. The traditional Econ 101 course was, for all its flaws, coherent and memorable. Students came away with a clear framework for thinking about the world. What does the new Econ 101 leave students with, other than an appreciation that the world is complicated, and that data is important?

[UCL economist and CORE co-creator Wendy] Carlin’s answer is that “the workhorse [of Econ 101] is that actors make decisions.” Modelling those decisions remains a central part of economics. What’s changed is the way decision-makers are represented: they can be selfish, but they can also be altruistic. They can be rational, but they can also be biased or blinkered. They are social and strategic, and they interact with one another not just with the faceless market. Models help approximate the most salient features of these interactions, and students learn several different ones to guide their understanding. They also learn that models must fit the facts, and that a crucial part of economics is leaving the armchair and observing what is going on in the world…

On the importance of recognizing the mutability of models and re-emphasizing learning in an essential discipline: “Economics 101,” from @wfrick in @aeonmag.

* economist (and Nobel Laureate) Robert Solow

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As we revise, we might recall that it was on this date in 1963 that President John F. Kennedy signed the Equal Pay Act into law. Aimed at abolishing wage disparity based on sex, the legislation was part of Kennedy’s New Frontier Program. On the one hand, since it’s enactment, the wage gap has narrowed; on the other, it is still large: in 1963, women were on average paid about 60% of a man’s income for the same job; today, that figure is roughly 80%.

Opponents of the Act (including, of course, many economists) suggested that higher wages for women would discourage employers from hiring them; in fact, female participation in the workforce has grown– the gap between their participation and that of prime-age men has shrunk to less than one-third of its previous size. Some of those critics also argued that higher wages for women would a drag on economy; to observe the obvious, the economy has, by myriad measures, grown materially over the period– indeed, beyond the “no EPA” projections of those opponents.

American Association of University Women members with President John F. Kennedy as he signs the Equal Pay Act into law (source)

Written by (Roughly) Daily

June 10, 2024 at 1:00 am

“As names have power, words have power”*…

 

gender1

 

My book club was reading The Wise Man’s Fear by Patrick Rothfuss. In the middle of an otherwise unremarkable plot, we found a 35-page interlude about a highly attractive fairy, describing her body in minute, eye-rolling detail.

After slogging through that book, I began paying attention to similarly stereotyped descriptions of bodies in other books. Women are all soft thighs and red lips. Men, strong muscles and rough hands.

I was frustrated by this lazy writing. I want to read books that explore the full humanity of their characters, not stories that reduce both men and women to weak stereotypes of their gender.

Before getting too upset, I wanted to see if this approach to writing was as widespread as it seemed, or if I was succumbing to selective reading. Do authors really mention particular body parts more for men than for women? Are women’s bodies described using different adjectives than those attributed to men?

To do this, I selected 2,000 books spanning Pulitzer-winning classics to pulpy best-sellers, and ran them through a parser that identified sentences mentioning body parts. I then extracted the owner of the body parts and any adjectives describing them…

gender2

It’s easy to dismiss or overlook the differences in the way men’s and women’s bodies are depicted because they can be subtle and hard to discern in one particular book—one or two extra mentions of “his bushy hair” may not register over 300 pages.

But when you zoom out and look at thousands of books, the patterns are clear…

All the details from Erin Davis (@erindataviz) in The Pudding: “The physical traits that define men & women in literature.”

(Via Walt Hickey at Numlock, who observes, “honestly, now I just want to read a book about a women who’s all knuckles and a dude who’s got rockin’ hips.”)

* Patrick Rothfuss, author of the novel that occasioned the study cited above, in a different work, The Name of the Wind

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As we lose the lens, we might send fictional birthday greetings to award-winning journalist Lois Lane; she was “born” on this date (according to the 1976 DC Comics Calendar). She has been wildly differently depicted through the years, as one can see here (among other places).

Superman27

The Golden Age Lois Lane and Superman, from the cover of Superman #27 (March–April 1944), art by Wayne Boring.

 source

 

Written by (Roughly) Daily

August 17, 2020 at 1:01 am

“I don’t think that there is any such thing as an old film; you don’t say, ‘I read an old book by Flaubert,’ or ‘I saw an old play by Moliere.'”*…

 

Stop Motion

 

A reprise of a sort…

If you were going to pick just one silent era stop motion short to watch–just one!–I’d happily recommend an early work by Ladislas Starevich: The Cameraman’s Revenge (1912). Yes, you’re reading that right–from 1912! Because despite being over a century old, it showcases a timeless skill, serves as an excellent introduction to silent era stop motion, and is pretty funny, if you ask me. Plus, depending on how well you know your classic comedies, the story just might be familiar…

 

If Buster Keaton had been Russian… and had worked in stop-motion: “Thoughts On: ‘The Cameraman’s Revenge’ (1912)

* Alain Resnais

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As we meet the beetles, we might send grateful birthday greetings to James Arthur Baldwin; he was born on this date in 1924.  An essayist,  novelist, playwright, poet, and activist, he explored the intricacies of racial, sexual, and class distinctions in essays (as collected, for example, in Notes of a Native Son and The Fire Next Time) and in novels (like Giovanni’s Room and If Beale Street Could Talk, which was adapted into an Academy Award-winning film).  His unfinished manuscript, Remember This House, was expanded and adapted for cinema as the Academy Award–nominated documentary film I Am Not Your Negro.

In 1965, Baldwin met William F. Buckley at the Cambridge University Union to debate the proposition before the house: “The American dream is at the expense of the American Negro.”

Baldwin delivers his remarks slowly, somehow seeming both passionate and cool, like jazz. He is mesmerizing, as shown by the camera cutaways to the audience that sits rapt.

It almost seems unfair, a distortion, to excerpt Baldwin’s remarks because as a work of rhetoric, it surpasses even the best of Martin Luther King or JFK…

Perhaps it was brave of William F. Buckley to rise after Baldwin’s speech and take the opposite proposition, though it was likely far braver for Baldwin to accept the invitation in the first place. History has not provided a transcription of Buckley’s remarks, but in the video we can see that he scores some debaters’ points with some citations to authority and statistics. He garners laughs with a clever line or two. As compared to his 1961 editorial, Buckley’s stance is already moderating, as he never implies that blacks are savage and uncivilized as he does in that document.

In the end, the Cambridge Union Society took a vote on the proposition: “The American Dream is at the expense of the American negro.” The yays outpolled the nays 540-160.

Baldwin in a rout.

source  (see also Baldwin vs. Buckley: A Debate We Shouldn’t Need, As Important As Ever“)

 

 

“Be careful of Mankind; they do not deserve you”*…

 

The recent theatrical release of Wonder Woman briefly catapulted the question of female superhero representation into the mainstream. For some, the character is a feminist icon — even Gloria Steinem wrote about her — and many fans (though not all) felt this wasn’t just another superhero movie, but rather a pivotal moment in the portrayal of women in popular culture.

Why all the fuss? Well, the truth is that the comics industry has had a complicated relationship with female characters. They are often hyper-sexualizedunnecessarily brutalizedstereotyped, and used as tokens. They’re also rare. Only 26.7 percent of all DC and Marvel characters are female, and only 12 percent of mainstream superhero comics have female protagonists.

I decided to look beyond the gender ratio to see if we could learn more about how females are represented. Using characters from DC and Marvel in the ComicVine database, I analyzed naming conventions, types of superpowers, and the composition of teams to see how male and female genders are portrayed…

Amanda Shendruk dives deeply into the canon: “Analyzing the Gender Representation of 34,476 Comic Book Characters.”

For a(n encouraging) look beyond the borders of the DC-Marvel dupopoly, see also “Women in comics and the tricky art of equality.”

* Hippolyta, to her daughter Diana (Wonder Woman)

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As we turn the page, we might recall that it was on this date in 1884, at the Savoy Theatre in London, that composer Sir Arthur Sullivan and librettist W. S. Gilbert premiered the eighth of their fourteen comic operatic collaborations, Princess Ida; or, Castle Adamant, an amusing parody of Tennyson’s “Princess.”   Though still regularly performed today, Princess Ida wasn’t considered a success in its time– at least in part because an uncommonly hot summer in 1884 kept audiences away, and shortened its run.

Hilarion, Cyril and Florian on their knees to Princess Ida, by “Bab” (W.S. Gilbert)

source

 

Written by (Roughly) Daily

January 5, 2018 at 1:01 am

“It is vain to expect virtue from women till they are in some degree independent of men”*…

 

After 20 years of roaming the Americas brawling, gambling and murdering close to a dozen people, the man known as Alonso Díaz Ramírez de Guzmán had one last option. Having often turned to the church for sanctuary when waist-deep in trouble, and now facing execution, the soldier and explorer chose the nuclear option: admitting to the bishop that he was actually a woman.

Now known as Catalina de Erauso, a mesmerizing and confusing figure in Basque history, the prisoner not only avoided being executed but also got to meet the pope…

The amazing true tale at “The ruthless conquerer who cross-dressed her way to infamy.

* Mary Wollstonecraft, A Vindication of the Rights of Woman

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As we speculate on the spectrum, we might send carefully-composed birthday greetings to Mary Katherine Goddard; she was born on this date in 1738.  A Colonial printer and publisher, she published the Maryland Journal, a revolutionary periodical, throughout the Revolutionary War.  She was also the second publisher of the Declaration of Independence (considered at the time a treasonable document by the British); her copy, the Goddard Broadside, was the second printed, and the first to contain the typeset names of the signatories.

She was the first female postmaster in the U.S., heading the Baltimore Post Office from 1775 to 1789, and ran a book store and published an almanac.

 source

Happy Bloomsday!