Posts Tagged ‘futurist’
“A map of the world that does not include Utopia is not worth even glancing at”*…
A proposed cross-section of the Minnesota Experimental City
The future had arrived, and it looked nothing like what city planners expected. It was the early 1960s, and despite economic prosperity, American urban centers were plagued by pollution, poverty, the violence of segregation and crumbling infrastructure. As the federal highway system expanded, young professionals fled for the suburbs, exacerbating the decay…
One man had a revolutionary idea, a plan so all-encompassing it could tackle each and every one of the social issues at once: An entirely new experimental city, built from scratch with the latest technology, entirely free of pollution and waste, and home to a community of life-long learners.
The Minnesota Experimental City and its original creator, Athelstan Spilhaus, are the subjects of a new documentary directed by Chad Freidrichs of Unicorn Stencil Documentary Films. The Experimental City tells the story of the tremendous rise and abrupt fall of an urban vision that nearly came to fruition. At one point, the Minnesota Experimental City had the support of NASA engineers, Civil Rights leaders, media moguls, famed architect Buckminster Fuller and even vice president Hubert Humphrey. Many were drawn to the plan by Spilhaus’ background as well as his rhapsodic conviction for the necessity of such a city.
“The urban mess is due to unplanned growth—too many students for the schools, too much sludge for the sewers, too many cars for the highways, too many sick for the hospitals, too much crime for the police, too many commuters for the transport system, too many fumes for the atmosphere to bear, too many chemicals for the water to carry,” Spilhaus wrote in his 1967 proposal for an experimental city. “The immediate threat must be met as we would meet the threat of war—by the mobilization of people, industry, and government.”…
Creator of the comic “Our New Age,” which featured new science and technology in easy-to-digest fashion (including inventions he wanted to feature in his experimental city), Spilhaus had worked in the fields of mechanical engineering, cartography, oceanography, meteorology and urban planning. He initiated the Sea Grant College Program (a network of colleges and universities that conduct research and training related to oceans and the Great Lakes), helped invent the bathythermograph (a water temperature and depth gauge used in submarine warfare), and designed the science expo for the Seattle World’s Fair in 1962. But above all, the longtime dean of the University of Minnesota’s Institute of Technology was a futurist, and the experimental city was his brainchild that combined his many passions…
The Quixotic tale in toto at “How a $10 Billion Experimental City Nearly Got Built in Rural Minnesota.”
But the Modern Utopia must not be static but kinetic, must shape not as a permanent state but as a hopeful stage, leading to a long ascent of stages. Nowadays we do not resist and overcome the great stream of things, but rather float upon it. We build now not citadels, but ships of state.
― H.G. Wells
* Oscar Wilde
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As we’re careful what we wish for, we might send polymathic birthday greetings to the painter, sculptor, architect, musician, mathematician, engineer, inventor, physicist, chemist, anatomist, botanist, geologist, cartographer, and writer– the archetypical Renaissance Man– Leonardo da Vinci. Quite possibly the greatest genius of the last Millennium, he was born on this date in 1452.
“Humans as we know them are just one morphological waypoint on the long road of evolution”*…
Imagine a world where the human race is no longer the dominant species.
Extinct through war or spectacular accident. By devastating pandemic, super-natural disaster, or cosmic cataclysm.
Passed through the Singularity to become unrecognisably posthuman, and left the natural order forever behind.
Infected by a virus, hijacked by a parasite or otherwise co-opted to become ex-human – a “bio zombie” – moved sideways to a new position as ecological actor.
Gently absorbed into – or completely overshadowed by the unfathomable actions of – a superior civilisation comprising benevolent – or unacknowledging – emissaries from the stars (or extra-dimensions).
Dethroned by the return of ancient species, the reawakening of the slumbering Old Ones… Out-competed by the arrival of an invasive species from another world making the Earth just one habitat in a galactic ecology.
It could be far into the future or The Day After Tomorrow.
Robots may rule the world… not so much enslaving as letting us retire to a life of Fully Automated Luxury Gay Space Communism; life in The Culture as Iain M. Banks foresaw it could be.
What is the world like then? After us…
Imagine a world where the human race is no longer the dominant species: “What is the Post-Human World.”
* Annalee Newitz in “When Will Humanity Finally Die Out?”
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As we stretch our frames, we might spare a thought for Marvin Minsky; he died on this date in 2016. A biochemist and cognitive scientist by training, he was founding director of MIT’s Artificial Intelligence Project (the MIT AI Lab). Minsky authored several widely-used texts, and made many contributions to AI, cognitive psychology, mathematics, computational linguistics, robotics, and optics. He holds several patents, including those for the first neural-network simulator (SNARC, 1951), the first head-mounted graphical display, the first confocal scanning microscope, and the LOGO “turtle” device (with his friend and frequent collaborator Seymour Papert). His other inventions include mechanical hands and the “Muse” synthesizer.
“Life can only be understood backwards; but it must be lived forwards”*…
If you wanted to hear the future in late May, 1968, you might have gone to Abbey Road to hear the Beatles record a new song of John Lennon’s—something called “Revolution.” Or you could have gone to the decidedly less fab midtown Hilton in Manhattan, where a thousand “leaders and future leaders,” ranging from the economist John Kenneth Galbraith to the peace activist Arthur Waskow, were invited to a conference by the Foreign Policy Association. For its fiftieth anniversary, the F.P.A. scheduled a three-day gathering of experts, asking them to gaze fifty years ahead. An accompanying book shared the conference’s far-off title: “Toward the Year 2018”…
“More amazing than science fiction,” proclaims the cover, with jacket copy envisioning how “on a summer day in the year 2018, the three-dimensional television screen in your living room” flashes news of “anti-gravity belts,” “a man-made hurricane, launched at an enemy fleet, [that] devastates a neutral country,” and a “citizen’s pocket computer” that averts an air crash. “Will our children in 2018 still be wrestling,” it asks, “with racial problems, economic depressions, other Vietnams?”
Much of “Toward the Year 2018” might as well be science fiction today. With fourteen contributors, ranging from the weapons theorist Herman Kahn to the I.B.M. automation director Charles DeCarlo, penning essays on everything from “Space” to “Behavioral Technologies,” it’s not hard to find wild misses. The Stanford wonk Charles Scarlott predicts, exactly incorrectly, that nuclear breeder reactors will move to the fore of U.S. energy production while natural gas fades. (He concedes that natural gas might make a comeback—through atom-bomb-powered fracking.) The M.I.T. professor Ithiel de Sola Pool foresees an era of outright control of economies by nations—“They will select their levels of employment, of industrialization, of increase in GNP”—and then, for good measure, predicts “a massive loosening of inhibitions on all human impulses save that toward violence.” From the influential meteorologist Thomas F. Malone, we get the intriguing forecast of “the suppression of lightning”—most likely, he figures, “by the late 1980s.”
But for every amusingly wrong prediction, there’s one unnervingly close to the mark…
Those uncannily-accurate predictions, and their backstories, at “The 1968 book that tried to predict the world of 2018.”
* Søren Kierkegaard
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As we ponder posterity, we might send static-y birthday greetings to Robert Woodrow Wilson; he was born on this date in 1936. An astronomer, he detected– with Bell Labs colleague Arno Penzias– cosmic microwave background radiation: “relic radiation”– that’s to say, the “sound “– of the Big Bang. Their 1964 discovery earned them the 1978 Nobel Prize in Physics.
“The future ain’t what it used to be”*…
People in the early 20th century were hopeful about the future innovation might bring. The technology that came out of World War I, and the growing potential brought by electricity (half of all U.S. homes had electric power by 1925) had many looking ahead to the coming century. Futurists of the early 1900s predicted an incredible boom in technology that would transform human lives for the better.
In fact, many of those predictions for the future in which we live weren’t far off, from the proliferation of automobiles and airplanes to the widespread transmission of information. Of course, the specifics of how those devices would work sometimes fell broad of the mark. Yet these predictions show us just how much our technology has progressed in just a century — and just how much further more innovation could take us…
Further to yesterday’s collection of charts that might serve as a dashboard for us as we look to 2018, a consideration of how 2018 looked to scientists, inventors/technologists, and forecasters in (and around) 1918: Does Life In 2018 Live up to What We Predicted a Century Ago?”
* Yogi Berra, The Yogi Book, 1998 (though the phrase “the future isn’t what it used to be” was used in 1937 by Laura Riding and Robert Graves in English, and by Paul Valéry in French)
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As we take the long view, we might spare a thought for Kenneth Patchen; he died on this date in 1972. A poet and novelist who experimented with form (most notably, with incorporating jazz into his readings), Patchen was widely ignored by the cultural establishment in his lifetime; but (with his close friend Kenneth Rexroth) became an inspiration for the young poets– Allen Ginsberg, Lawrence Ferlinghetti, Gary Snyder, Michael McClure, and others– who became known as the Beat Generation. In 1968, near the end of his life, The Collected Poems of Kenneth Patchen was published– and Patchen was embraced by the Establishment. The New York TImes called the book “a remarkable volume,” comparing Patchen’s work to that of Blake, Whitman, Crane, Lawrence, and even to the Bible. In another review, the poet David Meltzer called Patchen “one of America’s great poet-prophets” and called his body of work “visionary art for our time and for Eternity.”
The lions of fire
Shall have their hunting in this black landTheir teeth shall tear at your soft throats
Their claws killO the lions of fire shall awake
And the valleys steam with their fury
…
Because you have turned your faces from God
Because you have spread your filth everywhere.– from “The Lions of Fire Shall Have Their Hunting” The Teeth of the Lion (1942)
Allen Ginsberg (left) and Kenneth Patchen (right) backstage at the Living Theatre where Patchen was performing with Charlie Mingus, New York City 1959. Photo copyright © Harry Redl 1959, 2000.
“Some people talk to animals. Not many listen though.”*…
The frontispiece of Public and Private Life of Animals, by P. J. Stahl, illustrated by J. J. Grandville, and translated rom the French by J. Thompson; 1877; London, S. Low, Marston, Searle, & Rivington.
This collection of acerbic animal fables, originally published in 1842 as Scènes de la vie privée et publique des animaux, boasts among its contributors some of the finest literary minds of mid 19th-century France, including Honoré de Balzac, George Sand, and the publisher Pierre-Jules Hetzel (under the pseudonym of P. J. Stahl). The book is also home to some of the finest work (some featured below) by the caricaturist J. J. Grandville, drawings in which we can see the satirical genius and inventiveness that would be unleashed in full glory just two years later with the publication of his wonderful Un autre monde.
See more at Public Domain Review; and visit the original at the Internet Archive.
* A.A. Milne, Winnie-the-Pooh
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As we anthropomorphize, we might send carefully-limned birthday greetings to Joesph Stella; he was born on this date in 1877. An accomplished illustrator, he is better known as a Futurist painter, perhaps especially for his depictions of industrial America and his images of the Brooklyn Bridge.
He was one of the many artists to break out as a result of the 1913 Armory Show (he was considered by critics as important and influential as Duchamp and Picabia). He was later associated with the American Precisionist movement of the 1910s–1940s.
A photo by Man Ray of Stella (foreground) and Marcel Duchamp (background, sitting under a portrait of Man Ray)
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