Posts Tagged ‘urban design’
“All the cities of the world are going to expand. We need to have a better understanding of what makes good urban habitat for home sapiens.”*…
“When did our vision of the future become so constrained, tired, and even dystopic?” Julien Crockett talks with Bruno Carvalho, the author of The Invention of the Future: A History of Cities in the Modern World, about the history of city planning and how urban design intertwines with a society’s prognostications and projections…
Cities have long been places of possibility—places where it seemed that we could break from the past and create an entirely new future. As Bruno Carvalho observes in his new book, The Invention of the Future: A History of Cities in the Modern World, this mindset is a key feature of what it means to be “modern”—a sensibility toward the present and the future as it relates to the past.
Yet, as Carvalho’s wide-ranging history details, a break from the past does not assume a positive vision of the future. In fact, Carvalho begins his book with the question “Where did the future go?”—the title of a debate between the venture capitalist Peter Thiel and anthropologist David Graeber. Both imagine that the only cities of tomorrow are on Mars. When did our vision of the future become so constrained, tired, and even dystopic?
Carvalho’s book returns to a recurring paradox we have faced since the Enlightenment: the better our capacity for creation and prediction, the more limited our ability to imagine a new future. He marvels, though, that “we know some of what is coming: urbanization and climate change, life and death. Between all that, there is a lot of space for reinvention.”
In our conversation, we look to the past to help us think through what reinvention might look like and discuss what it means to plan for a radically different future. We also discuss the legacies of Silicon Valley, the construction of New York City, urban futures moving from the West across the Pacific, and whether Carvalho is optimistic about what’s to come…
Eminently worth reading and pondering: “Where Did the Future Go?” from @lareviewofbooks.bsky.social.
* Jan Gehl
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As we undertake to understand the urban, we might recall that it was on this date in 455 that the Vandals entered Rome, which they plundered for the next two weeks. It was, as sackings went (this was Rome’s third, of four altogether), relatively “light”: while the Vandals (who had destroyed all of Rome’s aqueducts on their approach) looted Roman treasure and sold many Romans into slavery, their leader Genseric acceded to the pleas of Pope Leo that the Vandals refrain from the wholesale slaughter of Rome’s population and the destruction of the Eternal City’s historic buildings.
“A map of the world that does not include Utopia is not worth even glancing at”*…
A proposed cross-section of the Minnesota Experimental City
The future had arrived, and it looked nothing like what city planners expected. It was the early 1960s, and despite economic prosperity, American urban centers were plagued by pollution, poverty, the violence of segregation and crumbling infrastructure. As the federal highway system expanded, young professionals fled for the suburbs, exacerbating the decay…
One man had a revolutionary idea, a plan so all-encompassing it could tackle each and every one of the social issues at once: An entirely new experimental city, built from scratch with the latest technology, entirely free of pollution and waste, and home to a community of life-long learners.
The Minnesota Experimental City and its original creator, Athelstan Spilhaus, are the subjects of a new documentary directed by Chad Freidrichs of Unicorn Stencil Documentary Films. The Experimental City tells the story of the tremendous rise and abrupt fall of an urban vision that nearly came to fruition. At one point, the Minnesota Experimental City had the support of NASA engineers, Civil Rights leaders, media moguls, famed architect Buckminster Fuller and even vice president Hubert Humphrey. Many were drawn to the plan by Spilhaus’ background as well as his rhapsodic conviction for the necessity of such a city.
“The urban mess is due to unplanned growth—too many students for the schools, too much sludge for the sewers, too many cars for the highways, too many sick for the hospitals, too much crime for the police, too many commuters for the transport system, too many fumes for the atmosphere to bear, too many chemicals for the water to carry,” Spilhaus wrote in his 1967 proposal for an experimental city. “The immediate threat must be met as we would meet the threat of war—by the mobilization of people, industry, and government.”…
Creator of the comic “Our New Age,” which featured new science and technology in easy-to-digest fashion (including inventions he wanted to feature in his experimental city), Spilhaus had worked in the fields of mechanical engineering, cartography, oceanography, meteorology and urban planning. He initiated the Sea Grant College Program (a network of colleges and universities that conduct research and training related to oceans and the Great Lakes), helped invent the bathythermograph (a water temperature and depth gauge used in submarine warfare), and designed the science expo for the Seattle World’s Fair in 1962. But above all, the longtime dean of the University of Minnesota’s Institute of Technology was a futurist, and the experimental city was his brainchild that combined his many passions…
The Quixotic tale in toto at “How a $10 Billion Experimental City Nearly Got Built in Rural Minnesota.”
But the Modern Utopia must not be static but kinetic, must shape not as a permanent state but as a hopeful stage, leading to a long ascent of stages. Nowadays we do not resist and overcome the great stream of things, but rather float upon it. We build now not citadels, but ships of state.
― H.G. Wells
* Oscar Wilde
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As we’re careful what we wish for, we might send polymathic birthday greetings to the painter, sculptor, architect, musician, mathematician, engineer, inventor, physicist, chemist, anatomist, botanist, geologist, cartographer, and writer– the archetypical Renaissance Man– Leonardo da Vinci. Quite possibly the greatest genius of the last Millennium, he was born on this date in 1452.
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