Posts Tagged ‘criminology’
“The key to artificial intelligence has always been the representation”*…
AI is coming for search. OpenAI’s chatbot offers paraphrases, whereas Google offers quotes. Which, asks the estimable Ted Chiang, do we prefer?
… Think of ChatGPT as a blurry jpeg of all the text on the Web. It retains much of the information on the Web, in the same way that a jpeg retains much of the information of a higher-resolution image, but, if you’re looking for an exact sequence of bits, you won’t find it; all you will ever get is an approximation. But, because the approximation is presented in the form of grammatical text, which ChatGPT excels at creating, it’s usually acceptable. You’re still looking at a blurry jpeg, but the blurriness occurs in a way that doesn’t make the picture as a whole look less sharp.
…
There is very little information available about OpenAI’s forthcoming successor to ChatGPT, GPT-4. But I’m going to make a prediction: when assembling the vast amount of text used to train GPT-4, the people at OpenAI will have made every effort to exclude material generated by ChatGPT or any other large-language model. If this turns out to be the case, it will serve as unintentional confirmation that the analogy between large-language models and lossy compression is useful. Repeatedly resaving a jpeg creates more compression artifacts, because more information is lost every time. It’s the digital equivalent of repeatedly making photocopies of photocopies in the old days. The image quality only gets worse…
Should we bank on AI in search? “ChatGPT Is a Blurry JPEG of the Web,” in @NewYorker.
For more of Chiang’s thoughts on AI, listen to (or read) his interview with Ezra Klein, in which he suggest that “most fears about A.I. are best understood as fears about capitalism.”
Also apposite: “AI, Minus the Hype” and “Imagining The QAnon Of The AI Era.”
* Jeff Hawkins (who seems to be agreeing with Baudrillard that “the sad thing about artificial intelligence is that it lacks artifice and therefore intelligence”)
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As we fiddle with our filters, we might spare a thought for a man whose work has created a gargantuan training set for AI: Alphonse Bertillon; he died on this date in 1914. A police officer and biometrics researcher, he applied the anthropological technique of anthropometry to law enforcement, creating an identification system based on physical measurements. Anthropometry was the first scientific system used by police to identify criminals; before that time, criminals could only be identified by name or photograph. While the method was eventually eclipsed by fingerprinting, then DNA analysis, it is still in use.
Bertillon is also the inventor of the mug shot. Photographing of criminals had begun in the 1840s only a few years after the invention of photography, but in 1888 that Bertillon standardized the process.
Bertillon’s work has been hugely impactful– and lies at the root of many AI systems being developed to finger criminals (especially via facial recognition). It’s worth remembering that his (flawed) evidence was used to wrongly convict Alfred Dreyfus in the infamous Dreyfus affair.

“a crime committed by a person of respectability and high social status in the course of his occupation”*
Over the last two years, nearly every institution of American life has taken on the unmistakable stench of moral rot. Corporate behemoths like Boeing and Wells Fargo have traded blue-chip credibility for white-collar callousness. Elite universities are selling admission spots to the highest Hollywood bidder. Silicon Valley unicorns have revealed themselves as long cons (Theranos), venture-capital cremation devices (Uber, WeWork) or straightforward comic book supervillains (Facebook). Every week unearths a cabinet-level political scandal that would have defined any other presidency. From the blackouts in California to the bloated bonuses on Wall Street to the entire biography of Jeffrey Epstein, it is impossible to look around the country and not get the feeling that elites are slowly looting it.
And why wouldn’t they? The criminal justice system has given up all pretense that the crimes of the wealthy are worth taking seriously. In January 2019, white-collar prosecutions fell to their lowest level since researchers started tracking them in 1998. Even within the dwindling number of prosecutions, most are cases against low-level con artists and small-fry financial schemes. Since 2015, criminal penalties levied by the Justice Department have fallen from $3.6 billion to roughly $110 million. Illicit profits seized by the Securities and Exchange Commission have reportedly dropped by more than half. In 2018, a year when nearly 19,000 people were sentenced in federal court for drug crimes alone, prosecutors convicted just 37 corporate criminals who worked at firms with more than 50 employees.
With few exceptions, the only rich people America prosecutes anymore are those who victimize their fellow elites. Pharma frat boy Martin Shkreli, to pick just one example, wasn’t prosecuted for hiking the price of a drug used to treat HIV from $13.50 to $750 per pill. He went to prison for scamming investors in a hedge fund scheme years before. Meanwhile, in 2016, the CEO whose company experienced the deadliest mining disaster since 1970 served less than one year in prison and paid a fine of 1.4 percent of his salary and stock bonuses the previous year. Why? Because overseeing a company that ignores warnings and causes the deaths of workers, even 29 of them, is a misdemeanor…
A bracing look at an alarming phenomenon, and at the forces that drive it: “The Golden Age of White Collar Crime.”
See also this interactive “heat map” of “White Collar Crime Risk Zones,” from @sam_lavigne and his colleagues, and this paper on the cost of white collar crime– more than $300 Billion per year as of 2015; likely more now– and who pays for it (HBS pdf).
[Paul Noth in The New Yorker, via Jack Shalom]
* Criminologist Edwin Sutherland’s definition of white collar crime, 1939
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As we equilibrate equity, we might recall that it was on this date in 1933, the day after the German Parliament building (the Reichstag) was damaged by arson, that President Hindenburg issues the Decree for the Protection of People and the Reich…
Though the origins of the fire are still unclear, in a propaganda maneuver, the coalition government (made up of Nazis and the Nationalists) blamed the Communists. They exploited the Reichstag fire to secure President Hindenburg’s approval for an emergency decree, popularly known as the Reichstag Fire Decree, that suspended individual rights and due process of law. The Reichstag Fire Decree permitted the regime to arrest and incarcerate political opponents without specific charge, dissolve political organizations, and to suppress publications. It also gave the central government the authority to overrule state and local laws and overthrow state and local governments. The decree was a key step in the establishment of the Nazi dictatorship. Germany became a police state in which citizens enjoyed no guaranteed basic rights and the SS, the elite guard of the Nazi state, wielded increasing authority through its control over the police. [source]
“The Master’s tools will be used to take apart the Master’s house”*…
Alan Abel, a professional hoaxer who for more than half a century gleefully hoodwinked the American public — not least of all by making himself the subject of an earnest news obituary in The New York Times in 1980 — apparently actually did die, on [September 14], at his home in Southbury, Conn. He was 94…
Long before The Onion began printing farcical news articles, long before the Yes Men enacted their first culture-jamming political pranks, there was Alan Abel. A former jazz drummer and stand-up comic who was later a writer, campus lecturer and filmmaker, Mr. Abel was best known as a perennial public gadfly, a self-appointed calling that combined the verbal pyrotechnics of a 19th-century flimflam man with acute 20th-century media savvy.
He was, the news media conceded with a kind of irritated admiration, an American original in the mold of P. T. Barnum, a role model whom Mr. Abel reverently acknowledged…
An American Original: “Alan Abel, Hoaxer Extraordinaire, Is (on Good Authority) Dead at 94.”
For more on the equally-glorious Yes Men, see here and here.
* Anonymous
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As we find our way through fake news, we might spare a thought for John Augustus Larson; he died on this date in 1965. A Berkeley, California policeman, he was the first American police officer to have an academic doctorate and to use polygraph– which he invented– in criminal investigations.
“Nobody owns life, but anyone who can pick up a frying pan owns death”*…
The kitchen is well equipped and stocked. There’s a stove, a refrigerator full of food, a table with a rolling pin and a bowl, and a sink with Ivory soap. The wall calendar, featuring with a sailing ship, says it’s April 1944. But there’s something else: Every item is miniature, hand-crafted, and a doll lies on the floor, apparently dead, cause unknown.
This is one of Frances Glessner Lee’s Nutshell Studies of Unexplained Death, a series of 1/12-scale dioramas based on real-life criminal investigation cases. They were used—and continue to be studied even today—to train investigators in the art of evidence gathering, meticulous documentation, and keen observation. And they were created by one of the most unlikely and influential figures in crime scene forensics…
From “The Grim Crime-Scene Dollhouses Made by the ‘Mother of Forensics’,” which prompts a look back at (R)D’s earlier visit with Ms. Glessner:
Frances Glessner Lee (1878-1962) was a millionaire heiress and Chicago society dame with a very unusual hobby for a woman raised according to the strictest standards of nineteenth century domestic life: investigating murder. And she did this through a most unexpected medium: dollhouse-like dioramas. Glessner Lee grew up home-schooled and well-protected in the fortress-like Glessner House, designed by renown American architect H.H. Richardson, but she was introduced to the fields of homicide investigation and forensic science by her brother’s friend, George Magrath, who later became a medical examiner and professor of pathology at Harvard Medical School. Instantly captivated by the nascent pursuit, she became one of its most influential advocates. In 1936, she endowed the Department of Legal Medicine at Harvard and made subsequent gifts to establish chaired professorships and seminars in homicide investigation. But that’s not all…
Glessner Lee, rather than using her well cultivated domestic skills to throw lavish parties for debutantes, tycoons, and other society types, subverted the notions typically enforced upon a woman of her standing by hosting elaborate dinners for investigators who would share with her, in sometimes gory detail, the intricacies of their profession. Glessner Lee oversaw every detail of these dinners herself, down to the menu and floral arrangements. She could probably tell you which wine goes best with discussion about a strangled corpse found in a bathroom. But the matronly Glessner Lee — who may have been the inspiration for Angela Lansbury’s character in “Murder She Wrote”– wanted to do more to help train investigators. She wanted to create a new tool for them…
In her conversations with police officers, scholars and scientists, she came to understand that through careful observation and evaluation of a crime scene, evidence can reveal what transpired within that space. The physical traces of a crime, the clues, the vestiges of a transgressive moment, have a limited lifespan, however, and can be lost or accidentally corrupted. If a crime scene were properly studied, the truth would ultimately be revealed.
To help her investigator friends learn to assess evidence and apply deductive reasoning, to help them “find the truth in a nutshell,” Frances Glessner Lee created what she called “The Nutshell Studies of Unexplained Death,” a series of lovingly crafted dioramas at the scale of one inch to one foot, each one a fully furnished picturesque scene of domesticity with one glaringly subversive element: a dead body…
These miniature crime scenes were representations of actual cases, assembled through police reports and court records to depict the crime as it happened and the scene as it was discovered. They were pure objective recreations. The design of each dollhouse, however, was Glessner Lee’s own invention and revealed her own predilections and biases formed while growing up in a palatial, meticulously appointed home. She makes certain assumptions about taste and lifestyle of low-income families, and her dioramas of their apartments are garishly decorated with, as Miller notes, “nostalgic,” and “often tawdry” furnishings.
Investigators had to learn how to search a room and identify important evidence to construct speculative narratives that would explain the crime and identify the criminal. Glessner Lee’s models helped them develop and practice specific methods –geometric search patterns or zones, for example– to complete an analysis of a crime scene. “The forensic investigator,” Miller writes, “takes on the tedious task of sorting through the detritus of domestic life gone awry….the investigator claims a specific identity and an agenda: to interrogate a space and its objects through meticulous visual analysis”…
Read the full story at “How a Chicago Heiress Trained Homicide Detectives With an Unusual Tool: Dollhouses.”
* William S. Burroughs
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As we re-enact the crime, we might send elegantly-designed birthday greetings to Sir Christopher Wren; he was born in this date (O.S.) in 1632. One of the most highly acclaimed English architects in history, he was given responsibility for rebuilding 52 churches in the City of London after the Great Fire in 1666, including what is regarded as his masterpiece, St Paul’s Cathedral, on Ludgate Hill, completed in 1710; his other works include the Royal Naval College, Greenwich, and the south front of Hampton Court Palace, and the Wren Building, the main building at the College of William and Mary in Virginia.
Educated in Latin and Aristotelian physics at Oxford, Wren was also a notable anatomist, astronomer, geometer, and mathematician-physicist. He was a founder of the Royal Society (and its president 1680–82).
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