Jason Kottke on one artist’s attempt to illuminate those talents and the lives of those who practiced them…
In 1950, master photographer Irving Penn set up a simple studio in Paris and started to photograph people of all kinds of professions, each wearing their work clothes and carrying the tools of their trade.
Working in the tradition of representing the petits métiers, Penn photographed fishmongers, firefighters, butchers, bakers, divers, baseball umpires, chefs, bike messengers, and sellers of goods of all kinds.
Penn continued photographing workers in New York and London, collecting the photos into a project called Small Trades.
Like everyone else who has recorded the look of tradesmen and workers, the author of this book was motivated by the fact that individuality and occupational pride seem on the wane. To a degree everyone has proved right, and since these photographs were made, London chimney sweeps have all but disappeared and in New York horseshoers — hard to find in 1950 — now scarcely exist…
As we peruse professions, we might send muckraking birthday greetings to Upton Sinclair; he was born on this date in 1878. A writer, activist, and politician, he is probably best remembered for his classic novel, The Jungle, which exposed labor and sanitary conditions in the U.S. meatpacking industry, causing a public uproar that contributed in part to the passage a few months later of the 1906 Pure Food and Drug Act and the Meat Inspection Act.
Many of his novels can be read as historical works. Writing during the Progressive Era, Sinclair describes the world of the industrialized United States from both the working man’s and the industrialist’s points of view: e.g., King Coal (1917, covering John D. Rockefeller and the 1914 Ludlow Massacre in the coal fields of Colorado), Oil! (1927, the Teapot Dome Scandal), and The Flivver King (1937, Henry Ford– his “wage reform,” his company’s Sociological Department, and his decline into antisemitism) describe the working conditions of the coal, oil, and auto industries at the time.
Sinclair ran (as a Democrat) for Governor of California in 1934, during the Great Depression, under the banner of the End Poverty in California campaign, but was defeated in the general election.
He was awarded he Pulitzer Prize for Fiction in 1943 for Dragon’s Teeth, which portrayed the Nazi takeover of Germany during the 1930s.
It is difficult to get a man to understand something, when his salary depends upon his not understanding it.
Upton Sinclair, ruminating on his gubernatorial loss
… an observation that gets truer with time. Whether built from scratch…
Dubai, UAE, 1990-2013
or rebuilt…
Tokyo, Japan, after WWII in 1945 and 2013
in the developing world…
China’s high-tech hub, Shenzen, 1980-2011
or the developed…
Paris, France, 1900-2012
… cities just keep on changing, as global commerce spurs development worldwide and millions move from rural to urban lives.
More “then and now” photos of other cities at “Before and After.”
* Joesph Brodsky
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As we admit that it’s tough to keep ’em down on the farm, we might send empathetic birthday greetings toLouis “Studs” Terkel; he was born on this date in 1912. Trained as an attorney at the University of Chicago, but graduating into the Depression, he decided instead to be a hotel concierge– a post he soon deserted for the stage. In one of his first gig as an actor, he had a cast-mate also named Louis, and was asked to pick a nickname; he chose the moniker of his favorite fictional character– Studs Lonigan, of James T. Farrell’s trilogy.
In 1934, Terkel began to do radio production for the Federal Writer’s Project, which led to his own program, which daily aired on WFMT in Chicago for 45 years. Over the years he interviewed Martin Luther King, Leonard Bernstein, Bob Dylan,Dorothy Parker, Tennessee Williams, and Jean Shepherd, among many, many others.
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