Archive for April 2016
“I intend to put up with nothing that I can put down”*…

Mary Kelly and Holly Hibner, two Michigan public librarians, have struggled for years to prune their collections.
As The New Yorker notes, librarians call it “weeding,” and the choice of words is important: a library that “hemorrhages” books loses its lifeblood; a librarian who “weeds” is helping the collection thrive. The key question, for librarians who prefer to avoid scandal, is which books are weeds…
Seven years ago, we visited the blog on which they memorialize their choices. Now Kelly and Hibner have written a book, Making a Collection Count: A Holistic Approach to Library Collection Management, which proposes best practices for analyzing library data and adapting to space constraints.
Learn their lessons at “Weeding the Worst Library Books.”
* Edgar Allan Poe
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As we dither over deacquisition, we might recall that it was on this date that “the brave engineer” Casey Jones died in a train wreck in Vaughan, Mississippi, while trying to make up time on the Cannonball Express. He was killed when his passenger train collided with a stalled freight train on a foggy, rainy night. His dramatic attempt to stop his train and save lives made him a hero; he was immortalized in a popular ballad sung by his friend Wallace Saunders, an African-American engine wiper for his line, the Illinois Central, and later recorded, among others, Mississippi John Hurt, Pete Seeger, Furry Lewis, Johnny Cash, and played live by the The Grateful Dead (hear it on Spotify here).
“Here’s to alcohol, the rose colored glasses of life”*…

“As ‘cocktail,’ so I gather, has become a verb, it ought to be conjugated at least once,” wrote the author of The Great Gatsby in a 1928 letter to Blanche Knopf, the wife of publisher Alfred A. Knopf. Who better to first lay out its full conjugation than the man who, as the University of Texas at Austin’s Harry Ransom Center puts it, “gave the Jazz Age its name”? Given that his fame “was for many years based less on his work than his personality—the society playboy, the speakeasy alcoholic whose career had ended in ‘crack-up,’ the brilliant young writer whose early literary success seemed to make his life something of a romantic idyll,” he found himself well placed to offer the language a new “taste of Roaring Twenties excess.”…
More at “F. Scott Fitzgerald Conjugates ‘to Cocktail,'” (where one will also find a larger image of the letter and an audio version).
* F. Scott Fitzgerald, The Beautiful and Damned
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As we descend to declension, we might spare a thought for Albert Hofmann; he died on this date in 2008 (at the age of 102). As a young chemist at Sandoz in Switzerland, Hofmann was searching for a respiratory and circulatory stimulant when he fabricated lysergic acid diethylamide (LSD); handling it, he absorbed a bit through his fingertips and realized that the compound had psychoactive effects. Three days later, on April 19, 1943– a day now known as “Bicycle Day”– Hofmann intentionally ingested 250 micrograms of LSD then rode home on a bike, a journey that became, pun intended, the first intentional acid trip. Hofmann was also the first person to isolate, synthesize, and name the principal psychedelic mushroom compounds psilocybin and psilocin.
“In the beginning was the Word. Then came the f**king word processor”*…

The story of writing in the digital age is every bit as messy as the ink-stained rags that littered the floor of Gutenberg’s print shop or the hot molten lead of the Linotype machine. During the period of the pivotal growth and widespread adoption of word processing as a writing technology, some authors embraced it as a marvel while others decried it as the death of literature. The product of years of archival research and numerous interviews conducted by the author, Track Changes is the first literary history of word processing…
More at HUP’s page, and
- Visit Matthew Kirschenbaum’s Track Changes Tumblr for materials related to the book
- Read early coverage of the project from the New York Times, the Guardian, and the Atlantic Wire
- At the HUP Blog, read an exchange on the tools of literary production between Kirschenbaum and Hannah Sullivan, author of The Work of Revision
- Listen to a 2011 lecture based on the book’s first chapter, presented by Kirschenbaum at the New York Public Library
* Dan Simmons
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As we stretch for the backspace key, we might recall that it was on this date in 1893, in the text of Alfred Jarry’s play Guignol in L’Écho de Paris littéraire illustré, that the term– and the concept of– ‘pataphysics first appeared. Jarry defined ‘pataphysics (derived from a contracted Greek formation that means “that which is above metaphysics”) as “the science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments.” Jarry insisted on the inclusion of the apostrophe in the orthography, ‘pataphysique and ‘pataphysics, “to avoid a simple pun”… indeed Jarry’s aim was to compound the puns: The term pataphysics is a paronym (considered a kind of pun in French) of metaphysics. Since the apostrophe in no way affects the meaning or pronunciation of pataphysics, this spelling of the term is a signal–a sly notation– to the reader, suggesting a variety of puns, among them patte à physique (“physics paw”), pas ta physique (“not your physics”), and pâte à physique (“physics pastry dough”).
Jarry’s concept was resurrected after World War II with the foundation (in 1948) of The Collège de ‘Pataphysique, a “society committed to learned and inutilious research” (“inutilious” = “useless”). Its members have included Raymond Queneau, Eugène Ionesco, Joan Miró, Man Ray, Max Ernst, Julien Torma, Roger Shattuck, Groucho, Chico and Harpo Marx, and Marcel Duchamp.

Alfred Jarry
“Reality leaves a lot to the imagination”*…

Donald D. Hoffman, a professor of cognitive science at the University of California, Irvine. Hoffman has spent the past three decades studying perception, artificial intelligence, evolutionary game theory and the brain, and his conclusion is a dramatic one: The world presented to us by our perceptions is nothing like reality. What’s more, he says, we have evolution itself to thank for this magnificent illusion, as it maximizes evolutionary fitness by driving truth to extinction…
The fantastic tale in full at “The Evolutionary Argument Against Reality.”
[Image above source]
* John Lennon
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As we question everything, we might recall that it was on this date in 1810 that Beethoven wrote Bagatelle No. 25 in A minor (WoO 59 and Bia 515) for solo piano– better known as “Für Elise” (click to hear).
Some scholars have suggested that “Elise” was Beethoven’s mistress; but others have suggested that the discoverer of the piece, Ludwig Nohl, may have have misunderstood the Master’s handwriting, and transcribed the title incorrectly, that the original work may have been named “Für Therese”– Therese being Therese Malfatti von Rohrenbach zu Dezza, a friend and student of Beethoven’s to whom he proposed in 1810… though she turned him down to marry the Austrian nobleman and state official Wilhelm von Droßdik. Today, Therese is forgotten; Elise, celebrated. In any case, it’s a beautiful piece…

The famous opening bars

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