Posts Tagged ‘Wired’
“Follow the money”*…
Professor and author Dave Karpf is re-reading the entire WIRED back catalog chronologically (for the second time) for a book project on the “history of the digital future.” A consideration of a 2000 issue devoted to the future has led him to a fascinating insight…
The January 2000 issue is themed around predictions. The magazine did the same thing in January 1999. They ask a ton of experts and celebrities to talk about what the future is going to be like. Some take it seriously, others make jokes. Some are prescient, others notsomuch. It’s a window into what the future looked like back then.
[Karpf reviews a number of the predictions, concluding with…]
…And then there’s this perfect Nathan Myrvhold quote “There won’t be TV per se in three decades. There will be video service over the Internet, but it will be as different from TV today as, say, MTV from the Milton Berle show of the 1950s or from radio plays of the 1940s.”
This is art. I want to frame Myrvhold’s quote and put it in a museum of lopsided tech futurist predictions.
The part that he gets right is the technological development curve. There he is, at the turn of the millennium, five years before the inception of YouTube, telling us that the future of television is going to be video service over the Internet. Yes, absolutely right!
But the part he gets wrong is the industrial, social, and economic impacts of this technological development. We’re seeing this right now, in 2023, as the various streaming services add advertising and strike content-sharing partnership deals with each other. We have these revolutionary new technological developments, and, for about a decade, they were supported by a stock market bonanza. But now that the stocks are no longer ridiculously overvalued, the companies driving these technological developments have settled on a vision of replacing old cable tv with new cable tv. (I wrote about this in July 2022, btw, back when this Substack had a much smaller readership. I think the piece holds up well.)
Technologically, it didn’t have to be this way. But, given all the existing incentive structures established by 21st century capitalism, it was all-but-certain that we would end up here.
I see this time and time again when reading predictions of social transformation from 90s- and 00s-era technologists [cough NicholasNegropontewasconstantlywrong cough]. And I see the same thing today, every time an artificial general intelligence true believer starts opining on the glorious future of education/entertainment/science/manufacturing/art.
I wrote about this phenomenon last year in The Atlantic, where I argued that we won’t be able to tell what the future of AI looks like until we have a sense of where the revenue streams come from. The trajectory of any emerging technology bends towards money.
…
I’m writing a whole book about the lopsided ways in which tech futurists always get their predictions wrong. And one major reason why is that they focus on what the technology could do, given time and mass adoption, rather than considering what capitalism will surely do to those technologies, unless we alter the incentives through regulations.
The trajectory of every emerging technology bends toward revenue streams. If you want to build a better future, you cannot ignore the shaping force of money…
A peek back at some tech predictions from January 2000: “From the WIRED archives: The trajectory of any emerging technology bends toward money,” by @davekarpf (referral account)
See also “The frantic battle over OpenAI shows that money triumphs in the end” (in which Robert Reich argues that, though the revenue streams aren’t yet obvious, protecting their emergence was at the core of the recent battle for control of what was, ostensibly, a not-for-profit) and the oddly apposite “Nerd culture is murdering intellectuals.”
And for more on Karpf’s march through WIRED’s history and what it can tell us about the ways that tech and our culture have changed, see “Notes from #WIRED30.”
* Deep Throat (as portrayed the film adaptation of All the President’s Men)
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As we pay attention to the profit motive, we might recall that this is an important date in broadcast history. On this date in 1896, Guglielmo Marconi introduced “radio”: he amazed a group at Toynbee Hall in East London with a demonstration of wireless communication across a room. Every time Marconi hit a key beside him at the podium, a bell would ring from a box being carried around the room by William Henry Preece.
Then exactly five years later, on this date in 1901, Marconi confounded those who believed that the curvature of the earth would limit the effective range of radio waves when he broadcast a signal from Cornwall, England to Newfoundland, Canada– over 2,100 miles– and in so doing, demonstrated the viability of worldwide wireless communication.
In the earliest days of radio, when it was essentially a wireless telegraph, there were myriad predictions of what the technology might become– from an internet-like decentralized community of communicators to a provider of education, telemedicine, and other special services… in the event, of course, it followed the money.
“For some of us, books are as important as almost anything else on earth”*…
Preserving precious publications…
It all started in 1994. The flooding of the Po river and its tributaries had just swept away entire villages in the Piedmont region of northern Italy, leaving behind only death and debris. The whole of Italy was shocked. Of all the damage broadcast on television, one caused a particular sensation: In the village Santo Stefano Belbo, the historical archive of Cesare Pavese, one of the most famous and beloved Italian writers, was buried in mud.
The debacle particularly impressed a man named Pietro Livi, president of Frati & Livi in Bologna, a company that had been restoring and conserving ancient texts for nearly 20 years. At that time, however, no one in Italy was equipped for this kind of rescue. In the past, flooded and muddy documents were entrusted to companies that used basic restoration methods that proved both invasive and ineffective: The books were simply placed in ovens or air-dried in large rooms, which often left the texts unusable and made mold only proliferate.
So Livi decided to find out if anyone in Europe had found a more effective way to save these invaluable records of human achievement. Finally, in Austria, Livi found a freeze dryer that held some promise, but it was too big and costly for a small artisanal company like his. Then, in 2000, the Po river overflowed again. In the city of Turin, entire archives belonging to distinguished institutes and libraries ended up underwater.
At a loss for what to do, Italy’s Archival Superintendency of the Ministry of Cultural Heritage summoned Livi. By this time, Livi had established a solid reputation as a master restorer, having studied the art of book restoration with Benedictine friars. But he realized that for a project of this scope, his expertise was no longer enough; he needed a kind of Renaissance workshop, where he could collaborate with professionals from a variety of disciplines. Livi believed that the time had come where the world of artisan knowledge and the world of technology, too often considered as opposites, had to talk to each other—for the benefit of one another…
Then, on November 12, 2019, the city of Venice, one of the world’s most mythical and most admired locales, suffered its worst flood in 53 years. The swollen lagoon soaked roughly 25,000 valuable texts, including the last surviving original of one of Vivaldi’s musical scores. Frati & Livi was quickly called to the scene…
In the city of Bologna, home to the western world’s oldest university, Pietro Livi developed an unusual machine shop—part artisanal and part high-tech—built to restore damaged ancient texts to their former glory. And then came Venice’s historic floods of 2019: “Italy’s Book Doctor,” from @CraftsmanshipQ.
* “For some of us, books are as important as almost anything else on earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort and quiet or excite you. Books help us understand who we are and how we are to behave. They show us what community and friendship mean; they show us how to live and die.” – Anne Lamott
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As we celebrate craft, we might we spare a thought for publishing pioneer Condé Montrose Nast; he died on this date in 1942. After serving as Advertising Director at Colliers, then a brief stint in book publishing, Nast bought a small New York society magazine called Vogue— which he proceeded to turn into the nation’s, then the world’s leading fashion magazine. While other periodical publishers simply sought higher and higher circulation, Nast introduced the “lifestyle” title, targeted to a group of readers by income level or common interest. By the time of his death, his stable of monthlies also included House & Garden, British, French, and Argentine editions of Vogue, Jardins des Modes, (the original) Vanity Fair, and Glamour; subsequently, the group added such resonant lifestyle books as Gourmet, New Yorker, and Wired.

And a’one and a’two…

German composer Michael Petermann has assembled an orchestra (from vintage appliances purchased on eBay) to perform “Blödes Orchester” (Stupid Orchestra), a “symphonic piece for home appliance,” now appearing at the Museum für Kunst und Gewerbe in Hamburg.
[TotH to the ever-extraordinary Laughing Squid]
As we ask the blender to tone down the vibrato, we might wish a stylish happy birthday to publishing pioneer Condé Montrose Nast; he was born on this date in 1873. After serving as Advertising Director at Colliers, then a brief stint in book publishing, Nast bought a small New York society magazine called Vogue— which he proceeded to turn into the nation’s, then the world’s leading fashion magazine. While other periodical publishers simply sought higher and higher circulation, Nast introduced the “lifestyle” title, targeted to a group of readers by income level or common interest. By the time of his death, his stable of monthlies also included House & Garden, British, French, and Argentine editions of Vogue, Jardins des Modes, (the original) Vanity Fair, and Glamour; subsequently, the group added such resonant lifestyle books as Gourmet, New Yorker, and Wired.
Condé Nast (source)
I had to walk ten miles to school– through the snow!…
source: HowStuffWorks
Wired’s GeekDad has compiled (with help from his readers) a list of “100 Things Your Kids May Never Know About“… For example,
2. Super-8 movies and cine film of all kinds…
33. Having to delete something to make room on your hard drive…
44. Filling out an order form by hand, putting it in an envelope and posting it…
70. Taking turns picking a radio station, or selecting a tape, for everyone to listen to during a long drive…
92. Writing a check…
The full list is here… Poignancy is all.
As we dab at our eyes, we might recall that it was on this date in 1965 that Bob Dylan was booed off stage at the Newport Jazz Festival during his first public performance with electric instruments (and a band that included Michael Bloomfield and Al Kooper)… The cat-calling began with his opening number, “Maggie’s Farm,” and continued through three more songs, after which Dylan left the stage. As a peace offering to Pete Seeger and other aggrieved organizers, Dylan returned later to do two acoustic numbers… but the die was cast; thereafter, his career was electrically-powered…
Dylan, breaking the mold (source: Popmatters)


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