Posts Tagged ‘theme park’
““The strangenesses are multiplying… though the world before they began was already a strange place, so often it’s difficult to know if an event falls into the category of the old, ordinary strangenesses or the new, extraordinary variety.”*…
In a review of five recent books, Robert Baskin considers the genre of “weird fiction”…
On Tuesday, April 29, 2003, the British science fiction and fantasy writer M. John Harrison [accomplished author, Booker judge, and long-list nominee this year] asked a question on Third Alternative magazine’s messageboard: “The New Weird. Who does it? What is it? Is it even anything?” This incited a taxonomic fury, as writers, fans, and amateur scholars attempted to define this new subgenre. Harrison eventually offered his own definition; the New Weird, like stories published in the namesake early twentieth-century pulp magazine Weird Tales, is a mix of “horror, sf, and fantasy,” with an emphasis on the horror…
[Baskin usess the books in question to review the genre’s history (Poe, Lovecraft, Edith Wharton [!]) and its current state (Miéville, VanderMeer, et al.); he concludes…]
… So why read this shit? Why reissue it?
Weird fiction is a literature of crisis. The main narrative move of every important Weird fiction story is the Weird intrusion, the appearance of the new and wrong object or sensation or practice that does not belong. These intrusions challenge and endanger the protagonist’s sense of metaphysical stability. In the King in Yellow, the Weird intruder is the titular play—the madness of the text refuses to remain on the page. China Miéville argues that this awareness of crisis makes Weird Fiction uniquely open to interpretation: a “leeway for readings against the ideological grain is part of what makes Weird Fiction such an ongoingly fascinating field.” The Weird is not just a literature of fear and repulsion; it also always includes wonder and attraction. “The Shadow Over Innsmouth” – Lovecraft’s contribution to the Weird Mount Rushmore – depicts the state’s extermination of a group of racially ambiguous New Englanders who made the mistake of breeding with fishy foreigners. Despite this, the story ends in sublime ambiguity [spoiler for a nearly century-old story to follow]. The protagonist, who has spent the rest of the story in hateful terror of the Innsmouth locals, discovers that he is one of them, and in my favorite passage in all of Lovecraft, decides to go to the sea with his cousin and embrace The Weird: “We shall swim out to that brooding reef in the sea and dive down through black abysses to Cyclopean and many-columned Y’hanthlei, and in that layer of the Deep Ones we shall dwell amidst wonder and glory for ever.” What was once feared is now cause for exultation. The move between terror and wonder recurs throughout the Weird corpus—if you’re attuned to its Weird frequencies…
A literature for our times: “‘We Shall Dwell Amidst Wonder and Glory For Ever’: On Weird Fiction,” from @clereviewbooks.bsky.social.
* Salman Rushdie, Two Years Eight Months and Twenty-Eight Nights
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As we engage extremity, we might recall that i was on this date in 1946 that Santa Claus Land, the world’s first themed amusement park, opened in Santa Claus, Indiana…
In 1941, Louis J. Koch visited the town of Santa Claus in Indiana. He found it sad that some children would visit this town eager to meet Santa only to find that he was not there. This fueled his desire to create a Santa Claus Land park where kids could see Santa any time of the year. Due to World War II, construction didn’t begin until August 1945.
The park opened on this day in 1946 with free admission, a toy shop, toy displays, a restaurant, a few rides and of course the jolly old elf himself. Later, a deer farm was added.
In 1955, a new section, Pleasureland (now known as Rudolph’s Reindeer Ranch) was added. As the park grew, the focus of the park grew as well focusing on families rather than just children.
By 1984, the park added a Halloween and a Fourth of July section to the park and changed its name to Holiday World. In 1993, the Koch family added the Splashin’ Safari Water Park. In 2006, during the park’s 60th anniversary, Holiday World added a Thanksgiving section.
– source
“Everyone waits in line”*…
What we can learn from studying the crowd-management approaches at Disneyland…
Who gets to do what and when at a themepark may sound like a trivial question, but I think it’s a perfect little microcosm for the distributional problems that are at the heart of all political economy – questions that the pandemic’s shortages and shocks threw into stark relief…
Stay in your lane: “The definitive answers to Disney’s pernicious queueing debates,” from Cory Doctorow (@doctorow)
The video that Cory recommends:
(image at the top: source)
* Paul Theroux
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As we bide our time, we might recall that it was on this date in 1971 that traffic-choking crowds jammed Walt Disney World to capacity (on the day after Thanksgiving). Shortly before noon the Florida park closed its gates to additional visitors.
“Better the illusions that exalt us than ten thousand truths”*…
St. Petersburg is set to open a sprawling, immersive theme park that will bring iconic Russian writer Alexander Pushkin’s fairy tales and poems to life in 2023. [sic]
Considered the founder of modern Russian literature, Pushkin wrote some of Russia’s most famous fairy tales and epic poems and remained popular through Soviet times and into the present.
Dutch design company Jora Vision will use Pushkin’s works as inspiration for the 17,000-square-meter Lukomorye park, named after the mythical Slavic land in which Pushkin’s fairy tales take place…
The interactive park, which will be populated by actors playing famous heroes from Pushkin’s stories, will stage carnivals, performances and master classes. While the park is still in its conceptual stage, visitors can expect to be able to learn about Pushkin’s life in an “immersive walkthrough experience,” Jora Vision says…
The future of entertainment is the past: “Immersive Pushkin-Themed Park to Open in St. Petersburg in 2023.”
* Alexander Pushkin
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As we make our travel plans, we might recall that it was on this date in 41 CE that Roman Emperor Caligula (see almanac entry here) was assassinated by the Praetorian Guard, which promptly proclaimed his uncle, Claudius, the new Emperor.
Caligula
“To an artist a metaphor is as real as a dollar”*…
Before a certain mouse took over Orlando, Florida was already home to a slew of delightfully bizarre tourist attractions. You could meet menacing pirates and hoop skirt-clad Southern Belles. Or visit the circus every day. Or watch an 80-year-old man break a world record as he waterskied barefoot in a banana-yellow jumpsuit…
How did the Sunshine State use to attract tourists? Circus animals, water ski shows and a half-mile replica of the Great Wall of China: “Let’s revisit Florida’s bizarre lost theme parks from before the Disney era.”
* Tom Robbins, Another Roadside Attraction
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As we pull over to investigate, we might recall that it was on this date in 1513 that Juan Ponce de León, the Spanish explorer who had become the Governor of Puerto Rico and Hispanola, but who believed there to be land further west, first set eyes on what he first believed was another island, which he claimed for Spain and named “Florida”… the name by which we know it still. Legend has it that Ponce de León was searching for the Fountain of Youth; while there is no contemporary evidence that that’s true, it does seem resonant with Florida’s history thereafter…
“Rock and roll is here to stay”*…
Hard Rock Park, a 50-acre rock music-themed amusement park just outside Myrtle Beach in South Carolina… billed as the world’s first rock and roll theme park, opened its gates to the public in the spring of 2008. One of the first things visitors saw when they walked through the gates was a giant electric guitar—rising 90 feet over the park’s central lagoon, the statue loomed into view as park-goers strolled past the bell towers of the entry plaza, modeled after the buildings in the cover art of Hotel California. If they looked down as they approached the water, they would realize they were standing on the frets of another guitar, set into the pavement.
The Gibson statue was iconic, but it wasn’t the park’s largest structure. That was Led Zeppelin The Ride: a roughly 150-foot tall rollercoaster designed in partnership with the band and synced to its 1969 hit, “Whole Lotta Love.” Riders boarded inside a life-sized airship, and speakers blasted the song’s breakdown as they were cranked up the lift hill; the iconic guitar riff kicked in as the train hurtled out of the first loop.
Across the water, a huge mural beckoned visitors into a Moody Blues-themed dark ride called Nights in White Satin: The Trip, designed to evoke a multisensory psychedelic experience. The adjacent concert arenas hosted artists like the Eagles, Kid Rock, and Charlie Daniels; after sunset, the lagoon erupted into a nightly fountain and firework extravaganza choreographed to Queen’s “Bohemian Rhapsody.” Lasers shot from the head of the guitar statue during Brian May’s solo, before a sparkler-covered kite was towed around the water during the song’s final bars…
Hard Rock Park closed after just five months, amid the 2008 financial crisis. Learn its (fascinating) story and take a stroll through what remains at “The Spectacular Failure of the World’s Only Hard Rock Theme Park.”
* Neil Young
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As we wave our lighters, we might recall that it was on this date in 2010 that Gordon Lightfoot (one of the fathers of folk-pop and “Canada’s greatest songwriter”), driving himself home from a visit to his dentist, heard on the radio that he had died. “It seems like a bit of a hoax or something,” the then-71-year-old singer said at the time. “I was quite surprised to hear it myself.”
(As it happened, then-CTV journalist David Akin had posted on Twitter and Facebook a rumor that he’d heard that Lightfoot had died… without qualifying that it was a rumor.)
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