(Roughly) Daily

Jodi Picoult‘s books are being pulled off of Florida school library shelves; she explains why we should care…

In the past six months, my books have been banned dozens of times in dozens of school districts. As sad as it seems, I was getting used to the emails from PEN America’s Jonathan Friedman telling me that yet again, my novel was under attack. But this week, something truly egregious happened. In Martin Country School District, 92 books were pulled from the school library shelves. Twenty of them were mine.

The 92 books fell into three categories: those with mature content, those written by BIPOC authors, and those written by LGBTQ authors. My books were removed because they were, according to the sole parent who made the challenge, “adult romance that should not be on school shelves.” It is worth noting I do not write adult romance. The majority of the books that were targeted do not even have a kiss in them. What they do have, however, are issues like racism, abortion rights, gun control, gay rights, and other topics that encourage kids to think for themselves.

When I read through the list of the 20 novels of mine that were pulled from the Martin County School District bookshelves, one surprised me the most. The Storyteller is a novel about the Holocaust. It chronicles the growth of anti-Semitism and fascism in Nazi Germany. There was a strange irony that a parent wanted this particular book removed, because it felt a bit like history repeating itself…

Florida has passed very broadly worded laws that limit what books can and cannot be in schools. Teachers who do not obey face penalties. Every book in a school must be reviewed by a media specialist and schools are told to “err on the side of caution.”

Some activists and parents have taken these laws as free reign to remove whatever books they personally do not deem acceptable. Some districts take the books off shelves “pending review”— but months and years go by without a review, and the books remain locked away. The outcome has been empty shelves in Florida classrooms and school libraries, where teachers and media specialists don’t only ban books that have been challenged but, in fear of future retribution, also remove other books that might result in punitive measures. The result? Students don’t have access to certain titles.

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Many of my writer friends whose books have been challenged hear the same refrain: “Kids can just get those books somewhere else!” Unfortunately, not every kid has access to a public library or transportation to get there; for many, a school or classroom library is their only resource. We also hear: “Oh, that’s just gonna drive up sales!” Trust me, none of us want that. What we want is for kids to be able to read what they want to read, instead of being told what they should read. We want the great majority of folks in communities who support the freedom to read to be just as loud as those select few who are making so much noise against it.

In the brilliant words of Dr. Rudine Sims Bishop, books create windows through which kids can escape and mirrors in which they can find themselves. We want you to stand in solidarity with us, the writers who create these books. Because we’ve seen, historically, what the next chapter looks like when we don’t speak out against book challenges… and that story does not end well…

Eminently worth reading in full: “What Florida Doesn’t Want You to Know About Its Book Bans,” from @jodipicoult in @thedailybeast.

* Potter Stewart (Supreme Court Justice, 1958-81)

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As we encourage curiosity, we might spare a thought for a man with some personal experience of censorship, Jan Němec; he died on this date in 2016. A filmmaker, he was the the “enfant terrible of the Czech New Wave.”

His best known work is A Report on the Party and the Guests (1966), about a group of friends on a picnic who are invited to a bizarre banquet by a charismatic sadist, who eventually bullies most of them into blind conformity and brutality while those who resist are hunted down. It was not a hit with Czech authorities, who had it banned. (Antonín Novotný, the president, was said to “climb the walls” on viewing it and Němec’s arrest for subversion was considered.)

He was in the middle of shooting a documentary about the Prague Spring for a US producer when the Warsaw Pact invasion of Czechoslovakia occurred. He smuggled his footage of invasion to Vienna, where it was broadcast on Austrian television. He re-edited the footage released the documentary Oratorio for Prague. It received standing ovations at the New York Film Festival in the fall of 1968. Němec’s footage would eventually be used by countless international news organizations as stock footage of the invasion; and Philip Kaufman’s film adaptation of The Unbearable Lightness of Being (1988) also used footage from the film (on which Němec served as an advisor).

Němec was given a warning by the government that “… if he came back, they would find some legal excuse to throw him in jail.” From 1974 to 1989, he lived in Germany, Paris, the Netherlands, Sweden, and the United States. He stayed in the U.S. for twelve years. Unable to work in traditional cinema, he was a pioneer in using video cameras to record weddings (documenting, for example, the nuptials of the Swedish royal family).

After the fall of communism in Czechoslovakia in 1989, he returned to his native country, where he made several films, including Code Name Ruby (1997) and Late Night Talks with Mother (2000), which won the Golden Leopard at Locarno.

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