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Posts Tagged ‘festival

“What do you do when your kid can only count to four? Buy him a drum kit and call him gifted!”*…

 

It may be that familiarity breeds contempt, and if that’s so, we should all be very glad of the wealth of excellent documentaries correcting the monolithic commercial story of punk, which goes something like this: The Sex Pistols and The Clash explode into the world in 1977 purveying anarchy and revolution and designer BDSM gear, and the status quo freaks out, then discovers many savvy marketing opportunities and here we are at our local punk boutique before the punk arena show at Corporation Stadium.

That’s a boring story, mostly because all the most interesting parts, and weirdest, most violent, gross-out, angry, experimental, queer, black, radical, feminist, etc. parts get left out, along with nearly all the best bands. Even if we date punk from the early seventies in New York with Patti Smith and the Ramones, we’re missing key progenitors from the 60s, from Detroit, Germany, Tacoma, Washington…

From the “liner notes” to a extraordinary Spotify playlist, “The Evolution of Punk in Chronological Order.” More background (on Open Culture), along with a link to download the Spotify app lest one need to, at: “The History of Punk Rock in 200 Tracks: An 11-Hour Playlist Takes You From 1965 to 2016.”

[TotH to Brad DeGraf]

* Frank Edwin Wright III (Tré Cool, Green Day)

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As we make three chords work, we might recall that it was on this date in 1967 that The KFRC Fantasy Fair and Magic Mountain Music Festival opened on Mt. Tam in Marin County, California, featuring Canned Heat, Dionne Warwick, Every Mother’s Son, P. F. Sloan, The Seeds, Blues Magoos, Country Joe and the Fish, Captain Beefheart, The Byrds (with Hugh Masekela on trumpet), Tim Hardin, The Grass Roots,  The 5th Dimension, Jefferson Airplane, and the Doors (in their first major appearance, contemporaneous with the rise of their first hit, “Light My Fire”), among many others.  At least 36,000 people attended the two-day concert and fair– the first of a series of San Francisco area cultural events known as “the Summer of Love.”  Admission to the festival was $2.00 and all proceeds were donated to the nearby Hunters Point Child Care Center in San Francisco.

While the (much more completely documented) Monterey International Pop Festival is widely remembered as the seminal event of that epochal summer, the KFRC Festival took place one week before Monterey and is considered to have been America’s – if not the world’s – first rock festival.

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Written by LW

June 10, 2017 at 1:01 am

“The sweat of hard work is not to be displayed. It is much more graceful to appear favored by the gods.”*…

 

If riding a giant log down a steep mountain sounds like an ideal way to spend a quiet spring afternoon, the Onbashira Festival is for you. Held every 6 years in Nagano, Japan, the festival involves moving enormous logs over difficult terrain completely by hand with the help of thickly braided ropes and an occasional assist from gravity as the logs barrel down hills. The purpose is to symbolically renew a nearby shrine where each log is eventually placed to support the foundation of several shrine buildings. The event has reportedly continued uninterrupted for 1,200 years…

email readers click here for video

More at: “A Glimpse into Onbashira, the Dangerous Japanese Log Moving Festival.”

* Maxine Hong Kingston

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As we fulminate on flumes, we might recall that it was on this date in 1940 that the Warner Bros. Merrie Melodies animated short “A Wild Hare”– the first “official” Bugs Bunny cartoon– premiered (though readers will recall that Bugs [or at least, his prototype] made his inaugural screen appearance two years earlier).  Directed by Tex Avery, “A Wild Hare” was nominated for an Academy Award.

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Written by LW

July 27, 2016 at 1:01 am

“‘Tis not alone my inky cloak… Nor customary suits of solemn black”*…

 

Michelangelo Merisi
da Caravaggio used ivory black to convey asceticism, piety, and inspiration in his 1605-6 painting, St Jerome Writing.

Suddenly, black was everywhere. It caked the flesh of miners and ironworkers; it streaked the walls and windows of industrial towns; it thickened the smoky air above. Proprietors donned black clothing to indicate their status and respectability. New black dyes and pigments created in factories and chemical laboratories entered painters’ studios, enabling a new expression for the new themes of the industrial age: factory work and revolt, technology and warfare, urbanity and pollution, and a rejection of the old status quo. A new class of citizen, later to be dubbed the “proletariat,” began to appear in illustrations under darkened smokestacks. The industrial revolution had found its color.

Black is technically an absence: the visual experience of a lack of light. A perfect black dye absorbs all of the light that impinges on it, leaving nothing behind. This ideal is remarkably difficult to manufacture. The industrialization of the 18th and 19th centuries made it easier, providing chemists and paint-makers with a growing palette of black—and altering the subjects that the color would come to represent. “These things are intimately connected,” says science writer Philip Ball, author of Bright Earth: The Invention of Color. The reinvention of black, in other words, went far beyond the color…

As the means of producing the color black changed, so did the subjects that it was used to evoke/represent. Get the basics at “The Reinvention of Black.”

* Shakespeare, Hamlet

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As we paint it black, we might we might retreat to the colorful, remembering that it was on this date in 1969 that “An Aquarian Exposition: 3 Days of Peace & Music” opened in the Catskills in New York State.  The organizers of the Woodstock Music and Art Fair– or Woodstock, as it is remembered– had hoped to sell 50,000 tickets; but by the week before the event, had moved 186,000.  A last-minute change of venue presented them with a hard choice: hastily erect more/stronger fences and install additional security on the new site (the now-famous Yasgur’s Farm) or offer the event for free.  The night before the event, with attendees already arriving in huge numbers, the promoters cut the fence.  Ultimately an estimated 400,000 people enjoyed a (somewhat rainy) weekend of performances from 32 acts.  It was, as Rolling Stone opined, a defining moment in Rock and Roll.

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Written by LW

August 15, 2015 at 1:01 am

“Smell was our first sense… We think because we smelled”*

 

Lisa Wade, in Pacific Standard:

Earlier this year I reviewed a study that found that, simply by changing the weight of an object in hand, psychologists can manipulate how seriously a person takes an issue. In other words, when holding something heavy, matters seem heavy. Or, concerns seem weightier when one is weighed down.

Thanks to an email from University of Southern California professor Norbert Schwarz, I was introduced to a whole series of studies on what psychologists call metaphorical effects. These are instances in which a metaphor commonly used to describe a psychological state or social reality can, in turn, induce that state or reality. So, for example, holding a warm cup of coffee makes people feel warmly toward each other (here), getting the cold shoulder makes people feel cold (here), people placed in a high location seem to be high in a hierarchy (here), and cleaning one’s hands makes a person feel morally clean (here).

Schwarz was the co-author, with Spike W.S. Lee, on another example of a metaphorical effect. They wanted to know if smelling something fishy made people suspicious. It did.

Read the noisome news in full at “Smelling Something Fishy Makes People More Suspicious.”

* Lyall Watson (in Jacobson’s Organ)

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As we hold our noses, we might recall that it was on this date in 1969 that “An Aquarian Exposition: 3 Days of Peace & Music” opened in the Ctaskills in New York State.  The organizers of the Woodstock Music and Art Fair– or Woodstock, as it is remembered– had hoped to sell 50,000 tickets; but by the week before the event, had moved 186,000.  A last-minute change of venue presented them with a hard choice: hastily erect more/stronger fences and install additional security on the new site (the famous Yasgur’s Farm) or offer the event for free.  The night before the event, with attendees already arriving in huge numbers, the promoters cut the fence.  Ultimately an estimated 400,000 people enjoyed a (somewhat rainy) weekend of performances from 32 acts.  It was, as Rolling Stone opined, a defining moment in Rock and Roll.

source

 

Written by LW

August 15, 2014 at 1:01 am

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