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Posts Tagged ‘Monterey Pop

“What do you do when your kid can only count to four? Buy him a drum kit and call him gifted!”*…

 

It may be that familiarity breeds contempt, and if that’s so, we should all be very glad of the wealth of excellent documentaries correcting the monolithic commercial story of punk, which goes something like this: The Sex Pistols and The Clash explode into the world in 1977 purveying anarchy and revolution and designer BDSM gear, and the status quo freaks out, then discovers many savvy marketing opportunities and here we are at our local punk boutique before the punk arena show at Corporation Stadium.

That’s a boring story, mostly because all the most interesting parts, and weirdest, most violent, gross-out, angry, experimental, queer, black, radical, feminist, etc. parts get left out, along with nearly all the best bands. Even if we date punk from the early seventies in New York with Patti Smith and the Ramones, we’re missing key progenitors from the 60s, from Detroit, Germany, Tacoma, Washington…

From the “liner notes” to a extraordinary Spotify playlist, “The Evolution of Punk in Chronological Order.” More background (on Open Culture), along with a link to download the Spotify app lest one need to, at: “The History of Punk Rock in 200 Tracks: An 11-Hour Playlist Takes You From 1965 to 2016.”

[TotH to Brad DeGraf]

* Frank Edwin Wright III (Tré Cool, Green Day)

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As we make three chords work, we might recall that it was on this date in 1967 that The KFRC Fantasy Fair and Magic Mountain Music Festival opened on Mt. Tam in Marin County, California, featuring Canned Heat, Dionne Warwick, Every Mother’s Son, P. F. Sloan, The Seeds, Blues Magoos, Country Joe and the Fish, Captain Beefheart, The Byrds (with Hugh Masekela on trumpet), Tim Hardin, The Grass Roots,  The 5th Dimension, Jefferson Airplane, and the Doors (in their first major appearance, contemporaneous with the rise of their first hit, “Light My Fire”), among many others.  At least 36,000 people attended the two-day concert and fair– the first of a series of San Francisco area cultural events known as “the Summer of Love.”  Admission to the festival was $2.00 and all proceeds were donated to the nearby Hunters Point Child Care Center in San Francisco.

While the (much more completely documented) Monterey International Pop Festival is widely remembered as the seminal event of that epochal summer, the KFRC Festival took place one week before Monterey and is considered to have been America’s – if not the world’s – first rock festival.

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Written by LW

June 10, 2017 at 1:01 am

“The trouble with retirement is that you never get a day off”*…

 

A small town with a booming tourism industry, Palm Springs, California, has long served as a celebrity retreat, retirement community, golf destination, and desert oasis. Photographer Nancy Baron, who lives part-time in Palm Springs, takes us behind the classic veneer of the city’s resort glamor in The Good Life > Palm Springs, a new monograph…

To Baron, Palm Springs is one of those misunderstood neighbors. With its crystalline pools warmed by triple-digit desert heat and one of the largest concentrations of mid-century modern architecture in the country, the city–which has been a popular resort since the early 1900s– evokes a particular image that may not do its layered identity justice. “Palm Springs is a brilliant example of the American Dream;” Baron describes, “springing from nothing out of the desert sand, continually reinventing itself with hope, determination, and the belief that everyone is entitled to The Good Life.”…

Baron’s photos, of her Palm Springs friends and their homes, cars, and closets, seek to broaden our concept of the city–though it still looks pretty glamorous to us…

Read– and see– more at Shaunacy Ferro‘s “Photo Essay Of Life In Palm Springs Makes Me Want To Retire Immediately.”

* Abe Lemons

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As we cool it, we might recall that it was on this date in 1967, up the coast of California, that the Summer of Love kicked off:  the Monterey Pop Festival opened.  The Fest featured California acts– e.g., The Jefferson Airplane and The Mamas and the Papas– but is perhaps better remembered for the first major American appearances by The Jimi Hendrix Experience, The Who, and Ravi Shankar, the first large-scale public performance of Janis Joplin, and the introduction of Otis Redding to a large, predominantly white audience.  (The Beach Boys helped conceive the event, and were originally slated to headline; they pulled out as the material that became Smiley Smile wasn’t ready, and they didn’t want to do old material.  The Kinks and Donovan were also meant to appear, but could not secure visas.)  With the exception of Ravi Shankar and Country Joe and the Fish, all acts preformed for free, with all proceeds going to charity.

In fact, the first rock festival had been held just one week earlier at Mount Tamalpais, north of San Francisco: the KFRC Fantasy Fair and Magic Mountain Music Festival But because Monterey was more widely promoted and heavily attended, featured historic performances, and was the subject of a successful theatrical documentary film, it became the inspiration and template for future music festivals– including, as your correspondent can attest, the Woodstock Festival two years later.

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 Happy Bloomsday!

Written by LW

June 16, 2014 at 1:01 am

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