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Posts Tagged ‘digital photography

“But the landscape of devastation is still a landscape. There is beauty in ruins.”*…

The sparsely populated community of Wonder Valley, California, is a collection of shacks known locally as Jackrabbit Homesteads. Sitting abandoned against a dusty landscape, the worn cabins inspired a series by Berlin-based photographer Helin Bereket

“I knew little about this place but was drawn to it by the sheer aesthetic of abandonment and isolation, alienation and wreckage, uncanniness and history unknown,” says Helin. During a recent visit to the Golden State, she decided to drive around and discover more about these so-called Jackrabbit Homesteads. The renowned cabins lie east of Twentynine Palms, a city in San Bernardino County, California, that serves as one of the entry points to Joshua Tree National Park. “I had no plan, my eyes scanning the desert landscape,” she says. “Shack-leftovers stuck out from the backdrop where sandy desert blended with the sun. I thought of taming this contrast by harmonising the colour palette and kept wondering about the human traces in what seemed to be a reckless wilderness.”

Why the buildings? These shacks are the last witness of the 1938 Small Tract Act that enabled Americans to obtain five sandy acres of land deemed unusable by the state. As the condition for owning the land was to build a small shack on the plot, many prefabricated or handmade structures were installed in the Mojave Desert, especially in the 1950s and the ’60s.

“Among the thousands of dwellers were veterans with lung problems seeking a cure in the hot desert air,” explains Helin. But today, hardly anyone remains…

Back to nature: “Photographs of abandoned shacks in California’s sparse community of Wonder Valley,” from @Helin__Bereket in @creativeboom.

See also: “Abandoned buildings seen reclaimed by nature.”

* Susan Sontag

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As we ruminate on ruins, we might recall that it was on this date in 2009 that Kodak ceded the victory of digital photography and announced that it would discontinue the production and sale of Kodachrome print and slide film, a repository of “precious memories” since 1935.

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“The writing of history reflects the interests, predilections, and even prejudices of a given generation”*…

 

archive

History, as a discipline, comes out of the archive. The archive is not the library, but something else entirely. Libraries spread knowledge that’s been compressed into books and other media. Archives are where collections of papers are stored, usually within a library’s inner sanctum: Nathaniel Hawthorne’s papers, say, at the New York Public Library. Or Record Group 31 at the National Archives—a set of Federal Housing Administration documents from the 1930s to the ’70s. Usually, an archive contains materials from the people and institutions near it. So, the Silicon Valley Archives at Stanford contains everything from Atari’s business plans to HP co-founder William Hewlett’s correspondence.

While libraries have become central actors in the digitization of knowledge, archives have generally resisted this trend. They are still almost overwhelmingly paper. Traditionally, you’d go to a place like this and sit there, day after day, “turning every page,” as the master biographer Robert Caro put it. You might spend weeks, months, or, like Caro, years working through all the boxes, taking extensive notes and making some (relatively expensive) photocopies. Fewer and fewer people have the time, money, or patience to do that. (If they ever did.)

Enter the smartphone, and cheap digital photography. Instead of reading papers during an archival visit, historians can snap pictures of the documents and then look at them later. Ian Milligan, a historian at the University of Waterloo, noticed the trend among his colleagues and surveyed 250 historians, about half of them tenured or tenure-track, and half in other positions, about their work in the archives. The results quantified the new normal. While a subset of researchers (about 23 percent) took few (fewer than 200) photos, the plurality (about 40 percent) took more than 2,000 photographs for their “last substantive project.”

The driving force here is simple enough. Digital photos drive down the cost of archival research, allowing an individual to capture far more documents per hour. So an archival visit becomes a process of standing over documents, snapping pictures as quickly as possible. Some researchers organize their photos swiping on an iPhone, or with an open-source tool named Tropy; some, like Alex Wellerstein, a historian at Stevens Institute of Technology, have special digital-camera setups, and a standardized method. In my own work, I used Dropbox’s photo tools, which I used to output PDFs, which I dropped into Scrivener, my preferred writing software.

These practices might seem like a subtle shift—researchers are still going to collections and requesting boxes and reading papers—but the ways that information is collected and managed transmute what historians can learn from it. There has been, as Milligan put it, a “dramatic reshaping of historical practice.” Different histories will be written because the tools of the discipline are changing…

Alexis Madrigal takes a deep dive into how archives– and the ways that we use them– are morphing: “The Way We Write History Has Changed.”

* John Hope Franklin

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As we “turn every page,” we might recall that it was on this date in 1812 that Massachusetts governor Elbridge Gerry signed the redistricting legislation that led to his being accused of the first instance of “gerrymandering” in the U.S.

In 1812 the state adopted new constitutionally-mandated electoral district boundaries. The Republican-controlled legislature had created district boundaries designed to enhance their party’s control over state and national offices, leading to some oddly shaped legislative districts. Although Gerry was unhappy about the highly partisan districting (according to his son-in-law, he thought it “highly disagreeable”), he signed the legislation. The shape of one of the state senate districts in Essex County was compared to a salamander by a local Federalist newspaper in a political cartoon, calling it a “Gerry-mander.” Ever since, the creation of such districts has been called gerrymandering. [source]

220px-The_Gerry-Mander_Edit

The word “gerrymander” (originally written “Gerry-mander”) was used for the first time in the Boston Gazette newspaper on March 26, 1812.[78] Appearing with the term, and helping spread and sustain its popularity, was this political cartoon, which depicts a state senate district in Essex County as a strange salamander-shaped animal with claws, wings and a dragon-type head, satirizing the district’s odd shape.

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Written by (Roughly) Daily

February 11, 2020 at 1:01 am

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