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Posts Tagged ‘concert

“Why would heavy metal ever go away?”*…

 

Metalheads all the world over can agree on one thing: its culture, just like its music, eschews pretense. Nowhere is this better reflected than in Dumisani Matiha, lead singer and rhythm guitarist of Metal Orizon, one of Botswana’s heaviest outfits.

On an unseasonably warm afternoon, the 41-year-old is taking time out of his day job as a farmer to explain what distinguishes this metal movement from other scenes spread out across the globe.

“We see ourselves as warriors and poets,” says Dumisani. “This is a calling. We use metal to speak to our social conditions as Africans: the struggles, the climate we operate in… It might be cheesy to you but, to us, metal is just another way of speaking about romance. To us, love is hardcore, yo!”…

Botswana is 70 per cent desert and most of its metalheads dress in old-school biker gear – made even heavier with studs, chains and all kinds of trinkets – topped off with leather cowboy hats. They are a throwback to a purer time, an era when no heavy metal fan would have dreamed of Metallica and Lou Reed making an album together, let alone calling it Lulu.

Musically speaking, the metal scene in Botswana is neither heavy nor metal. It’s a combination that sounds impossible when articulated: a mix of African hard riddims, mid-70s Manchester punk, cacophonous dub, psychedelic swamp music, free-wheelin’ progjazz and some sped-up Ohio funk thrown in for good measure…

Far beyond driven: “The hell bangers of Botswana’s underground metal scene.”

* Scott Ian (founding member and lyricist of Anthrax)

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As we celebrate the shred, we might recall that it was on this date in 1966 that the Beatles said “thank you, and goodnight” for the last time– at the end of their last public concert, at Candlestick Park in San Francisco. (This is, of course, not counting the 1969 impromptu performance on the roof of Apple Records headquarters in London — the Beatles’ last public appearance together.)

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Written by LW

August 29, 2017 at 1:01 am

“O, had I but followed the arts!”*…

 

Investment in the arts doesn’t cost us money – it MAKES us money!

I just got back from a rally at City Hall. It was organized by city council member Jimmy Van Bramer to protest the proposed budget cuts to both publicly funded arts organizations (NEA, NEH and the Corporation for Public Broadcasting) and the library system. Lots of other council members, museum directors, actors, union representatives and many more were on hand. It was a beautiful spring day. I spoke very briefly, making the economic and social argument—that arts funding benefits the economy and creates jobs way in excess of the amount invested. It has the effect of lowering crime, raising property values and lowering child abuse! Really!

The Trump administration and their Republican allies hope to eliminate funding for a number of federal arts organizations. This is a political move—it really doesn’t amount to much money—it’s a tiny part of the federal budget. The amount of federal funding is $741 million, which sounds like a lot, but is less than one-tenth of 1 percent of the United States’ annual federal spending, an amount supporters say is too small to make a difference in the budget if it was cut. On a budget pie chart it doesn’t even show up, it’s too small.

Q: What does that “investment” get us as a nation?—A: It gets multiplied more than 100 times= $135.2 BILLION…

Read on, as David Byrne makes a compelling case at “What Good Are the Arts?

* Shakespeare, Twelfth Night

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As we treasure society’s hope chest, we might recall that it was on this date in 1939 that celebrated contralto Marian Anderson sang an Easter Sunday concert for more than 75,000 at the Lincoln Memorial in Washington, D.C.  A radio audience of millions listened in.

Anderson had been denied the right to perform at Constitution Hall by the DAR because of her color.  Instead, and at the urging of Eleanor Roosevelt, Harold Ickes permitted her to perform at the Lincoln Memorial.

 

 

Written by LW

April 15, 2017 at 1:01 am

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